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Art Insurer Warns Museums of an Unsuspected Threat: Selfies – artnet News

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An unsuspected danger is keeping art museums on high alert: visitors taking selfies.

Specialist insurer Hiscox has reported a trend of selfie-taking visitors damaging valuable paintings, objects, and installations by walking into them backward. Although the insurer is positioned to gain more clients from the uptick of such disasters, it doesn’t lessen the risks of selfies. Fine art is vulnerable to the touch of a fingerprint, much less a bumper-to-bumper encounter with humans.

Hiscox’s head of art and private clients, Robert Read, dubbed the phenomenon “a pandemic of selfies,” as the consequences are happening at prominent art institutions across the globe. As comical as the unintentional threat of selfies might sound, the financial losses—and damage to priceless work—are no laughing matter.

Half of Hiscock’s art underwriting business is attributed to accidental damage, a surprisingly large percentage caused by selfie-takers. Pandering to modern society means art curators must adapt to new technologies, but they’re simultaneously tasked with ensuring it safely reaches the next generation. 

To put it in perspective, a person innocently snapping a selfie in 2017 at the pop-up gallery 14th Factory in Los Angeles knocked over an installation, destroying $200,000 worth of art—an incident now immortalized as Selfie Domino. There was another incident in 2017 in which a Yayoi Kusama pumpkin at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., was trampled by a tourist who tripped while taking a selfie.

Many venues from Brisbane’s Gallery of Modern Art to the British Museum have banned selfie sticks. Milan’s government prohibited selfie sticks in public because of the inherent dangers of obliviousness.

Read added that the rise of activist vandalism has also exacerbated the potential need for “airport-style security,” referencing the Just Stop Oil activists who threw tomato soup at Van Gogh’s Sunflowers at the National Gallery in London. Fortunately, the iconic work was protected by glass. Let’s hope it’s a sturdy enough shield against the next selfie-taker.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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