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2022 Sobey Art Award shortlist revealed

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The shortlisted artists nominated for Canada’s most prestigious contemporary art prize, the Sobey Art Award, have been revealed. Now in its 20th year and doling out a whopping C$400,000 (around $318,000) in prize money—C$100,000 going to the winner, C$25,000 to each of the other shortlisted finalists and $10,000 each to those longlisted—the artists in the running for the top honour have been winnowed down to just five names, each representing a region of the vast country.

Still in the hunt, as announced by the Sobey Art Foundation and the National Gallery of Canada (NGC) on Wednesday (8 June), are Tyshan Wright (from the Atlantic region), Stanley Février (from Québec), Azza El Siddique (from Ontario) Divya Mehra (from the Prairies and north) and Krystle Silverfox (from the West Coast and Yukon). They are hoping to succeed last year’s winner Laakkuluk Williamson Bathory, whose presentation included a polar bear she shot and skinned after it had invaded her cabin one night. In 2020, due to Covid-19, the prize was shared equally among all 25 longlisted artists.

The five finalists will be featured in an exhibition at the NGC running from 28 October 2022 until February 2023. The winner will be announced at a gala ceremony. Among those who will be on hand that night is Rob Sobey, chair of the foundation, who referred to the five shortlisted artists as “gifted individuals”. He added: “I personally can’t wait to see the exhibition of their works at the National Gallery this fall.”

Each of the five talked about what it meant to be considered for the award, Wright calling it “a humbling feeling” and Mehra “an honour to be recognized and celebrated for your work in this way”. Silverfox said, “Being included as a shortlist finalist is such a wonderful moment for me.”

Installation view from the exhibition Menm Vye Tintin. Les vies possibles (Same Old Shit: Possible Lives), at the Musée d’art contemporain des Laurentides (MACLAU). Photo: MACLAU, Lucien Lisabelle

Février went further, saying, “This nomination is a symbol of perseverance and hope, not only for me, but for all the artists who work in the shadows; to believe that one day their efforts will be rewarded. I spent 14 years doing my practice in the shadows without receiving any support.”

El Siddique added, “As a product of immigrant parents and the lack of representation of artists of colour, especially in Canada, I never saw being an artist as a viable profession. It is great to see more representation, especially in Canada’s art landscape, so that young artists can see themselves within this field.”

Tyshan Wright, A Calling, 2021. Cow horn mounted on birch and pinecone base © Tyshan Wright. Photo: Steve Farmer

Wright hails from Accompong, Jamaica, a historical Maroon village, and is known for his mixed-media representations of Maroon instruments and ceremonial objects. Some 600 Maroons were expelled from the island by the British governor in 1796 and sent to Halifax, Nova Scotia. His work has been acquired by the Nova Scotia Art Bank and has also been shown at the Art Gallery of Ontario (AGO) in Toronto and the Canadian Museum of Immigration in Halifax. He also served as an artist-in-residence fellow at the Nova Scotia College of Art and Design University (NSCAD).

Février, a multidisciplinary artist, has an interesting background as he was a social worker before becoming a full-time artist. Schooled at the Université du Québec à Montréal (UQAM), he’s shown widely, both in Canada and abroad, with nearly 25 solo exhibitions to his name. His work is in the collections of the Musée national des beaux-arts du Québec (MNBAQ) and the Montreal Museum of Fine Arts.

Azza El Siddique, Measure of one, 2020. Steel, expanded steel, water, unfired slip clay, slow-drip irrigation system, EPDM pond liner and cement bricks. Installation view at the Gardiner Museum, Toronto. © Azza El Siddique. Photo: Toni Hafkenscheid

El Siddique earned degrees from both the Yale School of Art and Toronto’s Ontario College of Art and Design (OCAD). She has been included in group exhibitions at both the Museum of Contemporary Art (MOCA) and the Gardiner Museum in Toronto and the Shin Gallery in New York, with solo shows at Toronto’s Towards gallery and the Harbourfront Centre, as well as Helena Anrather Gallery in New York. She has another solo show opening 30 June at the MIT List Visual Arts Center in Cambridge, Massachusetts.

Mehra, who studied at Columbia University, deals primarily with her own diasporic experiences and historical narratives. She incorporates found artifacts and readymade objects as signifiers of resistance or as reminders of the difficult realities of displacement, loss, neutrality and oppression. Her practice encompasses sculpture, print, drawing, books, installation, advertising, performance, video and film.

Divya Mehra, Remember, say NO to discomfort, guilt, anguish or psychological distress (from the series The End of You), 2021. Printed billboard commissioned for Add Space/Tulsa Artist Fellowship, Tulsa, Oklahoma, 2021 © Divya Mehra. Photo: Richard Zimmerman

Silverfox is an interdisciplinary artist and member of the Selkirk First Nation (Wolf Clan) who currently lives and works on the territory of the Tr’ondëk Hwëch’in and is based in Dawson City, Yukon. She’s earned degrees at the University of British Columbia (UBC) and from Simon Fraser University. Using a variety of materials, Silverfox is inspired by Indigenous feminism, trans-nationalism, de-colonialism, activism and lived experience.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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