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Councillor suggests Indigenous theme for downtown gateway art – CollingwoodToday.ca

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The Collingwood Downtown Business Improvement Area (BIA) will be moving forward with plans for a new gateway feature downtown after getting approval from council last week.

However, some additional direction on the theme from a councillor may determine what that feature could look like and say about Collingwood.

During Thursday’s (Aug. 18) regular meeting, council voted in favour of the BIA proceeding with a public art process for a gateway feature for the downtown. During discussion on the topic, Coun. Deb Doherty noted that while attending the Association of Municipalities of Ontario (AMO) conference last week, she sat in on presentations regarding the relationships between municipalities and Indigenous communities.

“While virtually every municipality in Ontario sits on lands originally owned by and cared for by Indigenous people, virtually no municipality has recognition of that fact in its heritage or art installations,” said Doherty.

Doherty put forward a notice of motion asking the BIA that as part of the exploration of art opportunities for the gateway feature, they explore the possibility of an Indigenous art installation for the downtown, which will be discussed and voted on by council at a future meeting.

Mayor Keith Hull noted that Collingwood council supported a significant investment into the creation of the Awen Gathering Circle in Harbourview Park.

“Let’s not limit it to the BIA – let’s make it community-wide,” said Hull.

Based on a plan proposed and approved by the BIA board, the process for the public art gateway feature would follow the town’s public art policy, and would begin with planning by an ad-hoc committee to come up with a budget and theme with an invitation to the community to participate on the committee.

During discussion on the matter during a strategic initiatives standing committee meeting earlier this month, BIA general manager Sue Nicholson told councillors that the theme for the feature is currently under discussion, however is leaning toward ‘What has built this downtown,’ leaning toward shipbuilding and railway themes.

Later, there will be a call to artists, a selection process with interviews, and, ultimately, the installation of the piece. A public art working group selected for the project would include town staff, BIA, community members, and representatives from the Collingwood Museum, the historical society, and the Blue Mountain Foundation for the Arts.

The BIA’s goal is to move quickly through the process to have a final design and artist contracted by the end of January 2023.

The project would be funded by a $215,000 federal grant which must be used for beautification of the downtown before March 31, 2023. If not used by that date, the BIA would lose the federal funding.

Council approved their support of proceeding with a gateway feature by a vote of 6-1 with Coun. Chris Carrier opposed. Coun. Bob Madigan declared a conflict on the matter and didn’t participate in discussions as he is a BIA member.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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