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Bringing Together Art & The Cosmos | astrobites – Astrobites

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Anyone who has seen an image from Hubble knows that space is downright beautiful. It’s almost no surprise that the wonders of the cosmos have inspired art and culture for much of humanity’s history. Science art is both valuable for and created by scientists, science communicators, and really anyone with any interest in space. In today’s Beyond Bite, we’ll look at the role and importance of science art in modern astronomy, as well as hear from many science artists about what motivates them to create. 

The Value of Science Art

Science is inherently creative

Although science is often thought of as separate from and more objective than art, people are finally breaking down that idea. Science is done by people, for people, and inherently includes all the complexity that comes along with that. Science also requires a great deal of creative thinking, a fact that is integral to the popular STEAM (Science, Technology, Engineering, Arts, and Math) framework of education. This educational strategy incorporates both arts and science into a holistic education, building students’ critical thinking, problem solving skills, and creativity.

Visual art also comes into play in part of the scientific process: data visualization. Designing engaging, understandable, and appealing plots is akin to a creative art practice, and there are even contests for the best plot art, such as the John Hunter Excellence in Plotting Contest. Sometimes, the mistakes of data visualization create abstract art on their own, too, as displayed in @accidental_art.

Art bolsters wellbeing

From art therapy to adult coloring books, there is ample evidence of the benefits of practicing art on peoples’ mental health and overall wellbeing. Science, on the other hand, has a history of being hard on mental health (especially in graduate school!) and encouraging poor work-life balance. Research has shown that having hobbies, such as creative and artistic pursuits, can lower stress levels and improve people’s sense of work-life balance. Although hobbies and art certainly have value outside of their use in science, they can also help scientists find new creative inspiration to solve problems and even improve their productivity in the long run. Scientists can also share their hobbies and art as part of their science communication, breaking down harmful stereotypes and even boosting their credibility and effectiveness in connecting with various public audiences.

Science communication through art

One of the most often cited reasons for making science art is that it helps share science in a fun way that engages broad audiences. Only a fraction of the science being done makes it to the public, partially due to the fact that many audiences harbor mistrust of scientists or are simply unfamiliar with scientific thinking and methods. Another problem is the widely used “deficit model” of science communication, in which people need to simply be given objective information to change their views and learn. 

Instead of seeing emotionality as simply a barrier to objectivity, we can harness emotion to engage audiences and build trust, often through art. Art can open the door to a different model of communication—two-way engagement, in which people actively ask questions and participate in understanding scientific discovery. Nature has even recently extolled the virtues of artist-scientist collaborations, describing the results as “exhilarating, challenging, enlightening, stimulating, inspiring, fun.” 

A 2016 study of science communication found that art is increasingly being incorporated into science communication and outreach efforts through artist residencies, classes, exhibitions, and more, although physical science lags behind other disciplines in its use of science art. Dedicated science art galleries and events are also growing, such as the The Art of Planetary Sciences show at the AAS Division for Planetary Sciences yearly meeting and the STARtorialist booth at the AAS bi-annual meetings. Some institutions, such as Caltech, also have art installations within their academic buildings.

Stories from Science Artists

Although research has looked into the value of scientific art, it’s impossible to truly understand the impacts and motivations to make astronomical art without actually talking with the people involved. Below are quotes from many different science artists, describing their “why” for creating art based on outer space or telling stories about ways science art has enriched their lives, careers, and more.

“I’m pretty into space cross stitch…I realized the pulsar plot profile would work perfectly, and it turned out awesome so I made a second when Jocelyn [Bell Burnell] visited our department for her! The pulsar plot profile I made her is of the first pulsar she discovered. Think I reached my peak nerd in that pic of the two of us for sure. She loved it!” — Dr. Yvette Cendes @whereisyvette [Images below courtesy of Dr. Yvette Cendes]

“I make my little astronauts because they remind me to explore in wonder, to appreciate having a breathable atmosphere, and to remember what we can do when we collectively aim ourselves at a goal!” — XXYXXYART @xxyxxyart

“I think it’s very important for artists to make the huge universe something that everyone can relate to and enjoy in tangible ways.” — Yugen Tribe @yugentribe

