Art
Beaverbrook Art Gallery exhibit dedicated to fierceness of Indigenous women
Emma Hassencahl-Perley wants to showcase Indigenous feminism and female political voices through curated art.
That’s the idea behind wesuwe-tpelomosu, an exhibition organized by the Beaverbrook Art Gallery in collaboration with the work the renowned Indigenous artists.
“I wanted to show that women had agency before contact, and they continue to have agency in their families and communities,” she said.
Hassencahl-Perley started working at the Beaverbrook Art Gallery in 2018 after she was hired as a curator for the New Brunswick Art Bank’s 50th anniversary.
She stayed on and worked at the gallery as a curatorial intern until recently, when she transitioned to become the newly appointed curator of Indigenous art.
“This exhibition was inspired by my thesis, and it was a response to the exhibition that I had been studying for so long.” she said.
Newly appointed curator of Indigenous art at Beaverbrook Art Gallery, Emma Hassencahl-Perley, is Wolastoqiyik from Neqotkuk First Nation in New Brunswick.
Hassencahl-Perley, a visual artist in her own right, is Wolastoqiyik from Neqotkuk First Nation, also known as Tobique, in western New Brunswick.
She also lectures on Indigenous art history at the Wabanaki Visual Arts program at the New Brunswick College of Craft and Design in Fredericton.
She said her love for art started in childhood, when she could barely hold a crayon.
“My art was fostered from a really young age … My mom let me draw all over my bedroom walls.”
Indigenous Feminism through art
Wesuwe-tpelomosu, the name of the current exhibition at the gallery, loosely translates to mean self-determination. It also can mean “returning to a former condition in being responsible for oneself,” she said.
It aims to examine modern matriarchy through a sample of the history and life of Indigenous women’s leadership and activism within their families and communities.
The exhibit includes 10 Indigenous artists from across the country, including Shirley Bear and Samaqani Cocahq, also known as Natalie Sappier, from New Brunswick.
Hassencahl-Perley said there is a rising curiosity to know more about Indigenous history.
“There is a growing hunger for knowledge, and we have to figure out ways to facilitate that to the public in ways that are genuine and respectful,” she said.
She says the exhibition is an opportunity to learn about the territory and home of lndigenous peoples.
Hassencahl-Perley added long descriptive labels with the information behind each work, why they’re chosen, how they into the theme of the exhibition.
She said she’s excited about her new role at the gallery, which will require her to organize and curate Indigenous exhibitions and look after historic art pieces acquired from Indigenous communities.
“I feel good. I feel grounded. I feel like I’m in good company,” she said.
“I love Indigenous art from sea to sea.”
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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