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Artist behind guerilla Vancouver art piece launches campaign to ‘save spidey’

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The artist behind a guerilla sculpture installation in East Vancouver that the city plans to remove is fighting to save the work.

The art work in question is a large, black spider made of recycled materials affixed beneath an overpass near Broadway and Victoria Drive, and visible from the SkyTrain Millennium Line.

The city says the work was unsanctioned, and that it is in the midst of plans on how to best remove the spider.

The anonymous Montreal-based artist who goes by the moniker Junko Playtime is calling on supporters to contact the city and ask it to leave the guerilla installation, titled Phobia, in place.

“I think it’s a shame, there’s are a lot of people that really enjoy the artwork and would love for it to stay there. Sure, there are some people that might not like it, but it’s impossible to please everyone with public art,” Playtime told Global News in an email.

“The work is positioned in a way that doesn’t put anything or anyone in danger and can easily be ignored if someone doesn’t want to look at it.”

Junko Playtime contrasted the city’s reaction to the spider to the mounting piles of trash along the rail line where it was installed, saying it doesn’t make sense to remove the art but not the garbage.

“In terms of this piece, the city didn’t pay a dime for it. It’s built out of waste material collected in the streets so it’s essentially cleaning up some of the litter and there’s a huge amount of people that really enjoy it — seems like a pretty good deal to me,” he said.

The City of Vancouver said the artwork was installed without review or approval, and that it began planning to remove it after complaints from the public.

It pointed to the city’s official public art program, which selects works through a jury process or its Public Art Committee, and that all approved pieces are vetted by engineers to ensure safety, structural integrity, longevity and maintenance plans.

“The installation of public art on key infrastructure, such as a bridge, would require due process to ensure safety. The unsanctioned spider artwork has not been through this review process,” it said in a statement Friday.

The cost of removing the spider remains unclear, according to the city.

The artist responded by suggesting leaving the piece in place was a chance for Vancouver to shake its dubious reputation as “no fun city,” which he said it had earned “for a reason.”

The spider is not the first artwork by Junko Playtime to appear in Metro Vancouver.

Last month, Habitat, a sanctioned piece he created from reclaimed materials appeared outside the Bentall Centre Gallery as a part of the Vancouver Mural Festival’s Winter Arts Festival.

Last year, a large, yellow, insect-like sculpture he created called Queen BX1000 appeared in an empty lot near the Fraser River near the Canada Line.

The artist, who said his work revolves around themes of biodiversity and ecological responsibility, said he designed the spider installation specifically for the location where he placed it, telling Global News, “the cliff face covered overhead by the large metal and concrete bridge really felt like a fitting environment for a creation like this to inhabit.”

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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