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Horror-thriller True Fiction asks: What price great art? – TheChronicleHerald.ca

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How far would you go to create great art? And how much should audiences care about the personal lives of artists? These are questions that have vexed creators, critics and consumers in recent years –

look at the angry reactions in France

when Roman Polanski won the best-director prize at that country’s César awards.

It’s a topic teased in the early going in

True Fiction

, a Canadian production from writer/director Braden Croft. “Would you still consider the

Mona Lisa

a masterpiece if Da Vinci was a thief in his everyday life? What if Shakespeare was a murderer? How would you feel about

Hamlet

?”

The questions are posed by Caleb Conrad (John Cassini), a past-his-prime horror novelist holed up in a remote, wood-paneled lodge with more than a passing resemblance to

The Shining

’s Overlook Hotel. He’s talking to Avery Malone (Sara Garcia), an aspiring writer herself, though for now she’s content with her new job as assistant to her favourite author.

This game is a controlled experiment in fear

There’s a decent thriller waiting to be spun from the thread of this premise, but

True Fiction

is more concerned with being a straight-up horror, and it’s a goal it fulfills nicely.

Caleb tells Avery that one of her more, um, unusual tasks will be to act as a guinea pig as he tries to scare her. He wants “purposeful exposure to the purest emotion. This game is a controlled experiment in fear.” He’ll use the data as fodder for his next novel. Starstruck, Avery agrees.

What follows is an excise in shocks, scares and subterfuge, as Avery starts to doubt her sanity amid waking dreams, echoing screams and the dawning realization that Caleb may be hiding something other than a well-thumbed thesaurus. Croft frames the story with slowing creeping camerawork, and Garcia does a great job of gradually going from dumbstruck to vengeful.

The conclusion may trouble some viewers as overly ambiguous, but that’s a question for another day and another movie. How much can you risk alienating your audience for a twist ending? I’d argue that

True Fiction

manages to go just far enough.


True Fiction opens March 6 in Edmonton and Toronto, and March 10 on demand.


3 stars out of 5

Copyright Postmedia Network Inc., 2020

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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