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Art fraud: Sotheby’s wins case against Dmitry Rybolovlev

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NEW YORK –

A federal jury on Tuesday ruled in favour of Sotheby’s at a trial in which the Russian billionaire oligarch Dmitry Rybolovlev accused the auction house of defrauding him out of tens of millions of dollars in art sales.

Rybolovlev accused Sotheby’s of conspiring with Swiss art dealer Yves Bouvier to trick him into paying inflated prices for four works including “Salvator Mundi,” a depiction of Christ attributed to Leonardo da Vinci that would become the most expensive artwork sold at auction.

Sotheby’s, which is privately held, had long maintained that it had no knowledge that Bouvier might have lied, and that it was not liable for his dealings with Rybolovlev.

Bouvier was not a defendant, and has maintained he did nothing wrong.

Rybolovlev, 57, is worth US$6.4 billion after building his fortune in potash fertilizer, according to Forbes magazine. He is also majority owner of the AS Monaco soccer team, though has been reported this year to be exploring a sale.

Daniel Kornstein, a lawyer for Rybolovlev, said the case “achieved our goal of shining a light on the lack of transparency that plagues the art market. That secrecy made it difficult to prove a complex aiding and abetting fraud case.”

Sotheby’s said the verdict reaffirmed its commitment to upholding the highest standards of integrity, ethics and professionalism, and reflected a “glaring lack of evidence” that it cheated Rybolovlev.

The case has been among the highest-profile art fraud disputes in recent years, offering a view into an often secretive industry where wealthy buyers sometimes don’t know who they are buying from.

Jurors in Manhattan federal court needed less than a day to reach a verdict, in a trial that lasted about three weeks.

U.S. District Judge Jesse Furman had last March let Rybolovlev pursue fraud-based claims over the da Vinci, and works by Gustav Klimt, Rene Magritte and Amedeo Modigliani.

Rybolovlev originally sued over 15 pieces of world-class art for which he paid more than $1 billion, and accused Bouvier of charging hundreds of millions of dollars in hidden markups.

Furman dismissed fraud-based claims over the other 11 works, including art from Pablo Picasso, Auguste Rodin and Henri de Toulouse-Lautrec.

Rybolovlev was allowed to sue over “Salvator Mundi” even though his ownership had proven unusually profitable.

According to court papers, Bouvier bought the da Vinci for $83 million in 2013 and sold it the next day to Rybolovlev for $127.5 million.

Rybolovlev went on to sell “Salvator Mundi” at Christie’s in 2017 for $450.3 million, a record price for an artwork at auction.

The case is Accent Delight International Ltd et al v Sotheby’s et al, U.S. District Court, Southern District of New York, No. 18-09011.

(Reporting by Jonathan Stempel in New York; Editing by Bill Berkrot)

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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