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Cat-and-mouse world of art fraud revealed in London show

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London (AFP) – Some of the most notorious art forgeries form the centre-piece of a new London show, which reveals a cat-and-mouse world of intrigue, deception and painstaking detective work.

Issued on: 16/06/2023 – 18:26

The exhibition, which opens at the Courtauld in Somerset House on Saturday, features around 25 drawings and seven paintings, as well as sculpture and decorative art from the renowned gallery’s collection.

Armed with magnifying glasses, visitors can scrutinise purported masterpieces by Sandro Botticelli, John Constable, and Auguste Rodin.

Visitors will learn how they were created, the methods of the most infamous forgers and the increasingly sophisticated methods used to detect them.

“Forgeries have always existed in the history of art and have a place in our study,” Rachel Hapoienu, drawings cataloguer at the gallery, told AFP.

Hapoienu highlighted one work thought to be by English artist Constable, which came from a sale from his daughter Isabel.

“We thought we had a straight line back to the artist,” said Hapoienu, but a shock discovery proved them wrong.

Shining a torch through the work revealed a watermark on the paper that dated it to the 1840s — after Constable had died.

“There is a sizeable group of paintings and drawings that came from John Constable’s children and grandchildren which were… probably made by one of his sons,” said Hapoienu.

“Whether they were trying to perpetrate fraud…is up or debate.”

‘National hero’

The show also highlights the infamous tale of British forger Eric Hebborn, who operated from 1950s until he was exposed in the 1970s.

Hebborn was classically trained at the prestigious Royal Academy, winning many awards while a student.

The show highlights the work of known forgers who have been unmasked
The show highlights the work of known forgers who have been unmasked © HENRY NICHOLLS / AFP

He struck up a close relationship with dealers and earned their trust by supplying them with genuine works, but mixed in his own forgeries.

“He was really meticulous, and would make his own inks and chalks in the manner of Renaissance artists and make sure he got the right paper,” said Hapoienu.

“He made a mistake when he had one piece of paper cut in half; one side he did a drawing by one artist, on the other side he did a drawing by an artist who lived a 100 years later,” she added.

“Both sheets ended up in the same collection… the curator happened to be looking at them next to each other and thought, ‘How can this artist and this artist be working on the same sheet of paper?'”

Hebborn, who was never convicted of a crime, claimed to have produced thousands of other forgeries, and was murdered in Rome in 1996.

Also on show is a fake Vermeer created by Dutch forger Han van Meegeren, whose works often ended up in the hands of leading Nazis, including Hermann Goering.

He was tried for collaborating with the enemy, “but got out of it by saying he had been tricking the enemy and therefore became a national hero,” explained Karen Serres, curator of paintings at the gallery.

Rusty nails and bakelite

Serres also revealed some of the tricks of the trade used by leading forgers.

Van Meegeren used bakelite to give his paintings an aged appearance, while another fraudster used a fine brush to paint “cracks” onto his works.

Some forgers went to extraordinary lengths to make their works authentic
Some forgers went to extraordinary lengths to make their works authentic © HENRY NICHOLLS / AFP

One renowned deceiver painted on a woodworm-riddled piece of wood to date his work and recommended using rusty nails to hold together panels.

But Serres also highlighted some of the tools used by investigators in their game of “cat-and-mouse”.

One painting, supposedly by Botticelli, aroused suspicion when one expert noted the similarity of its Madonna to the silent movie stars of the 1920s.

Analysis of pigments can also flag up fakes, and close scrutiny of brush strokes can reveal whether the creator was left- or right-handed.

One fake was identified by bushes meticulously drawn outside a castle, which researchers realised weren’t planted until after the work was purportedly created.

Alongside old-school detective work, the gallery also uses the latest technology, such as a machine that performs ultraviolet and infrared scans of works.

“It’s satisfying, you have found out the truth,” Hapoienu said of the moment when a case is cracked.

“If you are a dealer obviously it’s a whole different story.”

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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