Art
Finalists named for Winter Stations 2022 art installations on Woodbine Beach – Beach Metro Community News – Beach Metro News
The six art installations that will make up the Winter Stations 2022 exhibit along Woodbine Beach have been selected.
They are ENTER-FACE (from Turkey); Wildlife-guard Chair (from Canada and France); THE HIVE (from Canada); S’winter Station (Ryerson University); Introspection (University of Toronto); and One Canada (University of Guelph).
Winter Stations began in 2015 as a way to highlight the beauty of the Eastern Beaches and make them a destination point for outdoor art installations during the winter. The artworks are set up at the lifeguard stations along Woodbine Beach, and each year an international competition receives entries connected to that year’s Winter Stations’ theme.
In 2021, winners had been selected for the art installations but they were not put up over the winter on the beach due to COVID-19. However, some of them were later displayed along Queen Street East in the summer thanks to The Beach BIA.
Given all that the world has gone through over the past two years, the theme for Winter Stations 2022 was Resilience.
“Designers were asked to celebrate the ability of people to withstand and push through challenging and unprecedented times,” said the Winter Stations press release announcing the 2022 winners.
“This year, artists were asked to not only reflect on all the ways people have had to be resilient, but the ways people have channeled this resilience, be it through communities, movements, support networks and more.”
This year’s Winter Stations will take place along Woodbine Beach starting on the Family Day long weekend in February and continuing through until the end of March. That is, of course, “pending any unforeseen COVID restrictions”.
The founder of Winter Stations, Roland Rom Colthoff, said he was “overjoyed” that the art installations would be back on Woodbine Beach this year.
“It’s great to be able to offer Torontonians a distanced and safe event to look forward to this winter. Whether it’s your first time seeing the exhibits, or you’re returning for another year, we hope you enjoy the installations that artists and designers from around the world worked so hard to create,” he said in the press release.
With Resilience as the theme, this year’s Winter Stations also recognizes the impact of the pandemic on East Toronto and particularly shelter residents. One of the installations has been dedicated to the women and gender diverse individuals who lived at the YWCA’s temporary emergency shelter on Queen Street East in the Beach for most of last year and a good part of 2020.
“After reviewing the winning stations, residents and staff (at the YWCA emergency shelter) were drawn to THE HIVE, because of its vibrant colours and how it represents resilience and hope in building community in unprecedented times,” said the press release.
For 2022, Winter Stations will also be expanding its footprint beyond Toronto. The installation Wildlife-guard Chair will debut in early February at Hamilton’s Winterfest on Pier 8, before heading east to Woodbine Beach for Family Day.
Winter Stations was first launched by RAW Design, Ferris + Associates and Curio in 2015. Over the years it has become immensely popular with both local residents and visitors to the Beach.
Sponsors for Winter Stations 2022 are The Beach BIA, Minto Communities, Sali Tabacchi Branding and Design, Meevo Digital, RioCan, Demirov, Bara Group, Urban Capital and Waterfront Shores Partners, consisting of Cityzen Group, Tercot Communities, Greybrook Realty and the City of Hamilton.
Here is more information on the six winning installations for Winter Stations 2022:
ENTER-FACE by MELT (Cemre Onerturk and Ege Cakir, Turkey)
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Inspired by the northern cardinal bird – a specie present all-year round in Ashbridge’s Bay Park – the station seeks to engage the visitors with Toronto’s wildlife. The diversity of species taking refuge in the dense urban environment is both remarkable to observe, and critical to preserve.
THE HIVE (Kathleen Dogantzis and Will Cuthbert, Canada)
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S’winter Station (Evan Fernandes, Kelvin Hoang, Alexandra Winslow, Justin Lieberman, and Ariel Weiss, led by Associate Professor Vincent Hui, Ryerson University’s Department of Architectural Science)
The forces of nature are relentless. Like the falling snow of the sky and the shifting sands of the beach, the pavilion embraces local wind, snow, and sun conditions. Following these directions of force, the pavilion’s wings embody movement by harnessing snow and mitigating strong winds. Beach towels have been formed into dynamic concrete panels with varying openings. These panels control the amount of light and snow allowed to enter, while also creating unique views outwards. Together, the panels and wings protect users and encourage them to engage with their surroundings. Where the lifeguard station, beach towels, and marine ropes are more frequently used in the summer, the pavilion achieves resilience by employing these objects in the winter. The pavilion acts as a shelter for the community where winter conditions are celebrated by harnessing and adapting to natural forces.
Introspection (Christopher Hardy, Tomasz Weinberger, Clement Sung, Jason Wu, Jacob Henriquez, Christopher Law, Anthony Mattacchione, George Wang, Maggie MacPhie and Zoey Chao, led by Associate Professor Fiona Lim Tung, University of Toronto’s John H. Daniels Faculty of Architecture, Landscape and Design)
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One Canada (Alex Feenstra, Megan Haralovich, Zhengyang Hua, Noah Tran, Haley White and Connor Winrow, led by Assistant Professor Afshin Ashari, University of Guelph’s School of Environmental Design and Rural Development)
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Art
Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
Art
Ukrainian sells art in Essex while stuck in a warzone – BBC.com
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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Art
Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed
The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
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