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Forecasting the future of NXT in looming WWE media rights deal

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In 2014, WWE launched its ambitious over-the-top streaming service, the WWE Network. At the time, it was a significant milestone in the streaming era. The pro wrestling company removed itself from the Pay-Per-View model to air its monthly live events, an assembly of original content, and its massive tape archive. Little did anyone know then that the Network included something that would transform its entire shape: the NXT brand. Nearly a decade later, the NXT brand is more prominent than anyone imagined. That begs the question: What’s next as the company prepares to negotiate its newest media rights deal?

When NXT “arrived” on the WWE Network, its purpose was plain and simple: It had become WWE’s developmental “proving ground” brand. NXT originally debuted two years earlier in 2012 and aired on Hulu until the Network’s launch. NXT ArRIVAL aired on February 27, 2014, becoming the company’s first live event streamed on the new service. The event showcased a “different” kind of professional wrestling, or at least not one WWE fans were often treated to. NXT was run by current WWE head Triple H, and his style, vision, and creativity, paired with the late Dusty Rhodes and his insight and style, created a unique broadcast and product.

As they say, the rest is history. NXT became something of a cult favorite at first. Athleticism and high-octane offense were a massive allure to the product. But so was something else: The women were portrayed in ways utterly different from the archaic forms they were up on the main roster. Bayley, Becky Lynch, Charlotte Flair, and Sasha Banks were all instrumental in helping lead the rise for the women that year, as the quartet later dubbed ‘The Four Horsewomen’ became both huge parts of the show and trailblazers in the industry.

In 2015, the brand experienced something of a boom. Their event during WrestleMania 31 weekend in San Jose drew a sell-out and is a ‘lost tape,’ as the full event has never been aired on the Network. They took their TakeOver specials around the country — the first during SummerSlam weekend, TakeOver: Brooklyn. The event was critically acclaimed and featured Bayley vs. Sasha Banks for the NXT Women’s Championship, a match deemed by many as the greatest women’s wrestling match of all time.

After going to London in December 2015, they brought TakeOver to WrestleMania weekend in Dallas in 2016. Afterwards, up until the COVID-19 pandemic, they hosted TakeOver events during the Big 4 weekends — SummerSlam, Survivor Series, the Royal Rumble, and every WrestleMania. And then, finally, in 2019, they made the big jump off the WWE Network to cable television. The USA Network began to air the NXT brand, and at this point, it felt more significant than it ever was.

So, that is all to say: Where does it land now?

President Nick Khan recently floated that NXT could remain its own thing and perhaps become bigger again. Khan dished to The Hollywood Reporter about how they never skipped a beat in production during the COVID-19 pandemic.

He also said to THR, “We think NXT has the viability to be its own standalone brand instead of just being a developmental system – a third brand, if you will,” hinting at crossover potential between Raw, Smackdown, and NXT superstars.

If we want to forecast the future of NXT, a few things need to be examined.

Perspective on NXT comes from all sorts of different places. And it depends on who you listen to. At its most basic level, it is a developmental proving ground show. A large majority of the wrestlers who compete on NXT are not finished products. They’re all searching for the same thing: A call-up to the main roster. Titles and other storylines on the show take precedence. Many of the title bouts have been historical, and some have gone on to inspire more than a few active wrestlers to pursue their careers. But at the end of the day, it’s not perfect; it’s sometimes rough around the edges, but the rewards are usually top-notch. And the “promise” and “hope” factor burns eternal.

At one point, WWE did build it up as a legitimate ‘third brand.’ They all but put their chips in back in November 2019, when the brand stood both solid and tall at their Survivor Series event, winning the most matches of the three brands that night in head-to-head-to-head competition. The brand also has a real pedigree. Nearly the entire WWE roster in 2023 features NXT alumni, which means many of the company’s champions over the last decade have NXT roots. The brand will sell itself that way and pronounce itself when its alumni do well.

Over the last few years, NXT’s television ratings have been something of a conversation online. At least when it was running against rival wrestling company All Elite Wrestling and its flagship show, Dynamite. AEW often beat the show in the ratings, and the brand’s online perception took a hit. Eventually, NXT moved to Tuesday nights on the USA Network, never left, reformatted, and then reformatted again. Despite all the changes, the show still does well enough to keep a loyal following. They’ve rarely bottomed out in viewership. They also infrequently dip below 550,000, but they’ve hit something of a ceiling. 700,000 viewers on January 10 is their highest number of the year thus far. Their ballpark has been between 600k-700k.

The show does not have the reach or the following of its main flagships, Monday Night Raw and Friday Night Smackdown. It’s realistically a tough ask to ask someone to watch three wrestling shows in one week. It’s hard as it is to get anyone to do that with anything, so they have found drawbacks there. The show is also broadcast in Orlando, Florida, in what is essentially the equivalent of a TV studio. It’s a small venue that, compared to the massive arenas and stadiums, some of which are now international, on the main roster, dwarves in comparison.

