Living under the ongoing threat of regional unrest and economic uncertainty, residents of the Palestinian city of Jenin in the West Bank are turning to their unique cultural identity and taste for the arts to attract tourism and participate in a cultural exchange.
In this mainly agricultural city lies a hidden gem called the Jenin Creative Cultural Centre, which was launched in 2005 in response to Israel’s violent takeover of the Palestinian refugee camp at Jenin in 2002.
The violence at the time was part of Israel’s Operation Defensive Shield, the largest military operation in the West Bank since the 1967 six-day war between Israel, Egypt, Jordan, Syria, and Iraq.
“Today, the camp hosts the Freedom Theater, a symbol of the cultural resistance movement,” said Luisa Corra from Italy, who volunteered at the center to teach English, peace-fostering, and team-building activities.
Jenin is home to more than 250,000 residents and is located in the heart of the West Bank, which has often been the focal point of unrest between Palestinians and Israeli settlers. It’s part of the draw that attracted 1.7 million inbound tourists to the West Bank in first half of 2019, the latest data available.
“Before visiting Palestine, I had some preconceived notions regarding the safety level. I was worried it could be a dangerous place to go,” she added. “I overcame them by looking into it and asking around to people who had traveled there before, and I felt reassured.”
Jenin today has evolved into a cultural hub, where activities are fostered among the hospitable locals to encourage creativity and development at a time of ongoing unrest.
“Palestinians love music and art, through which they can express their identity and history. Oud is a typical musical instrument they play,” Corra told Skift.
“I was also very impressed by the Palestinians’ hospitality. They are very welcoming and friendly people who always offer you some coffee or tea to drink, invite you to their homes, and make you try their traditional food.”
Jenin’s cultural identity has become closely tied to that of the center, which prides itself in being open to people of all faiths and cultures. The center sometimes functions as a theater, dance school, or music venue. It even serves as a cozy hostel, in which volunteers like Corra choose to stay.
“Palestine is home to many touristic, historic, and holy sites that are important to all world religions. This is what makes it so attractive for global tourists, despite the difficult circumstances that the region is experiencing,” said Yousef Awad, director of International Relations at the Jenin Governorate and co-founder of the cultural center.
With peace and justice in mind, the center encourages Palestinian youth to express their creativity as they cope with the sometimes harsh and hindering realities of life in the Occupied Palestinian Territories. In recent years, the center hosted the Jenin Autism Project since the city doesn’t have much infrastructure to support youth or community initiatives.
Awad, who has been director of the center for 15 years, told Skift that he’s witnessed a new type of “politically conscious” tourism emerge while living and working in Jenin over recent years.
“We’ve seen many tourists from around the world visit out of solidarity to Palestine to support its tourism sector and therefore its economy,” he said, adding that tourism plays an important role in supporting the Palestinian economy.
One of the center’s main goals is to attract much-needed tourism relief to Jenin and other Palestinian territories, such as the neighboring city of Nablus — an hour’s drive from Jenin.
Nablus is famous for its busy and bustling markets, organic olive oil products, and mouthwatering sweet Arabic pastries such as kanafeh and baklava.
Beauty hidden in the name
Since its debut in 2005, the Jenin Creative Cultural Center has emerged as a bright spot for the landlocked West Bank territory, which is bordered by Jordan in the east and the Green Line separating it from Israel to the south.
The name Jenin is derived from the biblical name Ein Ganim and means the “Garden Springs.” The lush, green city is famous for Marj Ibn Amer, a valley rich with plains of fertile soil.
Awad said Jenin collaborates yearly with the Palestinian Ministry of Tourism to host the Marj Ibn Amer festival to bring together regional and local artists, as well as lively performances of the traditional dabke dance.
“It is our role to preserve our Palestinian culture and history, from music, dances, and even our different dialects of Arabic,” said Awad.
The role of tourism is equally important to Israel and Palestine. According to the Israeli Ministry of Tourism, 45 percent of foreign visitors in 2017 went to the Dead Sea, much of which lies is in the Occupied Palestinian Territories.
Awad said the Dead Sea is one of the top destinations, as it attracts visitors seeking healing and relaxation from the sea’s salt minerals and overall therapeutic atmosphere.
Holy sites and destinations
Among the most-visited Palestinian territories is Israel-annexed Eastern Jerusalem, known for the Temple Mount, the Al-Aqsa Mosque, Dome of the Rock, and the Church of the Holy Sepulcher — holy sites of importance to Muslims, Jews, and Christians.
Bethlehem and the Jerusalem governorates are also top destinations because of their spiritual significance for people from across the Abrahamic faiths.
The view between the two windows is the view from the Jenin Refugee Camp. The fields of Marj ibn Amer and also Nazareth are in the distance. Source: Yousef Awad
According to the Palestinian Central Bureau of Statistics, the West Bank saw a movement of 1.72 million inbound visitors during the first half of 2019, up 17 percent from the same period of 2018, and 23 percent compared to the first half of 2017.
By governorate, Bethlehem got the highest percentage of inbound visits at 38 percent, followed by Jericho and Al-Aghwar governorates with 35 percent, Jenin and Nablus governorates at 10 percent, respectively, and 7 percent for other governorates.
Just five kilometers outside of Jenin is the village of Burgin, home of the Saint George Church, which belongs to the Greek Orthodox community. The church has been linked to the biblical story of the 10 lepers mentioned in the New Testament in Christian tradition.
It is said to be the village where Christ passed through on his way to Galilee and miraculously healed 10 lepers who asked for his help.
“This area is rich in every sense of the word: culturally, religiously, and visually due to its lush and green scenic beauty. This is why the lepers were said to have been cured there by Jesus,” Awad said, with much conviction.
— Reem Abdellatif is a Skift contributor based in Dubai.
Photo Credit: An old ottoman home (pictured here) that was renovated in the old city of Jenin, in the West Bank, Palestine, and is now a tourist attraction. A small ottoman flag hangs on the wall. It’s called Beit Zaman in Arabic (translates to Home of the Past in English). Yousef Awad
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
