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Edmonton mural festivals help create 10 new art walls this month – Edmonton Journal

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Live art, music and beer gardens included at Grindstone’s Mural Massive this weekend and Edmonton Mural Festival the next

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It’s mural season in Edmonton, meaning you can look up — sometimes way up — and watch the face of our city brighten a little right before your eyes.

Between the just-launched Edmonton Mural Festival and the fourth-annual iteration of Mural Massive put on by Grindstone Theatre, at least 10 formerly blank walls around town will soon be full of new colours and concepts.

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Both festivals are running with the passed torch from Rust Magic International Street Mural Festival, which dropped 100 murals between 2016 and 2019 by artists from around the world.

First up on the schedule is Saturday’s Mural Massive, a buffet-style ticketed event featuring comedy, music and live art in Grindstone’s outdoor garden, all at 10019 81 Ave.

MM is also behind two new walls getting going this weekend by local artists, Rory Lee at 10537 82 Ave. and Rahmaan Hameed at 10502 107 Ave. — free to behold, of course.

A 4 p.m. Saturday bike tour starting at Grindstone will show off some of the local work from the past few years and, as in previous years, live artists will be painting panels on site which will end up on nearby walls.

“It’s been a favourite of ours,” says festival director Joses Martin, “to bring all these things together. This year Grindstone Theatre Society actually updated our official mandate to include art and music on top of the theatre and improv.”

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Mural Massive is back Saturday at Grindstone Theatre in Old Strathcona Saturday in Edmonton. Photo by Mat Simpson /supplied photo

Following that, three bands play Saturday night behind Grindstone in the alley — Sour at 5:45 p.m, Kate Stevens at 7:45 p.m. and funk band Carter and the Capitals at 9:15 p.m., after which the afterparty moves inside with DJs Joses, Benk, Otuon and Safi.

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The action in the mural garden east of the theatre, meanwhile, starts at 2 p.m with DJ Truth, followed by comedians throughout the day including Landon Bushell, Jules Baluffi, Brad Semotiuk and Charles Haycock at 10 p.m.

Mixing the night up even more, freestyle rap collective Jung Kings hits that outdoor stage at 6:15, with hip-hop artist Ntwali planting rhymes in the garden at 7:30.

See muralmassive.com for the full schedule and tickets, which run $35.

“It’s Grindstone showing off the connection between all the local arts scenes,” says Martin. “One-stop shopping.”

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Looking at the wider Edmonton Mural Festival (EMF), it’s transforming another eight concrete canvasses around the city through Sept. 15 and beyond.

One of the pieces already underway at Allied Parking Lot (10238 104 St.) is a giant collaboration between Rust Magic founders Annaliza Toledo and Jamaican-Cree artist Trevor Peters, a.k.a. Curly Whitebear, with Jakarta artist Bernhard Suryaningrat, who paints under the name Hardthirteen.

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“The woman is a superhero,” says Suryaningrat, who’s been painting walls since 2005. He hopes the female central figure inspires people living in the downtown community, noting its title, The Hero, stands for “hope, equality, respect and offering.”

He’ll also paint a giant bird of paradise in the mural’s top corner.

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Trevor Peters, a.k.a. Curly Whitebear, and Annaliza Toledo, right, are back from Bali for Edmonton Mural Fest. Photo by Fish Griwkowsky /Postmedia

On the sides, Peters and Toledo are working on graffiti writing designs, including Cree syllabics.

“The piece is important to us because it’s our first project that aligns with our new vision to create powerful murals that can raise awareness to issues we are affected by,” says Peters. “As I embrace my heritage under my new art name, Curly Whitebear, it was really important to share the concept with Bent Arrow Traditional Healing Society. As a team, it was a very healing experience and put us in the right mindset to execute the mural.”

At 23m x 53m, it’ll be among the city’s biggest spray-art walls.

Edmonton ex-pats Toledo and Peters, now living in Bali, hope they can keep helping to hook EMF up with more international artists.

“We never gave up on the city,” Toledo says. “Never will.”

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Grinstone’s Mural Massive is just the first of three events Edmonton Mural Festival is pushing in the coming weeks.

Next up, EMF Party in the Park happens Sept. 9, 3-8 p.m. at Alex Decouteau Park (10230 105 St.), also with live art, music and beer gardens.

For this, local muralists Keon Courtney a.k.a. Keon the Artist, and Natasha Martin are adding to the park’s garden wall, where Marcus Coldeway and Josh Harnack painted a mural of boots and legs at the Mural Massive-run event last year.

“We’re following a theme to create something that’s coherent with the original mural,” says EMF’s co-founder Peter Gegolick. “We’re bringing in a face with some hands, using that 3D- and flat-imagery, panelled style.”

Other murals to be painted in the next month include Vancouver’s David Camisa wall on the Whyte Avenue Goodwill (10110 82 Ave.), while local design agency Vignettes’ Leigh Wright and Vinny Le are making work at Triovest Telus Plaza, 10010 100 St. and Adam Kolacz is painting at 6934 104 St. on Calgary Trail.

The murals are being funded in a variety of different ways, including through the Capital City Cleanup Fund and Downtown Business Association.

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“The two massive ones we’re doing had contributions from the building owners,” says Gegolick, “which was fantastic.

“But we are looking at grants locally, provincially and federally.”

The organizer is especially grateful the city just helped them get their own lift and other equipment, which the fest is hoping to share.

“One thing we really want to make clear is we’re here to really help support the mural community,” says Gegolick. “We’re not here to monopolize, we want to make sure there’s enough opportunities for everybody in Edmonton who wants to create a mural.”

“The murals have started and we are already amazed at the artistic talent on display here in Edmonton,” adds Coldeway, creative director of EMF. “Our mission — to create public murals and large-scale installations within the greater Edmonton area while providing mentorship and educational opportunities to aspiring artists — is off to a great start.

“The work we are putting in this year will create a solid foundation for the festival for years to come.”

A third, adult-themed event, Wet Paint, happens 9 p.m. Sept. 15 at the Saddlery Gallery, with a Minbid art auction, and live acts, art and music, exploring new territory.

“It’s nice to kind of pass the torch on and see it being continued,” says Toledo. “We’re back for the first time in a while and we see there’s been an influx of beautification, murals and colour.”

“It’s what we wanted to see happen,” adds Peters, which was to inspire others to think big and take initiative.

“Through all the murals we’ve helped create in the city,” he says, “everyone is definitely ready for more.”

PREVIEW

Mural Massive 2023

Where Grindstone Theatre, 10019 81 Ave.

When Saturday 2 p.m. – 2 a.m.

Admission $35 at muralmassive.com

fgriwkowsky@postmedia.com

@fisheyefoto

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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