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Sussex Drive art gallery showing photo exhibit of the ‘hidden beauty’ of convoy protesters

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A press release from photographer Paul Ozzello and Art + Galerie calls the images “both striking and controversial,”

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A Montreal photographer who says he found “hidden beauty” when he visited last year’s convoy protest in Ottawa is exhibiting his portraits of protesters at a Sussex Drive gallery, coinciding with the occupation’s first anniversary.

A press release from photographer Paul Ozzello and Art + Galerie calls the images “both striking and controversial,” while inviting viewers to see the exhibit and “engage in thoughtful and respectful dialogue about the issues it raises.”

Jean-Pierre Bex, manager of Art + Galerie, and one of its artists, said in an interview that the exhibit of Ozzello’s photos is not a political gesture.

“We are taking absolutely no political stance on this show whatsoever,” Bex said. The show is entitled “Fringe.”

Bex acknowledged that the occupation “was a polarizing event for sure.” But he contended that Ozzello’s photo have artistic merit. “At the end of the day, they’re really nice pictures, really well presented,” Bex said.

Bex said it was “more of a coincidence” that Ozzello’s exhibit will fall on the anniversary of the occupation. He said he had planned on the exhibit happening sooner, but Ozzello needed more time to prepare his work.

Ozzello said he came to Ottawa soon after the trucks arrived and stayed for two weeks in a motel, drawn to document the event. He returned a few more times until the protesters were forced to leave.

“I search for hidden beauty… that often goes unnoticed, and when I came to Ottawa, I found a similar beauty in the spirit of those Canadian truckers,” said Ozzello in response to emailed questions.

“I know talk of the truckers can be very triggering to some and I hope my less critical viewpoint of the protest isn’t a complete turn-off,” Ozzello said. “This is coming from someone double-jabbed who sewed several thousand masks for my doctor friends at the beginning of the pandemic.

One of Paul Ozzello’s photos that will be on exhibit.
One of Paul Ozzello’s photos that will be on exhibit. Photo by Jean Levac /POSTMEDIA

“There was something romantic to seeing these primal men and women getting together to defy the government and stand up for what they believe, and I wanted to convey this more human side of the truckers,” he continued. “They had this quixotic grunginess that I love to photograph.

“When one of them saw my old Polaroid camera, he asked me to take a photograph of him – then took out a Sharpie and signed the print,” Ozzello said. “And that’s how it all started.”

He said he was apprehensive about meeting people who were violent extremists, but that wasn’t his experience.

“I eventually started talking to many of the truckers and realized that these people really weren’t much different from myself,” Ozzello said.

“These were just ordinary Canadians that were tired of being confined, afraid of what long term side-effects of the vaccine might be, that just wanted to return to a normal life.”

Other photographers and media documenting the convoy were not welcomed as warmly by protesters. Soon after the protest began, the Canadian Association of Journalists drew attention to troubling incidents.

“Journalists have received death threats littered with racist epithets. Others have been spat on and verbally and physically harassed. In another case, the windows of a CBC/Radio-Canada news cruiser were broken,” said a Jan. 28, 2022 press release from the CAJ.

Veteran Ottawa photographer Paul Couvrette, who lives and works in Centretown, said he too visited the convoy protest several times out of curiosity and that he took “thousands” of photos.

“I had at least two or three people threaten me,” Couvrette said. “I did have people tell me, ‘Put the camera away, delete all the pictures.’ I’ve been around enough that that didn’t bother me.”

He added that after his first few visits to the protests, he returned with a large Canadian flag on his backpack and was greeted as an ally. “Suddenly people went, ‘He’s one of us.’ It was an us-and-them thing.”

“I disagree with 99 per cent of what the convoy people wanted,” Couvrette said. But he called Ozzello’s sympathetic portrayal “valid.”

Said Couvrette: “The photographer is going to focus on the human side and there is a human side.”

A collection of Paul Ozzello’s photos that will be on exhibit.
A collection of Paul Ozzello’s photos that will be on exhibit. Photo by Jean Levac /POSTMEDIA

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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