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Art
B.C. artist Carey Newman-Hayalthkin’geme’s Witness Blanket on display in West Vancouver
Carey Newman-Hayalthkin?geme’s work Witness Blanket is comprised of items collected from residential schools, survivors, churches, governments and other Canadian cultural sites.
The West Vancouver Memorial Library will be home to Victoria artist Carey Newman-Hayalthkin’geme‘s monumental and important art piece Witness Blanket for a limited time.
On display for six weeks, beginning Jan. 26, the woven-blanket-inspired piece is made up of items collected from residential schools, survivors, churches, governments and other cultural sites across Canada. Measuring 40 feet long, the installation is immense in size and subject matter.
“Blankets are a universal symbol of comfort or care,” said Newman, who is a filmmaker as well as an instructor and the Impact Chair for Indigenous Art Practices at the University of Victoria. “Because this is about truth and reconciliation, I wanted it to be made into an image that people would recognize as comfort, as care.
“In Coast Salish culture we have ceremonies which we call blanketing people, and we do that to uplift or honour them. And we do that if they are going through difficult times. We’ll do that to protect them, so there’s lots of different reasons for blankets,” added Newman, who is Coast Salish and Kwakwaka’wakw.
The installation, consisting of 13, eight-foot-tall connected wood panels, is a photographic replica of the original Witness Blanket that was finished in spring 2014 and has a permanent home in the Canadian Museum for Human Rights in Winnipeg.
“The wear-and-tear of being on the road definitely started to take its toll,” said Newman about the decision to put the original piece in the museum.
Taren Urquhart, the West Vancouver Memorial Library’s arts and special events programmer, hopes people visit the Witness Blanket with a “completely open mind,” and understand that there is a lot to learn from the powerful piece.
Libraries are also accessible to all, something that is very important to Newman.
“It has been the ethos of this whole thing. Accessibility has been important all along,” said Newman. “The way we have approached this is, if reconciliation is for everyone, then it has to be something everybody can get to, can see. It can’t be presented in a way that is intimidating or exclusionary. So, libraries are wonderful places for that.”
The pieces on the original blanket, now represented in the high-resolution photos on the replica, all come from people with personal connections to the residential school system. Over a handful of years, Newman and a team followed the Truth and Reconciliation Commission around the country to its events.
“We went from place to place to place introducing the idea to people. Talking about this vision to make a blanket from objects, and slowly built relationships and trust throughout those travels and started gathering objects and gathering stories. And recording where they came from,” said Newman, whose father was a survivor of the residential school system.
In the end, 889 items including braids of hair, a Métis sash, a weather-beaten shoe, the door to the infirmary of St. Michael’s Residential School in Alert Bay, and photographs of young girls in front of St. Paul’s School in North Vancouver, were collected and put together to make the Witness Blanket.
“It invites the viewer in to really ask what these pieces are,” said Urquhart.
Now a decade out in the world, Newman is still “blown away,” by the effect the Witness Blanket has had and continues to have. It’s in a national museum and in school curriculums. There are books, a film and an upcoming virtual project.
“People sometimes ask me what I expected. And I say, well, we surpassed that, like, almost immediately,” said Newman. “Artists don’t ever expect that level of response to their work. At least I certainly don’t. I am continually humbled by how it makes it ways through the world and how people respond to it.”
Witness Blanket will be on display at the library until March 10. It’s a free exhibit open during regular library hours.
Newman will speak at the library on Feb. 8 from 6:30 to 7:30 p.m. More related events, including talks and musical performances, are scheduled and can be found at westvanlibrary.ca.
Art
40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com
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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate Cracked.com
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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca
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John Little, whose paintings showed the raw side of Montreal, dies at 96 CBC.ca
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A misspelled memorial to the Brontë sisters gets its dots back at last
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
The Canadian Press. All rights reserved.
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