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The Noble Art of Self-Deception

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Bruce Rolff/ Shutterstock
Source: Bruce Rolff/ Shutterstock

Where I grew up, there was a lumberjack who was an oddball. He was stingy, surviving on coarse bread, grease, and salted herring. The remaining money was spent on vodka.

It is said that during his evening meal, he would spread grease on a slice of bread and place a piece of herring from a jar at one end of the bread. As he ate, he moved the herring farther away from the bread. Finally, when he finished the last piece of bread, he would return the herring to the jar and exclaim aloud to himself: “I fooled you again, you stupid bastard.”

Who was fooling whom? The lumberjack was not schizophrenic, but like everyone else, he sometimes had a dialog with himself: Should he eat the herring now or save it for his future self? The herring became increasingly rancid, the more he favored the future.

Life Lies

How is it possible to deceive oneself? Wouldn’t one immediately recognize the trickery if attempted? In reality, we are surprisingly adept at deceiving ourselves, often unconsciously. Psychologists have long understood that people live with various kinds of life lies, but self-deception manifests in many more contexts.

Self-deception operates because the self is not an indivisible entity: The unconscious side of the self can deceive the conscious one. One form of self-deception involves expressing a desire to achieve a particular goal while unconsciously working towards another. This strategy is succinctly summarized by the French philosopher Blaise Pascal’s aphorism: “The heart has its reasons which reason does not know at all.”

We overestimate ourselves to prioritize ourselves over others and thus survive. If we were to perceive our objectively true selves, we would likely become despondent.

Deception does not always involve outright lies; it can also involve an exaggerating of certain characteristics. Literal self-embellishment—makeup, hairstyling, clothing choices—is an everyday form of self-deception that most people engage in. Rarely do we desire to reveal our authentic selves.

Most individuals harbor illusions about themselves and believe that they possess above-average positive qualities. We tend to think we are more intelligent, honest, friendly, original, and reliable than average. We also believe that we will live longer than average and drive better than average (even those who have been hospitalized for traffic accidents hold this belief). Moreover, these illusions extend to self-reflection: Most people perceive themselves as less influenced by such illusions than the average person.

Overestimating Our Abilities

Naturalist Charles Darwin long ago observed that self-confidence more often stems from ignorance than knowledge. For example, drivers who have been involved in accidents or people who have failed a driving test are worse at judging their performance on a reaction test than experienced drivers are.

Social psychologists Justin Kruger and David Dunning conducted a series of tests revealing that people who are among the worst in terms of reasoning logically, writing grammatically, or understanding humor, for example, seriously overestimate their abilities. On average, the lowest-performing quarter of the participants rated themselves as being in the top 40 percent.

Metacognition

Kruger and Dunning explain this self-assessment by asserting that incompetent individuals possess poorer metacognition compared to competent ones. Metacognition is the ability to reflect on and assess one’s own thought processes.

For example, the ability to write a grammatically correct sentence is akin to the ability to recognize that there is a grammatical error in a sentence. Hence, if they fail to recognize their mistakes, they will grossly overestimate their ability to write grammatically correct.

Incompetent individuals, therefore, bear a two-fold burden: Not only do they draw the wrong conclusions and make the wrong decisions, but their incompetence also robs them of the metacognitive ability to recognize their shortcomings.

On the other hand, the top quarter of the subjects in the experiment slightly underestimated their competence on average. This aligns with research demonstrating that experts in a field have much more developed metacognition when it comes to problem-solving than novices.

Positives

A beneficial effect of overestimating oneself is that positive illusions lead to better health and longer life. Studies conducted on HIV-positive people revealed that those with excessively positive perceptions of themselves exhibited a significantly slower progression of the disease.

Similarly, patients who perceived no risk in an upcoming operation tended to recover more quickly after surgery compared to those who were concerned about the procedure. Furthermore, women who denied problems associated with a breast cancer diagnosis had fewer disease recurrences of the disease compared to others.

I travel extensively, both for work and vacations. Most of the time I carry a camera to capture people, places, and moments that I want to remember. Often, I find myself attempting to embellish the pictures, for example, only capturing people when they appear happy or deliberately excluding an ugly house in a beach photograph. I believe many amateur photographers can relate to this behavior.

Why do I really want to embellish the images? My perception has been that I want to present others with more appealing depictions of my experiences than they actually were, much like dressing up to look good. However, I rarely show the pictures to others; instead, I mostly deceive myself.

In fact, what happens when I embellish a photo is that I design a memory. My memory of the trip will be largely colored by the images I choose to preserve. I deceive myself into thinking that the trip was more golden than it really was.

Apart from everyday self-aggrandizement, one of the most prevalent forms of self-deception involves selectively choosing which information to acknowledge. “What I don’t know can’t hurt me” is a prime example of self-deception.

The common understanding of self-deception posits the existence of hidden urges and other unconscious forces that drive our actions, while conscious motives guide our actions, or so we believe. In fraudulent cases, the unconscious does not align with the conscious.

Hence, the paradox of self-deception lies in the question of how we can avoid discovering that the interpretations we make of our actions are, in the long run, so poorly aligned with our actual behavior. Our consciousness never encourages us to be honest with ourselves. A life free from self-deception can only be attained through an unadulterated understanding of our actions.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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