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What The Media Rating Council Does – Forbes

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The recent decision by the Media Rating Council to suspend the accreditation of Nielsen’s national and local ratings service shed a light on the important role the organization plays in the media community. Despite its recent high profile, the MRC is nearly sixty years old, in addition to auditing and accrediting (or non-accrediting) audience measurement services, plays a number of other roles in the media community. For example, the MRC investigates ratings irregularities, they conduct education seminars, they develop measurement standards and standardized definition guidelines for audience measurement and produce “white papers” on a number of topics for the media community to consider. 

The origins of the MRC dates back to the early 1960s when a Congressional Committee held hearings for the purpose and accuracy of audience research and considered regulation related to the TV and radio industries. These hearings were informally referred to as the “Harris Committee Hearings on Broadcast Ratings.” When the hearings concluded it was decided the industry should self-regulate instead of undergoing direct government oversight. As part of the decision was the implementation of independent audits of ratings providers and the launch of the industry funded Broadcast Rating Council (now Media Rating Council) with the directive to review and assess these audits, set industry standards and accredit audience measurement providers. 

Among the original purposes of the MRC was to;

·       Improve the quality of audience measurement available to the industry.

·       To secure for the media industry and related users measurement services that are valid, reliable and effective.

·       To evolve and determine minimum disclosure and ethical criteria for media measurement services.

·       To provide and administer an audit system designed to inform users as to whether such measurements are conducted in conformance with the criteria and procedures developed.

MRC membership is available to any company that uses or relies on media research. Since the MRC is an independent and nonprofit organization membership fees are comparatively affordable. Currently, there are about 160 members cutting across a number of different organizations including advertisers, ad agencies, publications, radio and television owners, trade organizations, MVPDs, digital media and global companies. Each member is given one seat on the MRC Board of Directors. George W. Ivie, has been the CEO and Executive Director of the MRC since January 2000.

The MRC oversees audits for audience measurement services that media buyers and sellers in the advertising community rely on. All the measurement companies that the MRC audits account for tens of billions of ad dollars annually. Each year there are over 100 audits conducted across the ad supported media spectrum some of which can be long and arduous. To get accredited, measurement companies need to be transparent in disclosing methodology and survey performance in a number of areas including; sample design, selection, recruitment, data collection, ratings calculations among many other criteria. But in addition, their measurement methods need to demonstrate fitness for purpose and operational effectiveness. These audits are conducted by an independent CPA firm engaged by the MRC, and are funded by the audience measurement company being audited.

MRC has operating committees broken up by medium for television, radio, print, out-of-home, digital media, etc. that members can join. These members tend to be (although not required) senior research personnel at their respective organizations. After undergoing an audit, committee members then vote on whether to recommend accreditation of the audience measurement service. Because of the sensitivity of accreditation and the full transparency the audit process requires, all MRC members are required to sign an MRC non-disclosure agreement (NDA). The MRC however, does produce press releases and public statements on the accreditation status on an ongoing basis.

Although the MRC’s Board of Directors decision to suspend Nielsen’s accreditation in September gained a lot of media attention, the organization has played an important role in many other industry related measurement issues. Including cross-platform measurement and digital media, two areas that benefit from industry-wide consistency.

In September 2019, the MRC issued a 73-page document outlining standards for cross-media audience measurement. This provided guidelines to aid media buyers on how best to use video platforms when targeting consumers. Also, in the document were guidelines for not tabulating invalid traffic, improved duration reporting, whether the audio was playing and an updated definition for “viewable” impressions specifically to be applied for cross-media measurement purposes.

In 2014 the MRC defined a viewable video ad impression as 50% of the pixels in view for two seconds. With the new guideline, the definition of a viewable video ad impression as used to contribute to cross media audience reporting is 100% of the pixels in view for two seconds or more. The viewability definition would also be applicable for linear TV, streaming video, mobile and desktop. The document was two years in the making, involved a reported 75 companies, 300 people and the collaboration from several trade associations. Two years later, no cross-platform measurement provider has been accredited as yet using the MRC guidelines.

In August 2021, the MRC issued a final measurement document providing additional guidelines that separates streaming video from linear TV. This was an update from a 2018 guideline issued by the MRC and Interactive Advertising Bureau (IAB). Included was new guidance on measuring digital video ads using server-side ad insertion (SSAI), an area that has been susceptible to ad fraud. In addition, the MRC offered recommendations for best practices and clarification of the terms “OTT” and “CTV”.

At present, the MRC has been developing standardized guidelines to measure outcome-based measurement and ad effectiveness such as brand lift, sales lift and ROI. There are a number of ad tech companies that are active in this area. Similar to the cross-platform document, there will be a period for industry wide public commentary. The document is expected to be issued next year.

In the past, under Ivie’s guidance the MRC has also been actively involved in many ratings snafus with the VAB/Nielsen being one of the latest. The MRC has played a role with many ratings irregularities from software glitches and inconsistent ratings. In 2014 MRC worked with Nielsen to identify a radio programming executive who had manipulated ratings from a portable people meter (PPM).

In 2004, with Nielsen introducing Local People Meters in ten major markets replacing TV diaries, “The Don’t Count Us Out Coalition” was then formed. The coalition were broadcast stations in those markets that, at the behest of Fox owned stations, wanted to temporarily halt the roll-out of LPM’s. The group cited the underreporting of ethnic groups that needed to be resolved before going live, gaining a lot of media attention in the process. The issue involved the MRC, TV stations, Nielsen, trade groups, minority advocacy groups and eventually escalated to Congress, where Ivie testified at a hearing on the matter. Nielsen proceeded with the LPM roll-out even though the MRC had not accredited LPM’s, but ultimately gained MRC’s accreditation, which remained in place until the recent suspension.

With the majority of the $20 billion invested during the 2021-22 TV ad upfront some questioned the impact of Nielsen’s accreditation being suspended. In a sign of support, a press release from the Association of National Advertisers said, “The Media Rating Council was established at the request of the U.S. Congress. It is the officially designated industry body for establishing standards for ratings’ operators, accreditation of rating services, and auditing through designated CPA firms. We fully support the MRC and its body of work. Although the MRC accreditation process and attendant rigor require time and resources, it is an indispensable organization. It is necessary to support and justify the billions of advertising dollars spent annually on paid media. Fiduciary transactions require accurate foundational measurement enabled by the MRC. The ANA stands fully behind the MRC.”

Marshall Cohen, former Head of Research at MTV Networks, Univision and AOL as well as a former member of the MRC Board of Directors, adds, “My experience goes back to when the MRC was the EMRC (the E was for Electronic)! I have always felt that the work of this body was crucial in ensuring that research and measurement companies were actually doing what they said they were doing, and that they received a real and honest perspective on their methods. With that in mind, we need the MRC more now than ever before.”

Furthermore, in a podcast interview on AdExchanger, David Kenny, the CEO of Nielsen said, “Nielsen is actively working with the MRC itself and with MRC-sanctioned auditors to regain accreditation for its legacy broadcast TV ratings, which is a top priority, because people are relying on this as we speak.”

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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