adplus-dvertising
Connect with us

Media

Inside The Washington Post’s Social Media Meltdown – Vanity Fair

Published

 on


A flurry of Twitter flare-ups and Slack spats involving Post journalists, along with a controversial suspension, have upended the newsroom and are presenting a major test for executive editor Sally Buzbee, who urged staff Tuesday to “be constructive and collegial.”

June 8, 2022

Image may contain Building Office Building Architecture Steeple Spire and Tower
The exterior of The Washington Post via Getty Images building at One Franklin Square on December, 16, 2015 in Washington, DC. By Bill O’Leary/The Washington Post/Getty Images.

On Tuesday afternoon, Washington Post reporter Josh Dawsey tweeted that he was “proud” to work at the paper, a place “filled with many terrific people who are smart and collegial.” Four minutes later, reporter Rosalind Helderman, too, tweeted that she was “proud” to work at the Post, which is “always striving to be better than it was yesterday.” Six minutes later, another reporter, Amy Gardner, tweeted how she was “proud” to work at the paper, followed by other top journalists at the publication, such as Matt Viser, Carol Leonnig, and Dan Balz. 

The public outpouring of Post pride—which I’m told political reporters were urging one another to take part in—followed executive editor Sally Buzbee’s memo reiterating workplace policies and promoting collegiality among staff. The memo dropped following a few days at the Post that have been, as one reporter described it, a “clusterfuck.” Dave Weigel, a national political correspondent, is, as of Monday, suspended without pay for the next month after retweeting a sexist tweet last week, which he then promptly unshared and apologized for after a colleague called him out both on the company Slack and publicly. Hours after news of Weigel’s suspension broke Monday, that colleague, political reporter Felicia Sonmez, was urging the paper to take action against a different colleague, Jose Del Real, who on Saturday took aim at Sonmez for “the cruelty you regularly unleash against colleagues.” (He made this point after commending Sonmez for “your bravery in sharing your story,” adding, “I support your fight against retribution for doing so.”)

Meanwhile, in another corner of Twitter on Saturday, Taylor Lorenz—the star Post tech writer and social media lightning rod—was explaining how a “miscommunication with an editor” resulted in an error in a recent Post piece while also hitting back against critics and CNN reporter Oliver Darcy, who was covering the incident. 

The Post drama spilling out publicly onto Twitter has upended the newsroom, where there’s no shortage of opinions on the continued fallout. “I think Felicia initially was right—that was a gross Dave Weigel tweet, and we were all grateful she called attention to it,” one Post staffer told me. The problem, the staffer added, was in “continuing to make it an issue and go after more and more colleagues.” And as a reporter said of Lorenz: “Taylor is very talented, but her personal antics frequently overshadow her journalism.” 

Sonmez, Lorenz, and Weigel declined to comment for this article.

The social media meltdown has turned the spotlight on Buzbee, who just last week celebrated her one-year anniversary as the paper’s top editor. Staff use of Twitter bedeviled Buzbee’s predecessor, Marty Baron, who took issue with how journalists, including Sonmez, used Twitter, but failed to enact a new social media policy. (Other legacy publications, such as The New York Times, have likewise been tested by the social media use of their reporters—something Dean Baquet talked about often, especially on his way out.) The consequences of that inaction are now falling on Buzbee, as the Post’s social media policy is “so intermittently enforced, or not at all, that it leaves it to the most extreme characters to end up getting us into these kinds of situations,” one reporter said.

In the Tuesday memo, Buzbee stated shared newsroom values and emphasized how employees should treat one another. “We do not tolerate colleagues attacking colleagues either face to face or online. Respect for others is critical to any civil society, including our newsroom,” she wrote. “The newsroom social media policy points specifically to the need for collegiality.”

“In the last year, we have enforced, through conversations, mediation and disciplinary measures, egregious violations of our social media policy, just as we have enforced our overall standards,” Buzbee added. “As we have said, we plan to update the social media policy. Until then, the current policy remains in effect. It states: When it comes to your colleagues, be constructive and collegial: If you have a question or concern about something that has been published, speak to your colleague directly. We respect and do not wish to inhibit any employee’s right to raise legitimate workplace issues. We know it takes bravery to call out problems. And we pledge to openly and honestly address problems brought to us. We moved quickly to show our intolerance for a sexist re-tweet sent by an employee last Friday.”

While a number of Post journalists turned to Twitter to praise the paper, one I spoke to was less than impressed with Buzbee’s memo, as it not only felt like a read-out of preexisting social media policies but also failed to explain the inconsistency—why Weigel had been suspended but not Sonmez or Del Real, both of whom had arguably violated the nondisparagement rule she cited in the email.

And it was immediately clear that Buzbee’s email had no effect on Sonmez, who hours later was not only still going at Del Real but also deploying Buzbee’s own language to do so. “So I hear The Washington Post is a collegial workplace,” she said, with a screenshot showing Del Real had blocked her. Followed by: “These tweets falsely accusing me of ‘clout chasing,’ ‘bullying,’ ‘cruelty’ and directing an ‘eager mob’ to carry out ‘a barrage of online abuse’ are still up … even after I repeatedly raised them to management and noted that I’ve been receiving threats and abuse. Collegial!” To which Lisa Rein, another reporter at the Post, responded, “Please stop.”

Buzbee’s memo raises questions about whether additional Post staffers may be disciplined. Addressing the overall situation in recent days, the Post’s communications chief, Kris Coratti, told me Wednesday: “While we have not commented publicly, this is being addressed directly with the individuals involved.”

Sonmez has a history of taking the paper to task. Last year she sued the Post and some of its highest-ranking newsroom members for temporarily preventing her from covering sexual-misconduct stories after she publicly identified herself as a sexual assault victim; the case was later dismissed. Lorenz was also known for mixing it up on social media prior to the Post scooping her away from the Times earlier this year.

