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Art about a lesbian couple in Ottawa

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For most people in Ottawa, our first exposure to the work of surrealist artists Claude Cahun and Marcel Moore came with the current exhibit at the Ottawa Art Gallery.

Facing Claude Cahun and Marcel Moore opened last fall and features historic works by the couple, as well as new works by Ottawa-area artists that respond to their artistic legacy.

But Ottawa playwright Sarah Waisvisz discovered the pair almost 15 years ago when she happened to see a film about them while visiting a friend in New York City.

https://canadanewsmedia.ca/?s=OttawaNow her new play, Heartlines, inspired by the couple, has its world premiere at the 10th-anniversary edition of the undercurrents festival of independent theatre. This week also marks the final days of the OAG exhibit; it closes Feb. 9.

The film Waisvisz saw was Lover Other by American visual artist Barbara Hammer, and it explored the life and work of the French-Jewish lesbian couple that engaged in resistance against the Nazis in occupied France during the Second World War. Born in the late 19th-century as Suzanne Malherbe and Lucie Schwob, they adopted gender neutral pseudonyms for their pioneering art collaborations.

“I was totally mesmerized,” recalled Waisvisz during an interview at the OAG. “They were regular people engaged in acts of outrageous bravery, even though they had targets on their back themselves because they were Jewish and gay and making art that wouldn’t have been approved by the Fuhrer. They were essentially two middle-aged women making pamphlets using their own creativity and artistic talents, and they managed to terrify the Nazi regime. The Nazis thought it was a huge network of resistors wanting to overthrow the occupation.”

The film struck a chord with Waisvisz and her friend because they’re both Jewish, gay and French, but had never heard of Cahun and Moore. At the time, Waisvisz was a recent McGill grad with a degree in drama, trying to decide what to do with her life.

“To see this movie about gay Jews and activists really spoke to me because I didn’t know you could be gay and Jewish,” she said. “I was wondering which part of myself I had to give up so to see this film about people who managed to embody all of those aspects of their identity, where their art was never separate from their politics or their spirituality, I found to be really inspiring.”

Waisvisz, who’s 38, went on to complete a doctorate in English and is now an instructor in the English department at Carleton University, as well as a playwright and performer. Over the last five years or so, she wrote the play about Cahun and Moore, developing it from a 20-minute performance to a full-length, two-act piece starring Margo MacDonald and Maryse Fernandes, with a live score composed and performed by The PepTides’ Scottie Irving. It’s directed by Rebecca Benson.

“It’s a memory play but it’s also very much set in our present moment,” Waisvisz says. “There are little winks to the present throughout the play. We’re not making art in the tradition of realism, we’re making it in the tradition of surrealism. We’re more interested in it as an experience that makes you more aware of your reality rather than going off somewhere else in dreamland. I’m deeply interested in this notion that everybody here is trying to make the world a better place in whatever way they can.”

Her play is one of eight selected for this year’s festival of independent theatre. Undercurrents began in 2011 at the Great Canadian Theatre Company, eventually moving to Arts Court. More than 60 shows have been presented in the last decade, including 19 world premieres by Ottawa-area theatre artists.

Here’s a quick look at the other plays on the program. For complete details and showtimes, including information on the new pay-what-you-can-afford pricing model, go to undercurrentsfestival.ca. The festival runs to Feb. 15.

Awkward Hug: 

An O Albatross Production

Vancouver, Britsh Columbia

Created & Performed by Cory Thibert

What to expect: A coming of age tale about a family forced outside the margins because both parents have disabilities.

Beth-Anne

A Monica Bradford-Lea & Nicholas Leno Production

Ottawa, Ontario

What to expect: A solo comedy show about a horse-crazy girl.

Cardinal

An Aplombusrhombus Production

Ottawa, Ontario

Created & Performed by Mitchel Rose and Madeleine Hall

What to expect: A clown show about Alzheimer’s.

Crippled

Presented by Power Productions

St. John’s, Newfoundland

What to expect: A love story about a gay man living with a disability in small-town Newfoundland.

Home Sweet…Something

A Litera Pro Production

Ottawa, Ontario

What to expect: A satire about three women who wake up in an escape room and must find their way out.

Honey Dew Me

A theatre decentred Production

Ottawa, Ontario

What to expect: A slice of life in 1960s Ottawa when queer people in the public service were considered a threat to national security.

Kitt & Jane: An Interactive Survival Guide to the Near-Post-Apocalyptic Future

A SNAFU Production

Victoria, British Columbia

What to expect: This survival guide comes with choreographed dance numbers, live music and puppetry.

Unbridled Futurism – A Sci-Fi Comedy Rock Show

A makendoes Production

Toronto, Ontario

What to expect: A comic performance featuring original music, a live band, DIY video and absurd characters such as The Raccoon King of Toronto.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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