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'Fighting evil with art': Ancient tradition underscores Ukraine’s grinding war – Calgary Herald

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For many Ukrainians, exhibitions like this are a way to bring home to them, said lead artist Daena Diduck.

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A display of Ukrainian artistry at Southcentre Mall aims to reignite support for the country as it continues to battle a Russian invasion that has stretched more than two years.

The Pysanky for Peace installation features more than 50 intricately decorated eggs — ranging from a few inches to five feet tall — featuring designs from more than 20 artists. Throughout March, the eggs will be sold in exchange for donations to WUNDERfund, a non profit that supports victims of the war in Ukraine.

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Daena Diduck, lead artist for the campaign, said for many Ukrainians, such exhibitions are a way to bring home to them.

“Exhibitions like this are in every single town, village, cities, all over Ukraine every single year,” said Diduck.

Pysanky for Peace
Daena Diduck poses next to one of the 50 “eggs” on display at the Pysanky for Peace installation at Southcentre Mall. Brent Calver/Postmedia

The eggs were put on display Monday and will remain through March 31 at the mall, which is celebrating its 50th anniversary.

WUNDERfund CEO Evelyn Ofsoske said the goal is to split the funds raised equally between people in Ukraine and those who have sought refuge in Canada.

Over the past year, Ofsoske said donations have fallen as the war has been pushed out of the spotlight.

“I’ve even had some people say, ‘Oh, the war is still happening?’, which is heartbreaking because I see so many people suffering,” she said.

Ofsoske fled Ukraine as a child while it was under Soviet rule, and has been living in Canada since the age of 14.

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“I’ve been to Ukraine a few times since the invasion,” she said. Visiting with military personnel and going to hospitals, she’s been within 11 kilometres of the front lines.

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“They’re all regular people . . . mental health is an issue for sure.”

Started in March 2022 as a response to the Russian invasion, WUNDERfund began by helping extract children trapped by the conflict.

It has also provided soldiers on the front lines with items such as shoes, socks and other thermal gear.

Ofsoske said the group has recently evolved to support the local Ukrainian community, including children whose fathers have been killed in the war. It is also working to establish a mental-health program for people in Ukraine.

Pysanky for Peace
Decorated eggs at the Pysanky for Peace installation at Southcentre Mall. Brent Calver/Postmedia

Origins of the pysanky egg

To decorate the pysanky eggs, artists use layers of melted, dyed beeswax to create colourful patterns. Origins of the eggs extend far back in Ukrainian history.

Tanya Sotnikow, one of the pysanky artists, said the pagan tradition was integrated into various Ukrainian-Christian sects. The eggs signify life and beginning.

The various colours all have meanings, said Sotnikow — yellow for hospitality and family, orange for youth and courage, and red for passion and love.

Pysanky (pronounced PIH-sahn-kih) is derived from the plural “pysanka”, the Ukrainian verb meaning to “write” or “inscribe.”

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“You ‘write’ an egg, and then you write a story, and you write intention into your egg,” said Sotnikow.

Depending on the regions of Ukraine, some pysanky are hollowed out after they’re written and decorated, while others are kept intact to preserve the “spirit” of the egg.

“It’s fighting evil with art,” said Sotnikow.

Pysanky for Peace
A view of the Pysanky for Peace installation at Southcentre Mall on Monday. Brent Calver/Postmedia

She described the legend of a monster named Pekun, who wanted to spread evil throughout the world, and would send henchmen to convert people to “the dark side”.

When coming across a young girl writing a pysanky, Pekun was unable to sway her intentions.

“They grabbed her, and tried to take her, the egg dropped and shattered.”

The shattered egg then magically formed chains that keep Pekun in the mountains, where he can no longer spread evil, said Sotnikow.

“Legend is that as long as people are writing pysanka, evil will be kept at bay.”

With files from Postmedia

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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