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Art Lovers Celebrate as ‘Flaming June’ Arrives in London – artnet News

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Sir Frederic Leighton’s iconic painting Flaming June (1895) back at the Royal Academy, on loan from the Museo de Arte de Ponce, Puerto Rico. First exhibited at the RA almost 128 years ago at the height of Leighton’s popularity, the painting enjoyed great success with Victorian audiences and critics, and is today considered one of the artist’s best-known and most reproduced works.

Flaming June portrays a sleeping woman, curled up beneath an awning and draped in a translucent orange Grecian dress, the circular shape taken by her body thought to symbolize the sun. In the background, the setting sun lights up the still surface of the sea, while a blooming Oleander flower suggests the scene is set in the early summer. The relative lack of iconographic detail or narrative, and the artist’s focus on color and form has led critics to associate the painting with Aestheticism. Painted a year before the artist’s death, Flaming June was well-received by its contemporaries, but the painting’s fortunes would soon change.

Shortly after the painting was made, it disappeared for decades, until it was by chance rediscovered in the 1960s, found boxed in over a chimney in a home in Battersea, England. In all that time, Victorian art had fallen out of fashion, and no one seemed to want to buy it.

The canvas was eventually bought for Museo de Arte de Ponce by its founder, Puerto Rican politician, industrialist, and patron of the arts Luis A. Ferré in 1963. Ferré bought the painting against the opinion of his advisors, and for a mere £2,000. The meager price demonstrated the changing feeling towards academic figurative painting at a time when Impressionism, post-Impressionism and abstraction reigned supreme in the museums and the art market. As tastes changed and interest in art of the Victorian era returned, Flaming June regained its status as one of the best-loved works of this period in British art. In recent years, Flaming June has been loaned to a number of museums while Museo de Arte de Ponce reconstructs its exhibition spaces damaged in the catastrophic 2020 earthquakes in Puerto Rico.

Flaming June will be on view at the Royal Academy from February 17th 2024 until January 12th 2025, having previously been loaned to the Metropolitan Museum of Art in New York.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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