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David Rockefeller’s Former Manhattan Home Lists for $57.5 M., Hunter Biden Art Sales Revealed, and More: Morning Links for July 25, 2023

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The Headlines

THE POLITICAL PAGES. Some House Republicans are backing a bill to nix funding for the National Museum of the American Latino in Washington, D.C., the Art Newspaper reports. The proposed legislation comes as the two parties duel over spending plans and as some conservatives argue that a pop-up show from the  new institution has a left-wing bias. Meanwhile, documents from New York’s Georges Bergès Gallery indicate that one anonymous buyer spent $875,000 on 11 artworks by artist/presidential son Hunter BidenInsider reports. The materials also show that real-estate investor Elizabeth Hirsh Naftali at some point acquired his work. Last summer, she was appointed by President Biden to an unpaid position on the Commission for the Preservation of America’s Heritage Abroad. The young Biden’s art career has faced scrutiny from GOP politicians who argue that purchases of his art could influence White House policy.

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A middle-aged man with a modest beard holds his right hand up, apparently in the middle of speaking. He sits, wearing a suit.

A CONCLUSION. Last month, a German commission said that the bank BayernLB should return a 1907 Wassily Kandinsky painting in its collection for about 50 years to the descendants of the Jewish couple in the Netherlands that owned it before World War II, ARTnews reported. Now the bank has said it will do so, the New York Times reports. The work, Colorful Life, was part of a vast collection held by Emanuel Albert Lewenstein and his wife, Hedwig Lewenstein Weyermann. Both died before it was sent to auction along with many other works they owned in October of 1940, following Nazi Germany’s occupation of the Netherlands in May. Precisely how that sale came about is unclear; the panel argued that sales of work held by Jewish collectors in the country following the invasion “should be presumed involuntary unless there was clear evidence to the contrary,” according to the Times.

The Digest

Collector David Rockfeller’s Manhattan townhouse of nearly seven decades is on the market for a zesty $57.5 million. The sellers are Doug and Lily Band, who got the eight-bedroom abode in 2018 for $20 million and then did some major renovation work. [The Wall Street Journal via Robb Report]

With Frieze Seoul a little over a month away, Prada said that it will bring its multifarious Prada Mode social club to the city during the festivities. It will run September 5 and 6 at the Kote space in the city’s Insadong neighborhood. [WWD]

The leader of Fighting With Pride, an LGBTQ+ charity in the United Kingdom, has backed a proposal to create a statue of codebreaker Alan Turing, who was persecuted for being gay, on the Fourth Plinth in London’s Trafalgar Square. [The Guardian]

Starting next fall, the Museum of Contemporary Art Detroit is planning to shutter for six to nine months for a $10 million renovation. It is also aiming to finish a $14 million capital campaign. [Crain’s Detroit Business]

In case you missed it, journalist Patrick Radden Keefe has an extensive profile of Larry Gagosian, which begins as the mega-dealer is prepping for a party at his Hamptons home. “I have a weakness for entertaining,” Gagosian said. The audio version of the story clocks in at just two hours. [The New Yorker]

Behold: A guide to five of the best restaurants at London museums, from Spring at the Courtauld Gallery to Townsend at the Whitechapel[Financial Times]

The Kicker

WHAT COULD HAVE BEEN. This year, the Austrian art dealer Thaddaeus Ropac is toasting the 40th anniversary of his gallery, which he started in Salzburg and has since expanded across Europe and Asia. In the Financial Times, he uncorked some stories from his long career, like the visit he made to the New York studio of Jean-Michel Basquiat in the 1980s. “He was in a basement, with loud music playing, and my English was patchy,” Ropac recalled. Basquiat apparently thought that Ropac said that his gallery was in Australia, and so “he wanted to incorporate kangaroos in his work for his first show with me,” the dealer explained. For better or worse, Ropac clarified matters, and Basquiat was also happy to show in the birthplace of Mozart. [FT]

 

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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