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Art Industry News: A Landmark Italian Art Show in Washington, DC, Has Been Called Off by Italy’s Lockdown + Other Stories – artnet News

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Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Wednesday, March 11.

NEED-TO-READ

Philadelphia Museum Resets After Controversies – The esteemed museum has been beleaguered by controversy in recent months, with two former employees having been accused of abuse, and the museum accused of not doing enough to address the staff’s concern. Now, the institution is trying to move forward through a range of “thoughtful and deliberate actions” including holding staff meetings, hiring a consultant to conduct a “cultural assessment” of the workplace, and creating an anonymous hotline for HR concerns. Some employees, however, are distrustful of the museum’s motives given that it is in the midst of fundraising for a $228 million renovation. (New York Times)

Prominent Street Artist Is Charged With Rape – The Sydney-based street artist Anthony Lister, who was named by Complex magazine as one of the most influential street artists of all time, is behind bars for the next eight weeks after police raided his home. He has been charged with raping four women, including three of his art students, between 2015 and 2018. He also allegedly tattooed one of the students without her consent. Lister denies the charges. (Guardian)

Coronavirus in Italy Delays Transportation for National Gallery Artwork – A landmark exhibition on Italian art, “A Superb Baroque: Art in Genoa, 1600–1750,” is caught in the ripple effects of Italy’s coronavirus lockdown. The show will not open at the National Gallery of Art in Washington, DC, as planned on May 3 because the museum cannot bring the artworks out of museums in Rome and Genoa. The show was expected to be the first major exploration of Genoese Baroque art in the United States. A new date has not yet been set, but the museum says it could be rescheduled as early as next year. (Washington Post)

Max Mara Prize Winner Revealed – The British artist Emma Talbot has won the Max Mara Art Prize for Women, which comes with a six-month bespoke residency in Italy (presumably, after the lockdown is over) to create a new body of work that will be exhibited at the Whitechapel Gallery in London and the Collezione Maramotti in Reggio Emilia, Italy. Talbot won the prestigious prize with a proposal that questions depictions of women, particularly elderly women, in art history, beginning with a close look at Gustav Klimt’s painting Three Ages of Woman (1905), which is in Rome’s Galleria Nazionale d’Arte Moderna. (Press release)

ART MARKET

Berlin Gallery Weekend Downsizes – A smaller version of the annual citywide art festival will go forward as scheduled during the first weekend of May, but gatherings such as receptions and dinners will be pushed to a onetime event in September. The fall edition of the event will feature the same participating galleries as the May version and will include exhibitions by such artists as Andreas Gursky, Katharina Grosse, and Cathy Wilkes. (Press release)

Marian Goodman to Rep Tavares Strachan – Marian Goodman Gallery has added multimedia artist Tavares Strachan—who has long avoided formal gallery representation—to its roster. The Bahamian artist once hauled a several-ton block of arctic ice to his birthplace, where it was exhibited in a solar-powered freezer chamber. (Press release)

New York Galleries Could Get Coronavirus Funds – Small New York City galleries may be eligible to receive interest-free loans and cash grants amid the coronavirus outbreak and the subsequent stock-market decline. The city’s multimillion-dollar initiative to support small businesses is targeted at small enterprises, particularly those with fewer than 100 employees that have seen their sales decrease by 25 percent or more since the outbreak. (ARTnews)

COMINGS & GOINGS

Aspen Art Museum Names New Director – Nicola Lees has been named the new Nancy and Bob Magoon director at the Aspen Art Museum. She replaces Heidi Zuckerman, who stepped down abruptly last fall. Lees, who begins her new role on April 6, has been director and curator of NYU’s 80 Washington Square East Galleries since 2016, and previously held curatorial positions at Frieze Foundation and the Serpentine Gallery in London. (Press release)

Alfredo Jaar Wins Major Photo Prize – The Chilean artist has won the Hasselblad Foundation’s international award in photography, one of the largest awards in the field. Endowed with one million Swedish krona (approximately $106,000), the award will be granted at a ceremony in Gothenburg, Sweden, on October 19 ahead of an exhibition of Jaar’s work at the Hasselblad Center. (Press release)

Influential Brazilian Artist Nelson Leirner Has Died – The Brazilian painter, who was known for needling the art world through his ironic, pop culture-inflected work, has died at 88. Museu de Arte de São Paulo artistic director Adriano Pedrosa said he was among “the most influential names in contemporary art in Brazil.” (ARTnews)

FOR ART’S SAKE

The Prado Caps Visitor Numbers Due to Coronavirus – The Prado Museum in Madrid has placed a cap on the number of people allowed free entry to the museum (500 at a time) in an effort to avoid overcrowding during the coronavirus outbreak. The museum is also establishing a capacity-control system to monitor the number of people present in a single room at any given time. (El Confidential)

Woman Discovers a Salvador Dalí in a Thrift Shop – An original work by the Surrealist artist surfaced at a thrift shop in Kitty Hawk, North Carolina. A volunteer spotted the painted wood engraving, which is from his 100-image series “The Divine Comedy.” A couple purchased the appraised work for $1,200. (WRAL)

Andy Warhol’s Wigs Star in Tate Show – The Andy Warhol blockbuster at Tate Modern includes three of Warhol’s “fright wigs,” which are going on view in the UK for the first time. The artist was bald from his 20s onward, and became known for his wild, silvery wigs. (Guardian)

A Jacob Lawrence Series Gets Reunited – A multi-panel series by the famed artist Jacob Lawrence that examines early American history has been reunited after roughly 60 years. The 30-panel series created between 1954 and 1956, titled “Struggle: From the History of the American People,” was purchased by a private collector who resold the panels separately. Now, almost all of them are going on view all together in an exhibition at the Peabody Essex Museum in Salem, Massachusetts, through April 26. (New York Times)

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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