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ArtStation is removing anti-AI protest artwork from its homepage

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Multiple images protesting AI artwork on ArtStation. The images show the word “AI” with a cross over it, in a variety of styles.

a:hover]:text-black text-gray-13 dark:text-gray-e9 dark:[&>a:hover]:text-gray-e9 [&>a]:shadow-underline-gray-13 [&>a:hover]:shadow-underline-black dark:[&>a]:shadow-underline-gray-63 dark:[&>a:hover]:shadow-underline-gray-63″>“No AI Art” images posted by artists started to dominate the trending section of ArtStation following the platform’s refusal to ban AI-generated artwork.

a:hover]:text-gray-63 text-gray-63 dark:[&>a:hover]:text-gray-bd dark:text-gray-bd dark:[&>a]:text-gray-bd [&>a]:shadow-underline-gray-63 [&>a:hover]:shadow-underline-black dark:[&>a]:shadow-underline-gray dark:[&>a:hover]:shadow-underline-gray”>Image: @joysilvart

Art platform ArtStation is removing images protesting AI-generated art from its homepage, claiming that the content violates its Terms of Service. Members of the ArtStation community have been protesting after AI-generated art began appearing on the platform in early December. Protestors are concerned that AI-generated art is derivative of the labor of human artists and often uses their work without attribution or compensation.

In a statement about the removals posted to Twitter, ArtStation said: “For site usability, we are moderating posts that violate our Terms of Service. We understand concerns about AI and its impact on the industry. We will share more about improvements to give users more control over what they see and how they use ArtStation in the near future.”

It is not clear which of the platforms’ Terms of Service are being violated by anti-AI imagery, but the document gives ArtStation broad remit to remove content under an array of causes including if users “send spam or other bulk messages”. We’ve reached out to ArtStation for clarification and will update this story should we hear back.

ArtStation (which was acquired by Epic Games in 2021) is considered to be the leading online portfolio and community for artists working in video games, film, and comics. Earlier this year, as AI tools like Stable Diffusion and Midjourney became more popular, AI-generated imagery began appearing more frequently on the platform. Many artists requested that Artstation ban this content, but the company refused, leading to the sharing of “No AI Art” images. The situation escalated when ArtStation announced that artists would be required to opt-in to a new ‘NoAI Tagging’ feature designed to prevent their artwork from being scraped to train AI tools — rather than the feature being enabled by default.

Many artists consider AI-art generation tools unethical as they’re often trained using datasets that contain artwork scraped from the internet without their creators’ permission — in some circumstances, you can even see traces of a watermark or signature.

There are criticisms that AI art undermines the skills honed over many years by human artists and frustrations over AI-art prompters capitalizing on artists’ work when selling generative art. Given that ArtStation is used by creatives to display industry portfolios and find paid work, it’s not surprising that the community has objected to the apparent acceptance of AI art on the platform.

Other art platforms have taken different approaches to this technological development. Getty Images has banned the upload and sale of illustrations generated using AI art tools over legal and copyright concerns, while rival stock image database Shutterstock has embraced the technology, announcing a “Contributor Fund” that will reimburse creators when the company sells work to train text-to-image AI models like DALL-E. In cases where companies have expressed support for the sudden popularity of generative art, many allude to its potential as another tool to be utilized by artists, rather than a means to replace them.

The decision to remove AI protest imagery from ArtStation has, unsurprisingly, gone down poorly with the site’s community, with many users now declaring their intention to abandon the platform altogether. This isn’t the first time ArtStation has come under fire for censoring artwork, having been accused of removing anti-war and pro-Ukraine content earlier this year. In a statement responding to those accusations in April 2022, ArtStation said “We support political discourse on ArtStation so long as it follows our policies even if we disagree with it.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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