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Art Exhibit Cancelled After State College of Florida Wants Words ‘Diversity’ and ‘Inclusion’ Banned – ARTnews

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Embracing Our Differences, an arts and education non-profit, announced this week that it cancelled a scheduled art exhibit due to be staged on the Manatee-Sarasota campus of the State College of Florida this April.

Since 2003, the organization has put on an annual exhibit in Sarasota’s Bayfront Park and, for the non-profit’s 20th anniversary this year, their annual exhibition was going to travel for the first time. Its third stop on tour would be to SCF, which began talks with the organization early last year.

But, earlier this month, officials from the university approached the non-profit to inform them that it wanted the words “diversity” and “inclusion” excised from the exhibit, Sarah Wertheimer, executive director of Embracing Our Differences, told ARTnews.

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An abstract painting by Joan Mitchell, featuring her signature all over abstraction. The prominent colors are yellow, green, and dark and light blue.

“But promoting those values is literally the goal of our organization,” Wertheimer said.

Embracing Our Differences typically uses billboards, whose art and photographs are sourced through international submissions, to teach about diversity and inclusion.

While negotiating the terms of the exhibit, SCF requested that pieces in the exhibit be put up for discussion in case the works were triggering or difficult for their students. The university said it was especially concerned about student-veterans who suffer from PTSD, according to Wertheimer. Embracing Our Differences agreed and, in turn, asserted that if the integrity of the exhibit was in jeopardy, it had the right to cancel the exhibit at the Manatee-Sarasota campus. The non-profit also brought a child and adult psychologist on their board in order to prevent any potentially damaging work from being shown.

Then, according to Wertheimer, in early February, after art was selected, an SCF spokesperson called to raise concerns about the use of “diversity” and “inclusion” in the show, particularly in one piece that has a quotation at the bottom, submitted by a 5th grader from India, that reads: “Diversity and inclusion are like the needle and thread that stitch together the harmonious fabric of peace for humankind.”

“I asked if this was up for discussion, but they were firm that they wanted these pieces removed,” said Wertheimer. “So we knew we needed to stand strong and not let our artists be censored.”

Though the non-profit pulled the show from SCF, it will still be available to view at other locations and the K-12 schools that were planning field-trips to the exhibit will still be able to do so, though it may now be a bit more difficult for those in Manatee County. Tens of thousands of school children visited last year’s exhibition, according to the non-profit’s website.

Wertheimer added that the day the non-profit got the call was the same day that Florida Governor Ron DeSantis spoke at the campus about his new proposed legislation that will eliminate funding for diversity, equity and inclusion initiatives.

DeSantis’s office has said it believes DEI initiatives to be a tactic “of liberal elites who suppress free thought in the name of identity politics and indoctrination,” according to a recent press release. That proposed legislation has not yet been passed into law.

SCF did not respond to multiple requests for comment.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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