Get ready for a banjo-picking, canvas-painting, art-showcasing good time. Wolseleys Envision Festival of the Arts is back after four postponements.
The last one we had was in 2019; 2020 was in the works and we had started lining up people then COVID hit, said festival founder and organizer Jim Palmquist.
Palmquist kept trying to solidify dates, but in an all-too-familiar manner, the virus put up hurdle after hurdle for the social event.
But with the city resuming a semblance of social life, Palmquist finally managed to pin down the details of the festival.
It will be a two-day affair running on Fri., May 6 from 7 to 10 p.m. and Sat., May 7 from 11 a.m. to 5 p.m. at R. A. Steen Community Centre (980 Palmerston Ave.) in Wolseley.
The festival will exhibit works from 14 performers; 22 visual artists; four poets; and a slew of students from Wolseley, Laura Secord, Mulvey elementary schools and Gordon Bell High School. The work of visual artists and students will be on display around the community centre for people to enjoy, as musicians and other performers put on live shows.
(Performing artists) each get 20 minutes on the stage, Palmquist said. That allows us, during the hours of the festival, to have nonstop music. The writers and authors and poets have mostly had static displays of books theyve written, but sometimes we have a number of people come forward to read excerpts from their books or poems.
Much of the artwork will be up for sale, Palmquist said.
Kicking off this years musicians will be Tim Osmond, a banjo and guitar player that specializes in bluegrass country and folk.
Its a real great community event, said Osmond, who has been involved in the festival in past years. Its really casual and relaxed, and you feel comfortable there.
Osmond, a resident of Evanson Street, said festivals like this one help create a sense of cohesion in the community.
You run into people in the neighbourhood that you might see around casually, and you get to know them in more of an open common area and environment, he said. And you also get to see what people in the neighbourhood do for their art.
Garfield Street resident Kathleen Blacks artwork, for example, takes several forms. She draws, paints, and everything in between, she said.
Lately, thats meant glasswork, ranging from stained glass to glass sculpture. At the festival, shell be exhibiting a medley of styles upon the beautiful papers of old edition northern maps, adorned with paints and glasswork and whatever else her artistic compass discovered.
Black said shes excited to get back to the festival, which after two years of on-and-off isolation, is likely needed now more than ever.
Its a nice way to see neighbours, and we havent seen much of anybody in the last two years, she said. I suspect people have been going crazy making stuff in isolation.
Both Black and Osmond commended Palmquist for his dedication to the festival, saying it simply wouldnt exist without him.
Cody Sellar Community Journalist
Cody Sellar is the reporter/photographer for The Times. He is a lifelong Winnipegger. He is a journalist, writer, sleuth, sloth, reader of books and lover of terse biographies. Email him at cody.sellar@canstarnews.com or call him at 204-697-7206.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
