adplus-dvertising
Connect with us

Media

Texas's Social-Media Law Is Dangerous. Striking It Down Could Be Worse. – The Atlantic

Published

 on


The Supreme Court building with tech companies' logos between the pillars

Listen to this article

Produced by ElevenLabs and NOA, News Over Audio, using AI narration.

As a progressive legal scholar and activist, I never would have expected to end up on the same side as Greg Abbott, the conservative governor of Texas, in a Supreme Court dispute. But a pair of cases being argued next week have scrambled traditional ideological alliances.

The arguments concern laws in Texas and Florida, passed in 2021, that if allowed to go into effect would largely prevent the biggest social-media platforms, including Facebook, Instagram, YouTube, X (formerly Twitter), and TikTok, from moderating their content. The tech companies have challenged those laws—which stem from Republican complaints about “shadowbanning” and “censorship”—under the First Amendment, arguing that they have a constitutional right to allow, or not allow, whatever content they want. Because the laws would limit the platforms’ ability to police hate speech, conspiracy theories, and vaccine misinformation, many liberal organizations and Democratic officials have lined up to defend giant corporations that they otherwise tend to vilify. On the flip side, many conservative groups have taken a break from dismantling the administrative state to support the government’s power to regulate private businesses. Everyone’s bedfellows are strange.

I joined a group of liberal law professors who filed a brief on behalf of Texas. Many of our traditional allies think that siding with Abbott and his attorney general, Ken Paxton, is ill-advised to say the least, and I understand that. The laws in question are bad, and if upheld, will have bad consequences. But a broad constitutional ruling against them—a ruling that holds that the government cannot prohibit dominant platforms from unfairly discriminating against certain users—would be even worse.

At an abstract level, the Texas law is based on a kernel of a good idea, one with appeal across the political spectrum. Social-media platforms and search engines have tremendous power over communications and access to information. A platform’s decision to ban a certain user or prohibit a particular point of view can have a dramatic influence on public discourse and the political process. Leaving that much power in the hands of a tiny number of unregulated private entities poses serious problems in a democracy. One way America has traditionally dealt with this dynamic is through nondiscrimination laws that require powerful private entities to treat everyone fairly.

The execution, however, leaves much to be desired. Both the Texas and Florida laws were passed at a moment when many Republican lawmakers were railing against perceived anti-conservative discrimination by tech platforms. Facebook and Twitter had ousted Donald Trump after January 6. Throughout the pandemic and the run-up to the 2020 election, platforms had gotten more aggressive about banning certain types of content, including COVID misinformation and QAnon conspiracy theories. These crackdowns appeared to disproportionately affect conservative users. According to Greg Abbott and other Republican politicians, that was by design.

The laws reflect their origins in hyperbolic politics. They are sloppy and read more like propaganda than carefully considered legislation. The Texas law says that platforms can’t censor or moderate content based on viewpoint, aside from narrow carve-outs (such as child-abuse material), but it doesn’t explain how that rule is supposed to work. Within First Amendment law, the line between subject matter and viewpoint is infamously difficult to draw, and the broad wording of the Texas statute could lead to platforms abandoning content moderation entirely. (Even the bland-sounding civility requirements of a platform’s terms of service might be treated as expressing a point of view.) Similarly, the Florida law prohibits platforms from suspending the accounts of political candidates or media publications, period. This could give certain actors carte blanche to engage in potentially dangerous and abusive behavior online. Neither law deals with how algorithmic recommendation works, and how a free-for-all is likely to lead to the most toxic content being amplified.

Given these weaknesses, many experts confidently predicted that the laws would swiftly be struck down. Indeed, Florida’s was overturned by the Eleventh Circuit Court of Appeals, but the conservative Fifth Circuit upheld the Texas statute. Last year, the Supreme Court agreed to consider the constitutionality of both laws.

The plaintiff is NetChoice, the lobbying group for the social-media companies. It argues that platforms should be treated like newspapers when they moderate content. In a landmark 1974 case, the Supreme Court struck down a state law that required newspapers to allow political candidates to publish a response to critical coverage. It held that, under the First Amendment, a newspaper is exercising its First Amendment rights when it decides what to publish and what not to publish. According to NetChoice, the same logic should apply to the Instagrams and TikToks of the world. Suppressing a post or a video, it argues, is an act of “editorial discretion” protected from government regulation by the impermeable shield of the First Amendment. Just as the state can’t require outlets to publish an op-ed by a particular politician, this theory goes, it can’t force X to carry the views of both Zionists and anti-Zionists—or any other content the site doesn’t want to host.

