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Camosun College team working to turn Indigenous art into virtual reality – Victoria News

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An expert team from Camosun College’s applied research centre was sent to the Canadian Museum for Human Rights in Winnipeg on Feb. 17 to scan The Witness Blanket, a large-scale art installation by local artist and University of Victoria professor Carey Newman, whose traditional name is Hayalthkin’geme.

The results of the project will be a point-cloud rendering of the original artwork, which will be used to create a virtual reality experience, allowing the audience to fully immerse themselves in the narratives that are embedded into the objects of the blanket.

Members of the team include Matt Zeleny, applied research technologist, and Louise Black, visual arts student and member of the Tsawout First Nation. Camosun College has planned the project for more than a year, collaborating with Newman, Media One and the museum.

“It’s an enormous project, and comes with great honour and great weight. It is important to reach an understanding of present and future, through an understanding of the past,” Black said.

ALSO READ: Human Rights museum to restore Coast Salish artist’s Witness Blanket

The Witness Blanket is 12 metres long, made from more than 800 items reclaimed from residential schools, churches, government buildings, friendship centres, treatment centres and post secondary institutions across the country. The blanket has become a national monument that recognizes and acknowledges the trauma of the residential school era that took place from 1870 to 1996.

“By harnessing the power of virtual reality, more people than ever before can interact with the Witness Blanket and learn about the dark legacy of residential schools and the restorative power of reconciliation,” said Richard Gale, director of Camosun Innovates.

ALSO READ: Linking culture and recovery: Greater Victoria totem project matches people with master carver

Newman’s dream for his art installation was to bring it back to every community where materials for his art originated from. After four years of touring, the installation has not reached every location from where its materials originated. By creating an accessible, virtual model, it is hoped more locations can be reached.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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