Based on the weekly numbers, it’s evident that many WWE fans aren’t as ‘plugged in’ or attracted to NXT. This has probably gone on for years, as the difference between the Network and TV led to that audience divide as well. And that’s not wrong, but it’s just how it is. And the way it’s supposed to be. And just because the show has a niche doesn’t mean you should ignore that niche, either. No one set that expectation for the show to beat or stay level with Raw and Smackdown. Compared to Raw, which debuted in 1993, and Smackdown, which first launched in 1999, NXT is a spring chicken. They’ve certainly beefed up the show in recent years. Its nearly two-year run of ‘head-to-head’ competition against AEW showed that, at least at one point, WWE was serious about the brand’s visibility and validity. There is an NXT audience out there, and chasing after it has proven to be worthwhile in the past. And if it weren’t, they wouldn’t have almost their entire roster.

Plus, the shows have different offerings—Raw and Smackdown feature polished wrestlers and the biggest stars in the company, full frontal. You’ll see a more bite-sized approach and a glimpse of the future in NXT. There’s a lot of experimentation going on, and not everyone is a finished product. When the best prospects go at it, it provides a lot of fun.

The timing of Khan’s comments, though, is very interesting. Lately, enhancing the brand, almost universally, is the fact that there’s now a sense of cohesion and synergy on the shows.

In years prior, fans voiced a significant complaint about the lack of cohesion and the apparent lack of faith. While NXT’s popularity rose, the WWE main roster product remained incredibly adversarial. Sometimes, there’d be a sense of trepidation between the two entities. They became such opposites that they created a divide between fans, leading to much toxicity. Based on many tells over the years, both outside and in the company. But as those tides have subsided, clarity has risen, leading to recent attempts to connect the dots.

Particularly of note lately? NXT Champion Carmelo Hayes made a surprise appearance on Friday Night Smackdown last week on Fox. Hayes, who fans view as a top prospect, continued a program with NXT alum Baron Corbin, who also appeared on the NXT TV show earlier in the week. Bron Breakker, wrestling legend Rick Steiner’s son, also made a challenge to reigning World Heavyweight Champion and superstar Seth Rollins. Furthermore, it looks like WWE will merge their women’s tag team divisions, which could lead to more fun and synergy in that department. And it doesn’t just go one way either: NXT stars Cora Jade and Roxanne Perez also made cameos on Raw and Smackdown in 2022.

So, it makes you wonder: Are the recent inroads to beef NXT up an attempt to butter the brand up for its potential future homes?

It’s a working theory and one that, while WWE negotiates its next media rights deals, does make sense. It’s a crucial period for WWE. To their credit, the company keeps smashing gate records, continues delivering substantial audiences on Peacock, and has a massive social media following. They haven’t missed much. And last week’s episode of NXT did gain its highest audience number in almost two months.

Among the potential contenders for NXT? Well, since Khan appeared to float the idea that everything is on the table for even Raw and Smackdown, then you have to believe the same is true for NXT.

Will they remain on cable television? It would behoove them from the conventional standpoint that television is how you get the most exposure. USA Network will probably hope to keep them on the Network, especially with Raw’s future uncertain. With all the Todd Chrisley drama, even as Chrisley Knows Best continues, WWE is by far the biggest draw for the USA Network, so you have to figure they’ll compete until the bitter end to retain it.

But with streaming taking hold, will a move back there make more sense? And what’s more, when you ask that question, do you also consider that the hottest period for the brand came while they weren’t on TV?

People were drawn to fill Barclays Center in the summer of 2015 to see Bayley, Sasha Banks, Finn Balor, and Kevin Owens, and they didn’t because the show was on TV. And if anything, streaming has only swelled since they caught the buzz of 2014-2015. So it’s worth considering that they might retake a look if it makes the most sense. WWE’s Premium Live Event model already has its fans accessing Peacock. So it’s not like a move to streaming would ask their fans to do something they aren’t instinctively told to do.

Plus, you could argue that the USA Network has taken NXT about as high as it can go. So could they try and sell it to someone else and shoot for a different stratosphere? It could all be on the table.

If I had to guess right now, based on nothing? I’d lean toward a return to streaming. I’m not all the way sold yet on WWE’s hit TV shows hitting streaming services quite yet. But NXT returning to streaming is what I think happens. Only because that’s the wave now and because NXT has been there before and succeeded there before.

Whatever’s next for NXT, the brand will continue to take leaps thought unimaginable nearly ten years ago. NXT is hitting the road again, having held events in Charlotte and Lowell, Massachusetts this year, as well as an NXT TakeOver during WrestleMania weekend in Los Angeles. So they are returning to form and getting hot again, perhaps at the right time.

By the time the new deal comes around, it’ll have been ten years since the Network’s launch and since NXT was shot out of the cannon. Where they land next will likely tell the history of a brand no longer fledgling but instead ready to take the next great leap forward.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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