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The archaeological finds that show art is far older than our species

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Antonio Sortino

IF YOU have ever marvelled at the accomplishment of Stone Age cave artists, you are in good company. In 1940, on visiting Lascaux cave in southern France, Pablo Picasso supposedly said: “Since Lascaux, we have invented nothing.” Perspective, movement, impressionism, abstraction, pointillism – it is all there. And these artworks are some 17,000 years old.

Picasso’s remark may be apocryphal. It was certainly premature. In 1994, hundreds of paintings twice the age of those at Lascaux were discovered at Chauvet cave, also in France. The Chauvet paintings are, quite simply, stunning: prowling lions and galloping horses are captured so vividly that the remote Stone Age world becomes almost tangible. Even more astonishingly, this art was created shortly after the dawn of the “cultural explosion”, an event archaeologists have long recognised as marking a surge in creativity that seems to have come out of nowhere. How could these first artists have already been so good?

We now have an answer: the Chauvet artists weren’t the first. Discoveries in recent decades have shattered the assumption that art was invented by our species some 40,000 years ago. Instead, we have increasingly compelling evidence of artistry in other ancient hominins.

Needless to say, this challenges our beliefs about who invented art. But it does more besides. It offers an insight into our forerunners’ appreciation for aesthetics and the value they placed on objects that seem, at first glance, unnecessary for survival. In so doing, it also provides tantalising hints that art has been a vital component of hominin life for millions of years.

To say that humans are the only living artists…

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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