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Da Vinci’s dark side, our need for nature and a big pinch of salt – the week in art – The Guardian

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Exhibition of the week

 

The Ugly Duchess: Beauty and Satire in the Renaissance
The National Gallery investigates grotesque humour in the Renaissance and reveals the dark side of Leonardo da Vinci.
National Gallery, London, from 16 March to 11 June

 

Also showing

 

Empowering Art: Indigenous Creativity and Activism from North America’s Northwest Coast
Contemporary takes on the great Indigenous art traditions of the Pacific coast, which were established long before the USA.
Sainsbury Centre, Norwich, from 12 March to 30 July

Nastja Säde Rönkkö
Prize-winning Finnish video art about salt and its mythologies, from blood to seawater.
Beaconsfield, London, from 16 March to 6 May

Mutant and Nondurable by nabbteeri, 2020, from Interspecies Entanglements in Sheffield.

Interspecies Entanglements
Our interdependence with the rest of nature is investigated by Vivian Caccuri, Keira Greene, nabbteeri and others.
Site Gallery, Sheffield, from 16 March-28 May.

Deep Horizons
Tony Robinson, Dr Julietta Singh, nautical pilot Geoff Taylor, and artists Liliane Lijn and Fiona Crisp are among those turning curator to see the Mima collection afresh.
Mima, Middlesbrough, until 18 June.

 

Image of the week

 

Work in Progress, By Jann Haworth and Liberty Blake

Work in Progress by Jann Haworth and Liberty Blake (2021-22)
Inspired by the Sgt Pepper’s album cover, Work in Progress is a seven-panel mural (of which three panels are shown here) featuring the likeness of 130 British women from Boudicca to Mary Beard. Commissioned by the National Portrait Gallery as part of its three-year project to expand female representation in its collection, it will handily double the number of women on the walls of the post-1900 galleries to 48%, when the buildings reopen in June following extensive refurbishment. Read the full story here.

 

What we learned

 

Masterpiece of the week

 

The Adoration of the Magi, attributed to Hieronymus Bosch

The Adoration of the Magi, attributed to Hieronymus Bosch, circa 1515.

The fantastic visionary mind of Bosch blazes from this excellent early copy of one of his eeriest works. The original is in the Prado, Madrid, but you could mistake this version for a painting by the mysterious artist from ‘s-Hertogenbosch. It’s a surreal masterpiece that has nothing in common with the portraits and landscapes elsewhere in the stately home where it hangs. The city in the distance resembles something from a sci-fi film or game, its bulging buildings alien and bizarrely organic. In front of the stable, an African king is portrayed in a lifelike way, perhaps based on someone Bosch met in the global port of Antwerp. The rotting stable has a slumping tragicomedy to it. From inside, the semi-nude antichrist gawps at the newborn child. All is utterly changed in this apocalyptic adoration.
Petworth House, National Trust

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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