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Camera brings ‘unprecedented clarity’ to restoration of historic artworks

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Scientists have developed technology that will revolutionise the restoration of historic works of art by allowing conservators to identify and remove ageing varnish with total accuracy.

A team at King’s College London’s department of physics has harnessed the power of fluorescence to bring “unprecedented clarity” to the conservation process, said Prof Klaus Suhling.

A revolutionary camera will allow experts to distinguish between varnish and other components in an artwork, such as paints and binders.

“The conservation of paintings is vital to protect our cultural heritage for generations to come,” said Suhling.

“Most paintings created before the late 19th century have been varnished many times, making them appear dull or yellowed as the varnish degrades. To make the image visible again, it may be necessary to remove that varnish – but it can be a big challenge to differentiate this from the underlying paint and other components within the painting.”

The King’s College team developed a 25,000-pixel photon sensitive camera that uses a technique called macroscopic fluorescence lifetime imaging (FLIM) to harness the natural fluorescence in centuries-old varnish.

Each pixel has a stopwatch that measures when the light from a surface enters it. “By comparing the fluorescence of the varnish to these other components, we can chart where varnish sits with a level of accuracy never previously achieved,” said Suhling.

Usually conservators shine UV lamps on the surface of a painting to ascertain residue by eye. The method relies on the expertise of the conservator and involves a degree of guesswork.

The King’s College team, led by Suhling and Dr Jakub Nedbal, worked with the Courtauld and the University of Edinburgh on the project.

Prof Aviva Burnstock, of the Courtauld, said the new technique “provided more detailed information about the paint and varnish during removal tests than any other previous method, paving the way for whole painting imaging during varnish removal”.

“If achieved, that would be a great advance for painting conservators.”

Suhling said the camera would not be expensive to produce in the future as it was derived from consumer technology such as smartphone cameras. “It’s very bespoke [now] but in the future I think it will be relatively low cost.”

Fluorescence is typically used in medicine to study, track and identify cancerous cells. It is also used in polymer banknotes as a security measure.

Suhling said he was a regular visitor to art galleries. “I was keen to use my expertise to advance conservation work,” he said.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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