From her desk at the top of the stairs, she has watched 460 different exhibitions come to life at the Confederation Centre Art Gallery over the past 24 years.
The gallery receptionist also has met hundreds of artists and led hundreds of tours.
“It’s been a huge learning and growing experience. I study the (works) that go up because I get asked questions about them,” said the resident of Cavendish.
Muttart said she knows the whereabouts of each and every piece of art in a given show.
“A work could be on the third floor, over to the side, and I have to know it. So, I write everything down.”
However, working with art is only part of her job.
Enjoying the ambience of art on the walls around her has been part of Debbie Muttart’s workdays at the Confederation Centre Art Gallery in Charlottetown. Jill MacRae/Special to The Guardian
Muttart also acts as a one-person tourist information centre, calling cabs and giving directions to visitors who are heading toward various Charlottetown attractions.
Once, she helped a lost cruise ship passenger who was distraught after being separated from her group.
“They were up the street enjoying ice cream at Cows. I just made a phone call and found out where they were.”
A few years ago, Muttart even greeted Canadian superstar Brian Adams and gave him a guided tour of the gallery when he was in Charlottetown.
“There was no one in the gallery that day. Things were peaceful and calm for Brian.”
Now, after welcoming thousands of visitors from all corners of the world, gallery staff members are recognizing her with an exhibition of her own.
“It feels wonderful,” said Muttart.
Debbie Muttart stands next to Bathsheba, a painting by Lindee Climo. The exhibition shows Muttart’s love for animals. – Sally Cole
The Debbie Show: Views from the Desk, will be on view until April 12 in the Lower East Gallery space, next to her desk.
The exhibition is extensive. It ranges from animal portraits by Lindee Climo (Bathsheba) and Alex Colville (Prize Cow) and Canadian photographer Shari Hatt (47 Dogs) to George Thresher’s Yankee Gale of 1851, a storm that caused major destruction along P.E.I.’s North Shore.
Among her favourites are several Group of Seven paintings.
“They remind me of my father’s cottage down in Milltown Cross.”
Another one of her picks is Backyard by Marion Wagschal. The realistic painting shows a man sitting outside on a lawn chair while his wife seeks shelter from the sun, under a tree.
“When I was doing the research, I discovered the man in the image had a vacant stare like Alzheimer’s patients sometimes have. My father had that stare. He had Alzheimer’s,” said Muttart, who chose the painting to bring the disease into the forefront.
In fact, she’s dedicated the entire show to her late father, Ronald B. MacLean Sr., who taught her to love nature.
Backyard, a painting by Marion Wagschal, is one of the pieces in The Debbie Show. – Sally Cole
Mounting the show was a collaborative process, said Jill MacRae, who co-curated the show with Andrew Cairns.
“We started by having Debbie talk about some of her favourite pieces, over the years…Then we had Debbie peruse collections publications and old exhibition photographs to jog her memory and expand her selection,” said MacRae.
Finally, the curators spent time in the vault pulling additional pieces based on what types of work Muttart was drawn to.
“We spent time looking at and discussing these works with Debbie and ended up with a final list that was a healthy mix of old and modern, sculpture and two-dimensional work, landscapes, portraits and abstracts.”
They even gave Muttart homework to do.
“I had to write essays about each of the artworks I picked and why I picked them.”
On Wednesday, looking at the colourful walls around her, she said she is pleased with the outcome.
“There’s a feeling of self-satisfaction. I feel like I accomplished something that was in the back of my mind for years. I feel like here I am.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
