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Exhibition celebrates strength, beauty, struggle of Black community in Saint John

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Kenneth Scott’s passion project started out with a simple question: “Would the Black community here in Saint John be interested in seeing an exhibition of photographs of the Black community from yesteryear?” Scott said.

The packed exhibition room at the Saint John Arts Centre on opening night suggested that Saint Johners, Black or otherwise, would.

Scott’s exhibition of vintage photographs, A time, A place, Our gaze, at the Saint John Arts Centre, celebrates a roughly 40-year span of history captured in 80 to 90 photographs.

The photos, taken with what Scott called a “friendly camera,” had a purpose: to show everyday people living their lives.

Photo of four people, 3 black women and one black man, dressed up, smiling at camera. The image is in black and white.
Scott chose this photo as a the cover for his exhibition. He loves that there are different generations represented in the photo, taken in 1945, he said. (Submitted by Kenneth Scott)

“The people that you see are probably happy and obliging to have their photograph taken and with that you can see their inner strength, their beauty,” he said.

“And at a time when, media-wise, we weren’t portrayed — we were caricatured … these photos kind of reinsert us into the grand narrative of the city.”

The strength and beauty of Saint John’s Black history

 

Born and raised in the port city, Kenneth Scott has assembled a collection of rare portraits and snapshots of its Black community, from the 1910s to the late 1950s.

Scott, a retired teacher, left Saint John to pursue his career in Ontario when he was 21. While he now lives in Toronto, he is still connected to the city through his mother and cares deeply about promoting the history of the Black community of the city.

He hopes that his exhibition can serve as a model for looking at history from the bottom up, instead of the top down, and to encourage others to see what pieces of history they may have hidden in their homes.

“We all have photographs, artifacts, mementos, parts of our history that don’t get a lot of attention but are profoundly important as the big curated shows by the people who get more media attention,” Scott said.

“I’m hoping that someone comes to this exhibition, they look around and say, ‘You know what, I’m going to go back to my house and go under the bed or in the closet and pull out my family photographs and decide how I want to share my family history with the wider community.'”

Looking into the past

Scott encourages people to look deeper, not just at what the photos depict, but what they suggest about the times.

“If you look into the pictures, instead of just looking at the pictures, you can also get a sense of the social and geographical areas that they lived in. There was poverty and racial containment, but it didn’t always define who we were,” he said.

“There’s a certain energy … it captured the humanity of people who spent a lot of time being dehumanized.”

Black and white faded old phote of a black man and woman. Man is smiling and has his arm around woman. Woman looking at man.
Scott says this photo from 1935 makes him smile. It’s a picture of Garfield Skinner, brother of community activist Clifford ‘Nick’ Skinner. Scott says Garfield was a friend of the family. (Submitted by Kenneth Scott)

Scott gathered many photos from his own family albums and got others by buying negatives. That’s how he obtained the picture of Bernice Dixon, which originally appeared in former Evening Times Globe newspaper.

On either side of her, “it gives the viewer an indication of what it would look like to live where she lived. The photograph was taken in a place called Union Alley,” Scott said.

The alley ran off the block between Coburg and Waterloo, behind what was once a popular store.

“If you’re looking at the Ideal department store, you went up a set of stairs and you were into Union Alley, which is a set of about probably 11 or 12 three-storey tenement houses,” he said.

“Cheap rents, a whole lot of disrepair … looking into the photograph you see ash and garbage.”

The picture was taken the day after a fire in one of the tenement houses.

“She apparently was very heroic on that day and helped children get out of the building, and she spent a little bit of time in hospital,” Scott said.

black and white photo of woman sitting on porch of a shingled house. Only wearing one shoe. Has neutral expression on her face.
Bernice Dixon’s photo originally appeared in the Saint John Evening Times Globe newspaper in 1954. Scott says he was drawn to the ‘quiet dignity’ of Dixon’s pose. (Submitted by Kenneth Scott)

Drawn to the “quiet dignity in her pose,” Scott said he deliberated on whether or not he should crop the photograph, not wanting Dixon to be perceived negatively.

“But I thought it was important to leave the bottom part here, where you notice that she’s not wearing a shoe,” he said.

“I love this photo and on a very personal level, because my family also lived in this. She was a neighbour of my great-grandmother before they moved out of there.”

Examples of survival

New Brunswick Black History Society founder Ralph Thomas says Union Alley is an example of the city’s Black community “surviving.”

An example of “Black communities advancing Black communities, being on a next level of existing in the city of Saint John, in the province of New Brunswick. It’s a great example of ‘Yes we can,'” Thomas said.

Like Scott, Thomas said such photos offer a glimpse into the struggles of the time.

“We had situations, we had racism, we had discrimination, things going on that we battled … some of our strong leaders came from Union Alley,” he said.

A man with sun glasses and wearing a winter hat and coat stands outside in the snow in front of a cemetery.
Ralph Thomas grew up in Willow Grove, a community on the outskirts of Saint John, that was settled by black refugees after the War of 1812. He says the photos are a reminder of how the Black community has survived. (Jennifer Sweet/CBC )

“It’s one of the examples of the struggles that Black folks went through and came out winners.”

To Thomas, the pictures in this exhibition also serve as motivation.

“The photos show smiles on peoples’ faces,” he said. “And that alone tells us how we grew from the sad times and the grim faces and the hard times — just to exist.

“And to see those pictures sort of gives you that extra push, that — ‘Hey, they could smile back then when times were really severe. Hey, that’s a great example for what we can do moving forward with the help of everybody.'”

The exhibition will run until March 8.

 

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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