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Local artists, graduating students explore new mediums at SPAO's latest art exhibit – Ottawa Citizen

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The School of Photographic Arts: Ottawa was lively Friday night, bustling with visitors seeking the debut of an art exhibit featuring works from the latest graduates of the school’s two-year diploma program.

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From string theory-inspired images to photos of February’s “Freedom Convoy” taken by a drone, a wide and creative range of pieces were found, accompanied by their artists. The ambiance of Exhibition No. 17’s debut was light and cheerful, with several attendees curious to know the stories behind the photos presented.

Darren Pottie, the gallery’s programming manager, said he was looking forward to seeing how visitors would react to how engaging the gallery was in comparison to past exhibits.

“There’s food cast to resin next to photography and architectural material, there’s photos that require you to engage with it using mirrors,” said Pottie. “The artists really polished the way that they’re presenting their artwork in a way that demands viewer engagement.”

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Second-year diploma student Julien Fontil with one of his art pieces at the School of the Photographic Arts: Ottawa.
Second-year diploma student Julien Fontil with one of his art pieces at the School of the Photographic Arts: Ottawa. Photo by ERROL MCGIHON /POSTMEDIA

A white iMac computer was positioned close to the gallery’s entrance on a desk, displaying shortcuts to digital photo files on its rainbow-coloured desktop. The works of student Julien Fontil popped up upon clicking the computer’s screen, which he said was to place viewers in his position as a photographer and editor.

“It naturally translated for me. I’m always seeing my work on the screen, so why print it when I can just show it to people how I’m seeing it all the time?” said Fontil. “I shoot on film, but I do all my work on a computer screen. So I’m always looking at my work through a screen.”

Working as an experimental musician for the last decade, Fontil said he sees photography through a similar lens as when he’s recording music.

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“We sample a lot [in music], and I feel like photography is like you’re sampling the world,” he said. “If I’m outside and I see something that speaks to me, I shoot it. It’s about working with what you have in front of you.”

Second-year diploma student Ann Piché with one of her works of art outside of the School of the Photographic Arts: Ottawa.
Second-year diploma student Ann Piché with one of her works of art outside of the School of the Photographic Arts: Ottawa. Photo by ERROL MCGIHON /POSTMEDIA

Similarly, photographer Ann Piché said she samples much of her work from her love of science and mathematics. Nicknamed “Click Click” by her husband for the mass amount of photos she takes while experimenting with varying forms of light, movement and prisms, she said it’s “important to realize that there’s math all around us.”

“We don’t have to understand it all, but it’s important to understand that it’s there,” Piché said.

“Sometimes it’s good to translate it into something that we can understand, and that’s what I tried to do.”

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Plastered on the walls of the gallery’s second room were the abstract, colourful photos from Piché’s project “beyond visible,” which explores string theory and its notion of the multiverse. A QR code was featured below the prints, bringing people to a convoluted audio file featuring mixed audio from NASA’s Parker Solar Probe and Voyager 1 and 2. By combining the “out of this world, weird” sounds with her photos, she said she hopes she piques visitors’ interests enough to have them look into subjects like string theory.

“I want that work to be a visual medium that opens up the conversations for things that might not be so familiar, or might be hard to wrap your head around,” Piché said.

Second-year diploma student Justin M. Millar with two of his works of art at the School of the Photographic Arts: Ottawa.
Second-year diploma student Justin M. Millar with two of his works of art at the School of the Photographic Arts: Ottawa. Photo by ERROL MCGIHON /POSTMEDIA

Not all of the graduating students used traditional photography in their work; Justin M. Millar used a drone to capture images of the first day of the “Freedom Convoy,” as well as a shot of pigeons flying over Gloucester. He started taking pictures during the pandemic to get himself out of the house and quickly found his way into the photography school.

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“I started seeing how my work was very different from every drone photographer’s stuff, it was a little more artistic,” Millar said. “I just hope [people] like it.”

Working with unique angles, he said one of his two featured works had to be flipped upside-down for the exhibit as it was “too immersive.” The photo, “Birds Over Gloucester,” is shot downwards from the perspective of a tall building, looking at a car-filled street with a large flock of pigeons flying overhead.

“I just hope the audience gets sucked into it, but don’t fall,” he said with a laugh. “I think a few people have been like, ‘Okay, I’m starting to feel it.’”

While he initially started working with drone photography, Millar has since experimented with traditional cameras too. His drone malfunctioned earlier this year while he was in the midst of filming a new project. An emergency landing led it to be run over multiple times by trucks on their way to the “Freedom Convoy” in the country’s capital. Now without a drone, he’s been taking photos of his five-year-old son and action figures.

“I mean, I got a good one of plastic Robert Pattinson as Batman,” Millar said. “Like, this is relevant right now,” he added, referencing the recent movie release.

The exhibit is available for viewing on SPAO’s website, but those interested are welcome to attend in-person from Wednesday to Sunday, 12 p.m. to 5 p.m. until May 15.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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