This argument reflects a staggering degree of chutzpah, because the platforms have spent the past decade insisting that they are not like newspapers, but rather are neutral conduits that bear no responsibility for the material that appears on their services. Legally speaking, that’s true: Congress specifically decided, in 1996, to shield websites that host user-generated content from newspaper-esque liability.

But the problem with the newspaper analogy goes deeper than its opportunistic hypocrisy. Newspapers hire journalists, choose topics, and carefully express an overall editorial vision through the content they publish. They might publish submissions or letters to the editor, but they don’t simply open their pages to the public at large. A newspaper article can fairly be interpreted, on some level, as the newspaper expressing its values and priorities. To state the obvious, this is not how things work at the scale of a platform like Instagram or TikTok—values and priorities are instead expressed through algorithmic design and product infrastructure.

If newspapers are the wrong analogy, what is the right one? In its briefs, Texas argues that social-media platforms should be treated as communications infrastructure. It points to the long history of nondiscrimination laws, such as the Communications Act of 1934, that require the owners of communication networks to serve all comers equally. Your telephone provider is not allowed to censor your calls if you say something it doesn’t like, and this is not held to be a First Amendment problem. According to Texas, the same logic should apply to social-media companies.

In the brief that I co-authored, my colleagues and I propose another, less obvious analogy: shopping malls. Malls, like social-media companies, are privately owned, but as major gathering places, they play an important social and political function (or at least they used to). Accordingly, the California Supreme Court held that, under the state constitution, people had a right to “speech and petitioning, reasonably exercised, in shopping centers even when the centers are privately owned.” When a mall owner challenged that ruling, the U.S. Supreme Court unanimously rejected its argument. So long as the state isn’t imposing its own views, the Court held, it can require privately owned companies that play a public role to host speech they don’t want to host. In our brief, we argue that the same logic should apply to large social-media platforms. A law forcing platforms to publish specific messages might be unconstitutional, but not a law that merely bans viewpoint discrimination.

I am under no illusions about the Texas and Florida statutes. If these poorly written laws go into effect, harmful things may happen as a result. But I’m even more worried about a decision saying that the laws violate the First Amendment, because such a ruling, unless very narrowly crafted, could prevent us from passing good versions of nondiscrimination laws.

States should be able to require platforms, for instance, to neutrally and fairly apply their own stated terms of service. Congress should be able to prohibit platforms from discriminating against news organizations—such as by burying their content—based on their size or point of view, a requirement embedded in proposed legislation by Senator Amy Klobuchar. The alternative is to give the likes of Mark Zuckerberg and Elon Musk the inalienable right to censor their political opponents, if they so choose.

In fact, depending on how the Court rules, the consequences could go even further. A ruling that broadly insulates content moderation from regulation could jeopardize all kinds of efforts to regulate digital platforms. For instance, state legislatures across the country have introduced or passed bills designed to protect teenagers from the worst effects of social media. Many of them would regulate content moderation directly. Some would require platforms to mitigate harms to children; others would prohibit them from using algorithms to recommend content. NetChoice has filed briefs in courts around the country (including in Utah, California, and Arkansas) arguing that these laws violate the First Amendment. That argument has succeeded at least twice so far, including in a lawsuit temporarily blocking California’s Age-Appropriate Design Code Act from being enforced. A Supreme Court ruling for NetChoice in the pair of cases being argued next week would likely make blocking child-safety social-media bills easier just as they’re gaining momentum. That’s one of the reasons 22 attorneys general, led by New York’s Letitia James and including those of California, Connecticut, Minnesota, and the District of Columbia, filed a brief outlining their interest in preserving state authority to regulate social media.

Sometimes the solution to a bad law is to go to court. But sometimes the solution to a bad law is to pass a better one. Rather than lining up to give Meta, YouTube, X, and TikTok capacious constitutional immunity, the people who are worried about these laws should be focusing their energies on getting Congress to pass more sensible regulations instead.

Support for this project was provided by the William and Flora Hewlett Foundation.

Zephyr Teachout is a professor of law at Fordham Law School. She is the author of Break ’Em Up: Recovering Our Freedom From Big Ag, Big Tech, and Big Money.

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Media

Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

Published

 on

Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

728x90x4

Source link

Continue Reading

Trending