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NCC’s new artwork in Ottawa is a five metre long crow made out of tires

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A giant crow lying along the LeBreton Flats Pathway in Ottawa’s west end is the talk of social media, with reactions ranging from, ‘What is it?’ and ‘you paid someone money for that’ to ‘I think it’s cool” and “interesting for sure.”

The National Capital Commission unveiled the new public art along the pathway on Tuesday, called, ‘When the Rubber Meets the Road’ by PEI artist Gerald Beaulieu.

“Did you know there used to be a landfill at LeBreton Flats?” the NCC said on Twitter. “In line with the #BuildingLeBreton guiding principle of fostering sustainability, this piece is made from recycled tires.”

The five metres-long crow lying just off the pathway is made entirely from recycled tires.

“This large crow lies flat on the ground in a manner that resembles roadkill, symbolizing the collision between human and natural works,” says the plaque next to the sculpture.

“The crow is made from old tires, which refer to the harm caused by our commuter culture as well as the crow’s role as a scavenger of urban waste. The artwork invites us to reflect on how we impact our environment and the creatures that inhabit our shared spaces.”

In a statement to CTV News Ottawa, the NCC says the one-year rental of the piece cost $14,022.

“The department of Canadian Heritage helped facilitate the project by connecting the NCC with suitable options from drawn from previous public art selection processes,” the statement says. “This artwork was submitted by the artist in 2018 as part of a juried evaluation of existing artworks for temporary display in federally managed locations in Canada’s Capital region.”

Beaulieu tells CTV News Ottawa his creation is designed to start a conversation.

“The reactions have always run the gauntlet from people being annoyed by it and people absolutely loving it, and that’s the best an artist can hope for,” Beaulieu said.

The ‘When the Rubber Meets the Road’ piece uses 50 to 60 tires, and it took Beaulieu a month to create the piece.

Beaulieu says the piece is about the “risk and rewards” of our interactions with nature.

“The idea behind it was just to address the environmental impact of our society, when it collides with nature,” Beaulieu said Wednesday afternoon.

According to Beaulieu’s website, the piece has previously been on display during Art in the Open in Charlottetown and the Bonavista Biennale in Port Rexton, NL.

Social media posts by CTV News Ottawa and the National Capital Commission solicited hundreds of comments about the artwork and the federal agency’s decision to showcase the work.

“Haters gonna hate,” said one comment on the NCC’s Instagram page. “Well done NCC clearly creating conversation around this piece.”

Another comment on Instagram said, “What an effective work to express such strong reactions from viewers.”

“It may be art, but it’s also a distraction for drivers and cyclists,” a comment on the CTV News Ottawa Facebook page said.

On Twitter, people questioned why the NCC had installed the art piece.

“This makes me sad. It’s a dead crow,” said one person.

“How much this pile of tires cost the government?” said another comment on Twitter. “Was it just dropped in a field. I am not an art connoisseur but what is it?”

One comment said, “April 1 was a couple of months ago.”

“Looks like a dead bird,” said former Coun. Alex Cullen.

One Twitter comment said they will need to check it out in person.

“It’s probably more impactful in person, like much great art. Using recycled material is a great artistic technique.”

Beaulieu says he was taking photos of the crow on Tuesday at LeBreton Flats and witnessing people’s reactions to the art.

“They were curious, they were talking photos,” Beaulieu. “For the most part, they were quite curious and they were quite taken with it.”

The NCC says the art will be on display until June 2024.

The piece was on loan to the Andrew and Laura McCain Art Gallery in New Brunswick in 2022.

The gallery’s website said Beaulieu uses “familiar materials to examine the boundary between what is natural and manmade, helpful or harmful.”

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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