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Art and technology expose ‘hidden inequalities’ in cities

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Abu Dhabi, Feb 10 (Thomson Reuters Foundation) – In South Africa’s Cape Town, an aerial photograph shows vast villas interspersed with lush greenery, blue swimming pools and the odd tennis court, while on the other side of the road, hundreds of tin-roof shacks tell a different story.

The image is one of a series shot by drone in the world’s biggest slums by Cape Town-based photographer Johnny Miller, on show at the U.N. World Urban Forum in Abu Dhabi this week.

“It’s easy to ignore inequalities when you can’t really see them,” Miller told the Thomson Reuters Foundation at the conference.

“People don’t pay attention to the things they see every day, so we need a visual culture that breaks that mechanism and gets people to notice, then take action,” he added.

From segregated housing to green spaces and other infrastructure that favors the rich, art and technology can help map some of cities’ most entrenched inequalities, said artists, researchers and officials at the UN-Habitat event.

South Africa’s cities remain for the most part racially divided more than 20 years after the end of apartheid, under which millions of black people were forcibly removed from white-only urban areas to live in crowded townships and designated rural “homelands,” with the two sides separated by buffer zones.

That legacy of spatial planning makes it even more difficult “to get the public to realize what has always been around them,” said Pam Tshwete, South Africa’s deputy minister of human settlements, water and sanitation.

“If something has existed around you for years, you may be less likely to question or challenge it,” she added.

Other types of inequality such as emerging “climate gentrification” also have roots in longstanding social differences, said Michael Berkowitz, a founding principal of Resilient Cities Catalyst, a nonprofit consultancy.

“In New Orleans, historically rich neighborhoods are the ones that never flood because they were built on higher ground, and that goes back hundreds of years,” he explained.

Climate change pressures like rising sea levels and warming temperatures increase the value of green spaces in cities, which then become less affordable to the poorest, the former head of the 100 Resilient Cities network said on Monday.

“Show me where the greenery is and I can show you where the rich neighborhoods are,” Berkowitz said.

Art can be a powerful tool to raise awareness of – and ultimately build resilience to – growing threats, he added. “It helps to talk about things that people struggle to put words on,” he said.

But art and technology tools like satellite imagery that map inequality must be accessible to all rather than just a “group of insiders,” said Neila Akrimi, head of the Centre for Innovative Local Governance, a Tunisia-based development consulting firm.

“Otherwise, even with the best will in the world, we will end up creating new inequalities,” she said. (Reporting by Zoe Tabary //news.trust.org)

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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