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Glenn embracing challenge of guest curating Winter Festival Art Show and Sale – Prince Albert Daily Herald

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Michael Oleksyn/Daily Herald Allyson Glenn is the guest curator of the 46th Annual Winter Festival Art Show and Sale , which is set for Feb. 11.

The guest curator for the 46th Winter Festival Art Show and Sale is eagerly anticipating the opening. Curator Allyson Glenn has spent Wednesday and Thursday curating the 120 pieces of art delivered to the Mann Art Gallery in preparation for the event. Artists dropped off their pieces on the week of Jan. 24 and Glenn has spent time organizing them thematically ahead of the opening.

Overall, Glenn was amazed by the talent she saw from artists.

I was really impressed when I first came in,” she said. “A lot of the pieces were really well done. The artists, some of them I know but there are quite a few artists up in this region that I have not met and they are really skilled and creative.

This is my first time doing this and it’s quite the job,” she added. “I was warned by (friend) Grant McConnell. He had said it was a big job.”

The show has returned to pre-COVID-19 numbers with 120 pieces according to the Mann Art Gallery and Glenn has used her artists eye to connect them.

Something I was thinking about when I first saw the works was which works speak to one another,” Glenn said Thursday afternoon. “I think that’s because I am a visual artist and so my first instinct is to pull works together that aesthetically work together, but some thematics start to be a little more obvious as to why certain works are even working together.”

The popular annual exhibition shows off the artistic talent and achievements of the entire region and typically displays well over 100 artworks. Many prominent artists working today (including Aganetha Dyck, Catherine Blackburn and George Glenn among others) got their start in the Winter Festival Art Show.

Glenn, an Associate Professor for the Department of Art and Art History at the University of Saskatchewan, has had artwork shown throughout Canada, the United States, Great Britain, Czech Republic, Switzerland, Germany, Greece, Italy, India and China. After a day to absorb the pieces, Glenn said she was able to find an overaching theme.

It is like inside/outside that is kind of a theme that I am seeing in the work,” she explained. “I don’t know why it is like that this particular year. It may have been different in other years but I am just assuming that with COVID those are the kinds of things people are thinking about right now because they are stuck inside and then for many of us going outside was nice at least.

Even the way that we experience the natural world is a little bit different these days. We maybe even appreciate it more, or appreciate even the spaces that we curate within our own gardens more.”

The First gallery room’s theme is order and chaos or patterns in architecture. The second room’s theme is structure with black and white images that incorporate mathematics and logic.

I am sort of building the show in some ways like I would if it was my own art,” she said. “Although I don’t necessarily think like a curator in that I would be juxtaposing one work with another to create conversations, I think that for me it makes sense to try and find series within the larger body of work.”

The next two rooms are the natural world and the natural world as curated by people.

It’s sort of like chapters in a book,” she explained. “In this chapter it is more in the natural world or experience with the natural world when we go out.”

As of Thursday afternoon there was still a section of pieces waiting for a home. Glenn said she hasn’t decided if they belong an an inside room, or along the wall on the front space.

Glenn added that great instructors like McConnell, George Glenn and Clint Hunker have been teaching in small remote town, which has helped grow the talent and skill of local artists up north. She said some artists are clearly taking the initiative and learning on their own too through other mediums, like YouTube.

Glenn said hopes the artists enjoy how she will interpet their work.

It gives an opportunity to see their work in a different light because it will be juxtaposed beside someone else’s work or in conversation with something else,” she said. “They might find it interesting that their work is beside this work or that work.”

The first Winter Festival Art Show was organized in 1976 by The Little Gallery (the Mann Art Gallery’s first incarnation) and contracted the tapestry artist Anne Newdigate as its first guest curator.

The Winter Festival Art Show and Sale runs Feb. 11 to March 26. The Opening Reception and Awards Evening on Feb 11 at 7 p.m. and Curator’s Walk-Through on Feb 12 at 10 a.m. will be livestreamed and recorded.

michael.oleksyn@paherald.sk.ca

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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