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Blue-Check Havoc: Elon Musk’s Twitter Takeover Fuels a Media Meltdown

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Journalists are deleting DMs, scoffing at Musk’s $8 verification fee, and even considering bolting from the platform. Substack, meanwhile, is cashing in on the chaos. “We shouldn’t need to fret so much about a dictator holding dominion over a vast digital media empire,” says cofounder Hamish McKenzie.

November 3, 2022

 

BlueCheck Havoc Elon Musks Twitter Takeover Fuels a Media Meltdown

 

Images from Getty Images.

On Halloween, the fifth day of Elon Musk’s ownership of Twitter, an email landed in the inboxes of people who subscribe to Substack’s company newsletter. “Twitter is changing, and it’s tough to predict what might be next,” the message began. “If you’ve been lucky enough to build a follower base on Twitter, and you’ve ever thought about forging a direct link with them that you control via email, now might be a good time to start a Substack.” Next came a handy guide for “moving [your] relationships” off of Twitter. Step one: Link your Substack and Twitter accounts so that your followers on the latter platform are automatically directed to your account on the former. Step two: Make sure your Twitter bio has a big fat link to your Substack, which “makes subscribing extra clear for your followers.” Maybe even take it to the next level, like @TaylorLorenz, who now goes by the Twitter name “SUBSCRIBE TO MY SUBSTACK.”

The Twitter tutorial was an opportunistic marketing stroke from Substack, whose cofounder Hamish McKenzie once worked for Musk at Tesla. But it also hit upon something bigger, a sense of ominous uncertainty that’s coursing through the media world right now thanks to Musk’s rapid and anarchic Twitter transformation. Call it blue-check havoc, with Twitter’s media and media-adjacent denizens trying to process where all of this is headed and pondering whether Twitter will actually cease to exist as an essential town square and integral component of their professional lives—not at all an unreasonable question given the early signs of VIPs and advertisers heading for the exit. “Fellow Journalists (and Our Academic Friends), It’s Time to Leave Twitter,” read a headline in the lefty American Prospect, whose editor at large, Harold Meyerson, asked the rest of us, “Do you really want to discourse on a medium owned and operated by Elon Musk?” He later urged, “We need an alternative and we need to take a walk from his.” (By the way, have you heard of Mastodon yet? Because you may be hearing more about it soon: “The great Twitter exodus begins,” declared a Daily Mail headline. “As Elon Musk becomes ‘Chief Twit,’ more than 70,000 new users join rival social media platform.”)

Amid the mishegoss, the blue check itself has become a source of agitation, considering Musk’s plan to begin charging users $8 a month for the privilege of verification. “I’m a content creator on Twitter. I make it a better place. I’m painting their fucking fence,” Kara Swisher fulminated on her Pivot podcast. “I’m not paying them a dime for my verification. If they don’t think verification of knowing me is me is valuable, fuck it. I’m not paying for it. I’m not paying a dime for it.” The breathless chatter on my own Twitter timeline seems to align with Swisher’s point of view, not to mention an equally spicy tweet from Stephen King that went viral earlier this week: “Fuck that, they should pay me. If that gets instituted, I’m gone like Enron.”

It’s worth remembering that the coveted blue profile signifier (technically a white check over a blue background) is about more than status—it confirms your identity and prevents trolls from hijacking it, which is a not-at-all-trivial security measure for any public-facing person. That’s why you’ve now got journalists wondering aloud if their companies will cover the cost when the time comes, assuming Musk doesn’t backpedal, though Insider’s Steven Perlberg mostly got crickets when he asked 14 news organizations whether they would foot the $8 monthly bill. “It’s unclear,” Perlberg additionally noted, “whether Musk’s plan is a serious attempt to generate subscription revenue after his tumultuous $44 billion takeover, an elaborate troll to nettle members of a mainstream media that he openly loathes, a test of the capabilities of Twitter’s engineering corps, or some combination.”

Loss of verification isn’t the only security-oriented concern that has entered the bloodstream. Some journalists are painstakingly deleting all of their DMs and asking contacts to do the same because, well, who knows what could happen with that? I received one such request the other day, and when I asked the person on the other end whether I should also consider a mass DM purge, they told me they were doing it because they’d been asked by several people to delete their DMs. And so the cycle goes. All of this is to say nothing of burning questions like, what happens if @realDonaldTrump comes back? Or, what if the volume of disinformation and hate speech and other dystopian cyber-junk becomes so overwhelming that you can’t be on Twitter without feeling utterly disgusting? There’s no shortage of worst-case scenarios to consider. “Get ready for verified fake accounts that insinuate Russian, Chinese, or Saudi propaganda; that sell fabricated celebrity sex tapes, quack medicine, and scammy investment schemes,” David Frum predicted in The Atlantic. “I’m not ready to cut the cord yet. I’m still hoping for the best—but preparing for the worst. You might consider doing the same.”

At an organizational level, media companies are likewise trying to make sense of Musk’s Twitter takeover. After all, their employees have long been the platform’s bread and butter, securing and sustaining—along with their political, celebrity, and Silicon Valley counterparts—the lion’s share of Twitter’s influence. When Musk rattled off perks that would come with a paid blue-check Twitter plan, one of them was “paywall bypass for publishers willing to work with us.” It feels safe to say this idea probably won’t go over so well in the executive suites of America’s most powerful news outlets. “I can’t see any world in which NYT, WP, WSJ, etc., agree to let Twitter users paying $8/month ($96/year) to bypass their paywalls. Even if Twitter were to share 95% of the revenue,” remarked Texas Tribune editor in chief Sewell Chan. The Information’s Jessica Lessin bluntly concurred: “If they do, they will be forgetting the last two decades of history.”

For many publishers, Twitter is still a robust source of eyeballs, especially in the wake of Facebook’s algorithmic changes that put news on the back burner. Which is why social media managers and audience-development types are watching how things shake out under Musk with a healthy dose of anxiety. One such aud-dev pro told me that the potential loss of Twitter traffic is concerning. This person also said that no one has a good sense of how Twitter will treat publishers going forward. Right now publishers have good contacts at Twitter. What will happen to those teams? Will Twitter follow a model that deprioritizes giving publishers clicks? How are Twitter users and audiences going to change? Are tons of people going to leave?

For some perspective on that last question, which would appear to be the prevailing one, I texted Substack’s McKenzie, who was in the middle of wrapping up his own think piece about the current state of play. He emailed me his draft, which, of course, was a none-too-veiled pitch for using Substack: “We don’t think Twitter is going to disappear anytime soon, nor should it. It has its uses, and even cage fights can be fun. But it’s time for a real alternative—one where people, not machines, have control; one where writers and creators can make reliable incomes from the work they do on the platform; one where important conversations can take place with nuance instead of snark. It’s time to move beyond the era of Big Social using platform lock-in and attention traps to monopolize our minds. We shouldn’t need to fret so much about a dictator holding dominion over a vast digital media empire.”

Hear! Hear! But I had to ask, does McKenzie actually think we’re getting any closer to a post-Twitter world? “I don’t necessarily think this will be a moment of mass deletion,” he said. “But it is an important step along the way.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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