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Canmore Art Guild Show and Market returns for Christmas season

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CANMORE – With the arrival of the Christmas season, Canmore artists are showcasing their artwork at the Canmore Art Guild.

All the work on display is available through the Christmas show and market, which runs from Dec. 4 to Dec. 31.

“The Christmas show and sale is a little different from the other exhibitions during the year,” said Art Guild member Heather Wood. “It is more of a marketplace. More small items, a larger cross-section of people in the show.”

Along with the show and sale, two fundraisers are running this month as well. Five artists have donated work for the art draw, which raises money for the annual art scholarship for a Bow Valley student, and funds for arts magazines available at the Canmore Library. Tickets are $5, or three for $10.

The raffle draw is Dec. 23.

“It is an annual show that a lot of people do their shopping at,” Wood said. “It is all local artists, so you are supporting your local economy.”

The show itself differs from the usual monthly art show at the Canmore Art Guild. In December, there is a wider cross-section of artists, creating varieties of work from stained glass to pottery to prints to fabric art.

“It is a random selection,” Wood said. “We put a call for entries and ask if they want to be part of it. The membership responds and we never know what we are going to get until the last moment.”

The entire show is run by Art Guild volunteers, who help with the entire process.

“It is a magical mix of things coming together,” Wood said.

One artist who has provided 15 pieces for the show and sale, as well as artwork for the raffle, is Lynn Kemshead.

Kemshead produces pottery using the Raku method, which was developed in Japan in the 15th century.

“It was used initially to make ceremonial tea cups for the tea ceremony,” Kemshead said. “The process was celebrated for the metallic glaze effect and sheens and colours achieved in the process.”

Kemshead began working with pottery in her early-20s, training in Eugene, Oregon using the fire stone technique. As a teacher, she always used clay work in the classroom. Once she retired, she started learning Raku.

“It has now been 15 years that I have been working with the Raku process and I am not feeling the need to stop,” Kemshead said. “I just feel like I am growing with learning new things all the time.”

Rather than having an idea of what she is going to make, Kemshead goes into each creation process with only a slim idea of what she wants to do.

“When I go into my studio and roll out a large piece of clay,” she said, “I don’t know what I am going to make.”

Using that method allows Kemshead to produce pottery that is unique.

“It is meant to be on a mantlepiece or coffee table,” Kemshead said. “Admired wherever you decide to put it.”

When her artwork is bought and displayed in a home, it gives Kemshead a sense of pride to know she has created something that people admire.

“I get really excited and it warms my heart,” Kemshead said. “One couple from Edmonton, they have purchased two of my pieces and sent me a picture with their pieces on the mantle. My heart is warmed that someone loves this work.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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