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New exhibit at Art Gallery of Hamilton centres voices of people living with homelessness, addictions – CBC.ca

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In a drop-in class each week in downtown Hamilton, 25 to 30 people come together to make art. Working with local guest artists, they draw, paint, make zines or miniatures. 

Participants are people with lived experience of homelessness and substance use. The collective can be a way for them to unwind, create and find community.

Now, some of their art is on display in the Art Gallery of Hamilton (AGH), showing perspectives not often seen in galleries.

Drawings on paper hang from three lines running across a gallery wall
Keeping Six’s arts collective hosts workshops in which people create a variety of art. (Justin Chandler/CBC)

Kelly Wolf, the artistic producer of non-profit Hamilton theatre company Open Hearts, started doing the drop-in arts programming early in the pandemic as a way to ensure a welcoming space existed in the city. 

“When you are isolated through addiction, I think you feel like there’s nobody who gets you or understands you,” she said. 

“There might be people who are working through addiction or still actively addicted, or are not. …We’re not here to fix it. We’re not here to really talk so much about it. Just to know in this space, you can be who you are,” she said.

Exhibit to help make more people feel welcome at AGH

Wolf’s work evolved into a program coordinated with another organization, Keeping Six, in which different artists would host workshops.

Kelly Wolf shares the story behind ‘Face among the crowd’

12 hours ago

Duration 1:24

For curator Kelly Wolf, this charcoal project represents the idea of the Keeping Six Arts Collective.

Keeping Six is a harm-reduction group, which means it works to make people who use drugs safer, rather than taking a treatment- or abstinence-first approach to providing help. 

The creative works from the group is now on display in an exhibit called This is Our Space Too, scheduled to be up until March 16. It fills The Jean and Ross Fischer Gallery space, in which the AGH often hosts events. 

Wolf says she wants to challenge perceptions that certain people can’t do art or don’t belong in a gallery. She worked with Sara Dickinson, the AGH’s interim head of programming and community engagement to arrange an exhibition. 

“We are really trying to make this a place where everyone feels welcome,” Dickinson said of the AGH. “We’re not accessible enough to the community.”

She said too often Hamiltonians don’t see themselves reflected in the exhibits or programming. “We have a lot of work to do to make this a community hub. Not something that is unattainable or unreachable or that people feel it is somehow for a different demographic.”

Sara Dickinson on why this wall of paintings speaks to her

12 hours ago

Duration 0:41

Sara Dickinson with the Art Gallery of Hamilton says it’s beautiful to see so much community artwork on display.

‘Opportunity to be heard, to be seen’

About a year ago, Marie Sinclair took over from Wolf as coordinator of Keeping Six’s arts collective. 

For Sinclair, who shares lived experience with many of the participants, “the opportunity to not only participate but to offer something as well” matters. 

The collective has shown its work at local music and arts festival Supercrawl, and Sinclair said members’ excitement about the AGH exhibit was building for months leading up to it. People are proud to be part of something, she said. 

A gallery wall shows images in frames of varying sizes.
Participants were excited to show off their work, co-curator Marie Sinclair said. (Justin Chandler/CBC)

“I think it’s having an opportunity to be heard, to be seen and to be recognized. To share. To offer something.”

In mid-January, Keeping Six held an open-mic night in the gallery, which Dickinson said close to 150 people attended. Art is an easy way for people who don’t know much about Keeping Six to connect with them, Wolf said. She added that sharing art that reflects people’s experiences can help build empathy and understanding as well.

Marie Sinclair on ‘Little Hamlet (This is our Space Too)’

12 hours ago

Duration 0:56

Exhibit curator Marie Sinclair says the Hamilton miniatures members created emphasize the idea that everyone belongs in the city.

Of all the art on display, Sinclair said the piece entitled “Little Hamlet (This is our Space Too)” speaks to her in particular. The collection of photographs by Josh Ducharme showcases miniatures participants created to showcase their ideal Hamilton spaces. 

“It was just a way to take back Hamilton and see it as our own,” she said. “I love Hamilton. I want it to be a space that is welcoming.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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