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The Weird, Fragmented World of Social Media After Twitter

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Are you on Bluesky? Let’s be honest: Probably not. The Twitter clone is still in beta and has been notoriously stingy with its invite codes. Its small size means that every time an influx of newbies arrives, the existing user base freaks out, filling the algorithmically curated “Discover” tab with incredibly overwrought complaints. A much-discussed recent post lamented that “Bluesky elders”—and here I should note that this is a service that launched a mobile version only in February—were suffering a degraded experience because of all the blow-ins. The phrase has become an instant meme.

You need to know only two things about Bluesky. The first is that its users are trying to make the word skeeting happen, although it’s an even worse alternative to tweeting than Mastodon’s tooting. The second is that it operates at a high emotional pitch at all times. Whereas scrolling Twitter’s “For You” tab is now like bobbing for apples in a bowl full of amateur race scientists and Roman-statue avatars lamenting that we no longer build cathedrals, the Bluesky equivalent features discussions of whether sending death threats to the site’s developers is acceptable if they really, really deserve it.

As far as I can tell, Bluesky is siphoning off both Twitter’s most emotionally dysregulated users and its most committed shitposters. I dare not post there—my account was briefly the most blocked on the app, according to a tracking service—but it’s nice to see that a small, tight-knit, and politically distinctive community has formed, albeit around shared interests that include hating me. Although it is a mere fraction of the size of the big social networks, Bluesky appears to have hit the critical mass needed to sustain itself, suggesting that Elon Musk’s actions at Twitter have irreparably fractured the service. We are now living in the post-Twitter era, literally and metaphorically. After Musk’s rebrand, X marks the spot where a large number of people no longer want to be.

Until recently, I doubted that even an owner as slapdash and capricious as Musk could bring down Twitter. The narcissists and addicts who linger there would put a barnacle to shame. The site has always been much smaller than Facebook, and it mattered only because politicians, journalists, and those who currently pass for public intellectuals were using it. Whether you read The New York Times or watched Fox News, you would encounter content that began its life on Twitter. When Twitter kicked Donald Trump off, it severely dented his ability to derail the news agenda, because journalists simply weren’t prepared to join Truth Social, the right-wing platform that the former president himself controls.

Now, though, I can see the first glimmers of a post-Twitter world. The weirdos, early adopters, shitposters, furries, and scolds are trying out Bluesky, where they can complain about “Elmo” and his tenure in charge of “the bird site.” Actual young people are on TikTok. True Boomers never made it to Twitter and are still happily posting on Facebook about UFOs and Bunco nights. A handful of disgruntled tweeters tried Post and Mastodon, but the first is a graveyard, and the second is an obstacle course for non-techie users. The normies and the brands went to Instagram’s new Threads app, and then many of the normies promptly left because Threads was too boring without enough weirdos, furries, or scolds to add seasoning to the mix. (Corporations might love placing their ads next to unobjectionable inspirational content, but the cumulative effect is to make Threads like watching a television channel entirely composed of infomercials.) Grindfluencers—the type of people who listen to 15-minute summaries of Freakonomics and The Art of War—have always been happiest on LinkedIn, posting about their podcast drops and congratulating you on your “work anniversary,” which is not and never will be a real thing. Instagram is still full of hot people who are feeling #blessed and keen to demonstrate this humility by posing in a bikini by an infinity pool. (If these posters have a hot sister, she can wear a bikini too, and then they can observe that #familyiseverything.) Twitter is now the social network of choice for people who know what a Sonnenrad is and, moreover, believe it has been unfairly maligned.

And some people will have looked at all of the options above and decided, at last, to touch grass.

Many controversies in the early era of social media grew out of the assumption that users had a singular, coherent identity across platforms. The researchers danah boyd and Alice Marwick described the resulting discord as “context collapse”: Users invited criticism by speaking offhandedly, as if in a private room, before potentially limitless audiences on Twitter or Facebook. Too often, a joke that would have slayed between two close friends was held up for wider disapproval in a BuzzFeed listicle or a TV-news chyron. Now we have become better at sorting ourselves into different modes in different spaces, to the extent that I have seen people lament that they know who they are on Instagram and they know who they are on Twitter, but I don’t know who I am on Threads.

Given this trend, the surprise isn’t that Twitter has now splintered, but that it lasted so long. For many years, it was a coliseum where both the gladiators and the lions had volunteered to be. Twitter allowed the right to troll the libs, and the libs to mount cancellation campaigns against the slightly less lib.

Was that healthy? For a long time, I worried about the proliferation of what the Upworthy co-founder Eli Pariser called “filter bubbles,” which he defined as “your own personal, unique universe of information that you live in online.” Perhaps polarization was driven by our imprisonment in echo chambers, I thought, and we were succumbing to pluralistic ignorance—a lack of awareness of the majority view. Now I wonder if the past decade of social media drove us all too far in the other direction, toward spending too much time with people unlike ourselves, herded together in ways that exaggerated our differences.

In 2018, the rationalist blogger who goes by Scott Alexander published a short story called “Sort by Controversial.” In it, a tech-start-up employee invents a program that can spit out “scissor statements”—assertions that instantly divide groups down the middle. The world avoids falling into perpetual low-grade warfare only because she accidentally creates a scissor statement that tears apart the company before its work is finished. The story captured the sense of social media as a rolling referendum on every subject under the sun. Were you a plane-seat recliner? Must you feed a visiting child dinner if they stayed late at your house? Was the dress blue or white? In political debates, that meant being force-fed the most head-banging obsessions of your political opponents. Take the Twitter account Libs of TikTok, which exists purely to harvest ultraprogressive views from one social network and serve them up to another social network as rage bait. Its popularity makes me think that filter bubbles, at least in a mild form, might not be such a bad idea.

In order to thrive, communities need boundaries and norms—and even, God help us, elders. That’s why I enjoy sticking my nose into Bluesky and taking a deep huff every so often. It’s a walled garden for people with a mutual interest in anime genitalia and cruel jokes about Mitch McConnell. They’re happy there. You probably wouldn’t be. And that’s okay.

 

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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