But the two Twitter-fueled controversies playing out simultaneously emphasize the extent to which social media policy, or lack thereof, has become a headache for the Post. The paper has barely updated its social media guidelines since they were issued more than a decade ago, despite management acknowledging the need to do so. Meanwhile, the flurry of tweets and Slack messages, as well as staff assurances and apologies, suggests there isn’t an effective channel for raising concerns about inappropriate behavior at the Post, or at least not one staff are utilizing.

Here’s how things played out: On Friday afternoon, Sonmez called Weigel out for his tweet, first in an internal Slack channel and then, two minutes later, on Twitter. Within 90 minutes, Weigel had apologized and taken down the tweet, and National editor Matea Gold (who replaced Steven Ginsberg, whom Sonmez named as a defendant in her suit) had, in the same Slack channel, put out a note to “assure all of you that The Post is committed to maintaining a respectful workplace for everyone” and “we do not tolerate demeaning language or actions.” 

Twenty-four hours later, Sonmez was still tweeting about a lack of accountability. “​​Imagining a world where news organizations evenly enforce their social media policies, rather than allowing certain reporters to feel entitled to tweet racist/sexist things without fear of repercussions, thus turning their colleagues into targets of online hate when they object,” she wrote. Minutes later, Del Real got involved. “Dave’s retweet is terrible and unacceptable. But rallying the internet to attack him for a mistake he made doesn’t actually solve anything. We all mess up in some way or another.” Buzbee on Sunday morning sent a memo to staff that said, without mentioning Sonmez or Del Real by name, to be respectful and to bring issues to H.R. or leadership—a response that one reporter called “meaningless,” and that Sonmez said on Twitter “provide[d] fodder for *more* harassment.”

Come Monday morning, some staffers were waiting to see if there’d be a firmer message from leadership. Meanwhile, another staffer, video technician Breanna Muir, who three months ago was misidentified on Twitter as Breonna Taylor by a colleague (who publicly and privately apologized for the error), had replied-all to Buzbee’s Sunday memo. Her note to the entire newsroom included a screenshot of that tweet, as well as one of Weigel’s retweet, and praised Sonmez “for speaking out against harassment, discrimination and sexism.” Meanwhile, Sonmez was still tweeting. Hours later, news of Weigel’s punishment broke. The reaction was mixed among journalists. Some praised Sonmez for demanding accountability. Others felt like the Post caved to pressure or, at the very least, overreacted in the heat of the moment. “The paper has put optics and politics before ethics and fairness,” tweeted New York magazine’s Olivia Nuzzi.

The Post’s guild responded Tuesday to the disputes playing out online. “Guild leadership has tried hard to run our union in a way that centers kindness, respect, fairness, and empathy while holding people and institutions we care about accountable. It’s our hope that all Washington Post employees keep that in mind when one of us makes a mistake and we are tasked with being part of the accountability process,” Katie Mettler, who has been cochair of the Post Guild for more than three years, told me. “In the last few years, hundreds of guild members—often led by women and people of color—have worked relentlessly and thoughtfully together to advocate for more fair and inclusive systems at the Post.” She added, “We are doing the work to hold all our institutions and ourselves to a high standard, and we will keep doing that work in ways big and small, public and private.”

In the past, Sonmez has had widespread support in the newsroom; hundreds of colleagues signed a letter on her behalf in 2020, after Baron suspended her for tweeting an article detailing a rape allegation against NBA legend Kobe Bryant shortly after his death. (A “newsroom revolt” is how this publication described it at the time.) Soon after the paper’s guild sent that letter to management, she was reinstated. But since then, there have been multiple instances of Sonmez calling out the paper publicly—and she has done so internally in response to a staff email as well.

About two weeks ago, Gold, the National editor, sent out an email urging colleagues to “take time to assess how you are doing” and “seek help if you need to talk to someone” in the wake of the mass shootings in Buffalo and Uvalde and the anniversary of George Floyd’s murder. “Just a reminder that I was punished after I told an editor that I had to take a walk around the block after reading a difficult story,” Sonmez replied—to the entire National staff—according to emails reviewed by Vanity Fair. One reporter noted that Sonmez has said both publicly and privately that she’s still at the Post because she wants to help fix things. “Discouraging reporters at the Post from seeking help they need—that’s actively being part of the problem,” they told me. “This idea that she’s fighting for sexism and gender, while that might have felt true at some point, now just rings disingenuous, even for people who want to give her the benefit of the doubt.” 

The thrust of Sonmez’s critique over the past few days has been about how the Post holds different journalists to different standards, and what message that sends about the Post’s values. Sonmez tweeted Sunday that Del Real had “publicly attacked” her for highlighting Weigel’s sexist retweet, writing, “When women stand up for themselves, some people respond with even more vitriol.” In another tweet in the thread, she dismissed the idea that objecting to sexism was “clout chasing”—Del Real’s words—and tagged Buzbee and Gold to ask if the paper agreed with her. On Monday and Tuesday, she was once again urging management, via Twitter, to intervene. 

“Working at a huge news organization—the Post, The New York Times, CNN—is like living in a big city where there are always emergencies,” one staffer said. An embarrassing correction for the Styles desk might be a fire; a story the Times beats the Post on, a flood. “As a colleague, you probably should be trying to help fund the fire department or city services and make it a better place to live; at worst, you’re not paying your taxes,” they continued. “And then you have Felicia, who is essentially pouring gasoline on every fire and inviting people to watch.”

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

728x90x4

Source link

Continue Reading

Media

Arizona man accused of social media threats to Trump is arrested

Published

 on

Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

Continue Reading

Trending