adplus-dvertising
Connect with us

Art

Four Foundations Commit $5 M. to Create Latinx Art Curatorial Positions at 10 US Art Institutions

Published

 on

The Mellon Foundation, the Ford Foundation, the Getty Foundation, and the Terra Foundation—four of the country’s leading philanthropic grant makers—have partnered together to create a new initiative called Advancing Latinx Art in Museums (ALAM), which is “part of a long overdue effort to support Latinx artists and to ignite a public conversation about the rightful place of Latinx art within American art,” according to a release.

In teaming up, the four foundations have pooled together $5 million, which will go toward giving 10 U.S. museums or art institutions grants of $500,000 each to formally create ten permanent early or mid-career curatorial positions with an expertise in Latinx art. Five of the mid-career positions represent promotions for curatorial staff already working at these institutions, while the five early career posts will be newly created.

Marisol Escobar's Sketchbook

In a statement, Mellon Foundation president Elizabeth Alexander said, “The deep knowledge and understanding of Latinx art these ten curators hold comes from rigorous expertise and commitment to the creative expression of Latinx communities in the United States and Puerto Rico. Through ALAM we are proud to help expand opportunities for Latinx art curatorship across the country, and to do our part in upholding the centrality of this work in our museums and arts organizations.”

The recipients include El Museo del Barrio in New York, the National Gallery of Art in Washington, D.C., the Museo de Arte Contemporáneo de Puerto Rico in San Juan, the Newark Museum of Art in New Jersey, and the Vincent Price Art Museum in Monterey Park, California.

E. Carmen Ramos, the NGA’s chief curator who joined the institution in 2021 after over a decade at the Smithsonian American Art Museum, where she was a driving force in adding Latinx art to the collection, said in a statement, “Institutional change can happen when we have experienced and knowledgeable voices at the table. We are eager to support the new curator as they join our team and help shape our work, all while affirming the importance of Latinx art and artists in the wider story of art and reinforcing our commitment to engage and serve Latinx audiences.”

This initiative represents the second phase of the Latinx Art Visibility Initiative, which the Mellon and Ford Foundations jointly launched in July 2021. For the first phrase of the program, the two foundations gave $5 million to create the Latinx Artist Fellowship, which over five years will dole out $50,000 unrestricted grants to 75 Latinx artists. With a focus on supporting Latinx artists at all stages in its careers, among the winners in the first two cohorts are Amalia Mesa-Bains, Las Nietas de Nonó, rafa esparza, Guadalupe Maravilla, Consuelo Jimenez Underwood, and Miguel Luciano.

The third phase of the Latinx Art Visibility Initiative is still being shaped but will focus on supporting academics who creating new scholarship around Latinx art and artists.

In a statement, Getty Foundation director Joan Weinstein said, “We need to invest more if we want Latinx art to be more broadly represented in our museums, with dedicated curators who can focus exclusively on building and stewarding these collections. ALAM is a decisive next step made possible through collaborative funding.”

The full list of 2022 Advancing Latinx Art Museums Recipients Institutions follows below.

516 ARTS, Albuquerque, NM

Arizona State University Art Museum in partnership with CALA Alliance, Tempe, AZ

Blanton Museum of Art at the University of Texas at Austin, TX

El Museo del Barrio, New York, NY

Museo de Arte Contemporáneo de Puerto Rico, San Juan, PR

Museum of Contemporary Art San Diego, San Diego, CA

National Gallery of Art, Washington, DC

National Museum of Mexican Art, Chicago, IL

Newark Museum of Art, Newark, NJ

Vincent Price Art Museum at East Los Angeles College, Los Angeles, CA

728x90x4

Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com

728x90x4

Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending