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New Richmond public art to be revealed after long delays

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A public art piece originally planned to be completed in 2019 will finally be unveiled at the end of this month.

Three tall cattail-shaped objects were recently spotted atop a staircase on Hollybridge Way, just beside the Richmond Olympic Oval. Under the silver wrapping are the three components of Vancouver artists Charlotte Wall and Puya Khalili’s Typha.

The new art piece had been five years in the making since it was endorsed by the city council in 2018. It had a budget of $320,000 from the Oval Precinct Public Art capital budget.

According to city spokesperson Kim Decker, the total cost of the project will be closer to $340,000 due to “inflation and rising costs.”

At the time, Wall had hoped it would be done by the summer of 2019.

In an artist salon at the Richmond Art Gallery (RAG) held in June 2021, the artists explained that the project was delayed due to the COVID-19 pandemic.

The sculptures, which are fabricated by hammering sheets of metal into the desired form, had to be made in China as it was one of the only places in the world with experts in the field. Although most of the project was locked and loaded by the time COVID-19 hit in 2020, the artists had no choice but to wait as China ground to a halt in efforts to get the pandemic under control.

Casting, said Wall, was not an option as it would “create a much heavier piece that would also be compromised in terms of structure.”

“It was just a matter of waiting until China could get going,” she said.

But the wait might be over soon. According to Decker, the piece is expected to be completed by the end of March.

Typha will mark the completion of the Oval Precinct and Surrounding Area Public Art Plan, making the area an important collection of a number of high-profile and diverse works of public art in Richmond,” she said.

Typha as a motif

The metal sculptures mimic the way the plant grows and are made of stainless steel with a mirror-like finish. The interiors are painted golden yellow and will glow warmly when it lights up in the evenings.

A bench will also be placed in the area.

The typha was chosen as a motif as it is an indigenous plant in the area with a long history in Indigenous culture. It is also usually seen around water.

“… we wanted to sort of use this plant as a symbol for this existence of water and to talk about the (Fraser) river,” explained Khalili at the 2021 RAG event.

Although some councillors were initially concerned about the sculpture’s location, as it will partially obstruct the view of the river, it seems that it is here to stay.

“A major artwork at this landmark location provides an opportunity to reveal the connection of Richmond to the Fraser River estuary and Pacific flyway,” explained Decker.

– With files from Maria Rantanen

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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