“There are a lot of cool images in the Hubble archive that don’t make it out to the public in a meaningful way, so I try to find those and bring them out. Other than that, it’s a fun way to explore and begin to understand astronomy and astronomers.” — Judy Schmidt @SpaceGeck

“Space is vastly interesting…I usually am inspired by whatever I am learning about as my amateur astronomer/space lover self. Oppy up there [in the image] was in order to keep busy while I was worried about the dust storm. New Horizons was designed just after flyby, and I worked on Juno while watching it arrive at Jupiter.” — Alyshondra Meacham @AlyshondraM

Four embroideries — (clockwise from top left) Opportunity rover, Juno's shadow on Jupiter, constellations, New Horizons passing by Pluto. I
Four embroideries — (clockwise from top left) Opportunity rover, Juno’s shadow on Jupiter, constellations, New Horizons passing by Pluto. Images from Alyshondra Meacham.

“I do a lot of sci art because I want people to appreciate the things I study in a way where they might not normally see them…I think also a big thing for me too is I love defying expectations, and I’m so tired of seeing scientists depicted in such one-dimensional ways…we have other passions, especially in the arts, and I think the two go hand-in-hand. I think being solely invested in a singular science is not sustainable and is more susceptible to burnout.” — Marina Dunn @Astro__Marina

“I’ve tried my hand at some astro artwork as part of our #AstroOnTap LA [outreach] posters (for Caltech Astro)…it’s nice to take a break from science to work on these. They’re a labor of love.” — Cameron Hummels @astrochum [Images below courtesy of Cameron Hummels / Caltech Astronomy on Tap]

“In a nutshell, I find it hard to communicate ideas verbally. I’m very socially anxious, too, but I appreciate that science communication is extremely important. This [art] was my attempt of using the knowledge and toolset I have to communicate science and my research.” — Soheb Mandai @TheAstroPhoenix

“I just recently became a science artist…When COVID took over and we self-isolated, I knew the only way I’d be able to get through it would be creativity and connections. I sent out over 300 postcards (mostly astronomy and famous women in science) all over the world. Then someone said I should make my own postcards…I began making Afronaut Space Art postcards that I send out to my patrons once a month. I love it. I never imagined I could be a space artist and now here I am doing it.” — Astronaut Dr. Sian Proctor @DrSianProctor

“I do #sciart for three reasons: 1) When the universe is trying to kill you, sometimes you just need to find zen in the art of planetary sciences. 2) Not all news stories have good art to go with them and I fill gaps. 3) The income makes a difference.” — Dr. Pamela L. Gay @starstryder

“10 years ago I needed an illustration for a book I wrote on astronomy in national parks. That illustration was so popular with park rangers it launched a career that eventually let me retire as a professor to pursue science outreach through art full time.” — Tyler Nordgren @NightSkyPark [Images above courtesy of Tyler Nordgren]

“Creating sci art gives me another way to communicate science to the public. As an astrophysicist, I’m passionate about science, but it’s nice to be able to take a visual approach. I enjoy making distant phenomena more tangible through a painting, like an exoplanet landscape of clouds on a brown dwarf.” — Dr. Lacy Brock @stellerarts

“I’ve always had an interest in science fiction pop culture, mostly inspired by stories of lone astronauts bravely fighting against the unknown. They hit close to home a few years back, when my dad was dying from cancer and it felt like everyday I was facing new, intimidating worlds.  A lot of my work at that time shows small astronauts alone on fracturing moons. But despite all that threatens them, they stand and face the uncertainty. The setting of space is a great backdrop for stories about confronting change bravely and to express empathy for people whose experiences and struggles seem so distant from our own.” — Amy Hill @amyraehill

Astronomical art illustrates the importance of creativity in science, and has a number of benefits to both its creators and viewers, enriching lives, creating community, and more. Art can help us share science in new and engaging ways, and together with art we can gain a deeper appreciation of our place in this vast universe.

Edited by Luna Zagorac

Featured image courtesy of Dr. Yvette Cendes

Thank you again to everyone who shared their experiences and stories with science art for this Bite! If you’re on the lookout for more science artists, check out this list of science artists, curated by the SETI Institute.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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