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New art series UnikKausiga — 'my story' — depicts the life stories of Inuk Elder Ellen Ford – CBC.ca

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A new collaborative art series between artist Jennifer Young and Inuk Elder Ellen Ford documents the stories of Ford’s life through encaustic paintings.

Young, a retired management consultant, spent most of her time working with Indigenous communities, including with Ford’s daughter, Valeri Pilgrim, and it was during one of Pilgrim’s visits to Young’s studio in St. John’s that the idea for the series — titled UnikKausiga, an Inuttitut word that means “my story” — was sparked.

Young says she was fascinated by Ford’s stories and wanted to collaborate with her. As a non-Indigenous person Young said, she believes working together to tell stories is an important part of the reconciliation process.

“We need Indigenous and non-Indigenous working together to tell stories, to understand them, to understand the impact of them. And her stories are beautiful, it was just such an easy thing to want to translate,” said Young.

Encaustic painting involves using a heated medium to create the artwork. For her paintings, Young melted together beeswax and tree resin and added layers to the paintings, scraping layers of the wax away to showcase the colours underneath, even embedding wax moulds and photographs printed on tissue paper.

Young had been working on encaustic maps of different places around the province, one of those being Hebron, a resettled community north of Nain that is now a National Historic Site of Canada. When Pilgrim saw the map she told Young about her mother’s connection to the area, and the series was born.

Artist Jennifer Young translated Ford’s stories into a series of encaustic paintings. Young uses melted beeswax and tree resin to paint the layers of the paintings. (Katie Breen/CBC)

Stories from the heart

When Ford was first approached by Young, she says, she couldn’t believe someone would want to tell her stories through their artwork but she became intrigued and even a little excited about the process.

Ford told Young stories about her parents, living off the land, attending boarding schools in Labrador and going to St. Anthony, on Newfoundland’s Northern Peninsula. When Ford’s parents would go to their gathering place in the winter, she would stay in Nain at the boarding school. When Ford was eight years old there was no teacher at the boarding school in Nain and she had to go to the Yale School in North West River. 

Kisijamik Attuinnaumutinik — Preparing the Seal Skin is about preparing sealskin. This painting includes a photo of Ford and her sister chewing the edges of the skin to make it softer for sewing. (Katie Breen/CBC)

“Growing up sometimes there were hard times, but the best times that I really enjoyed was when we’d go off on the land and be gone for most [of the year]. Then of course, it was come back going to school, which I wasn’t really fussy about but I went anyway, because of course, you listen to your parents,” said Ford. 

Ford says she “couldn’t get over” Young’s paintings and is proud of the work they created together, with her favourite the one about her story of going egging — harvesting eggs from nests — with her sister on an island between Nain and Hopedale. 

“I didn’t have anything to put my eggs in, so I used my hood of my jacket, so when I was going down, climbing down over to the hill, to the boat, Mom was looking up at me and she said, ‘Ellen, you’re leaking.’… Some of the eggs on the bottom had broken and [leaked] through my hood,” said Ford. 

Timmet Manningit – Eider Duck Eggs. In the spring when Ford and her family would travel south, they would always stop at some small islands to collect eggs that her mother would use to bake cakes and pancakes. Ford says her mother would always tell them to leave at least one egg in each nest. (Katie Breen/CBC)

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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