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Media companies cut thousands of jobs so far this year. They're not coming back. – Yahoo Finance

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It’s been a punishing year so far for media workers, where layoffs already measure in the thousands.

Journalists and staffers at the Wall Street Journal (NWS), Vice Media, the Washington Post, Business Insider, BuzzFeed (BZFD), Sports Illustrated, and many other outlets were among the brutal wave of cutbacks, accelerated by an online ad market that’s oppressive to publishers outside of Big Tech.

The explosion of audience traffic that defined the COVID era has subsided, along with venture capital funding, as hopes of a digital resurgence of the news business falter.

What’s next for an industry recoiling from the pandemic boom and cratered ad revenues? More malaise, and the near certainty that most of the jobs are not coming back.

View of the Los Angeles Times headquarters following the media company's announcement of newsroom layoffs at the newspaper in El Segundo, California on June 7, 2023. (Photo by Patrick T. Fallon / AFP) (Photo by PATRICK T. FALLON/AFP via Getty Images)View of the Los Angeles Times headquarters following the media company's announcement of newsroom layoffs at the newspaper in El Segundo, California on June 7, 2023. (Photo by Patrick T. Fallon / AFP) (Photo by PATRICK T. FALLON/AFP via Getty Images)

View of the Los Angeles Times headquarters following the media company’s announcement of newsroom layoffs at the newspaper in El Segundo, Calif., on June 7, 2023. (PATRICK T. FALLON/AFP via Getty Images) (PATRICK T. FALLON via Getty Images)

“What’s happening here is the ad revenue business model has collapsed,” said Victor Pickard, professor of media policy and political economy at the University of Pennsylvania’s Annenberg School for Communication. “Once that fell apart, there was no replacement. Paywalls aren’t going to make up that revenue.”

The industry had already been upended by the shift from print to online consumption of content. Social media feeds algorithmically turning users away from news sites, as well as ad dollars flowing to Google (GOOG, GOOGL), Meta (META), and increasingly Amazon (AMZN), have driven the most recent retreat.

While cases of mismanagement and strategic blunders have colored high-profile catastrophes in the media world, Pickard notes these are subplots to the root cause of the problem. Niche-oriented outlets have found some success, as has the New York Times (NYT), he said, but newsrooms of every other scale will confront the same dilemma of making money off sinking ad revenue.

“The industry has reached a point of no return,” Pickard said. “Unless we come up with a structural alternative that is not based on standard commercial market mechanisms, I don’t see the market supporting this level of journalism ever again.”

My own journalism career tracks the earlier excitement of a digital-first, social-led era, followed by convulsions across the industry, a decline of local news publishers, and most recently a sharp retrenchment.

BuzzFeed News hired me in 2015 as part of an expansion of its tech coverage and the launch of its San Francisco Bureau. But what was once thought of as a symbiotic relationship between digital outlets and mega tech platforms eventually dissolved, as the model failed to provide the financial support and dependable audience to sustain journalism built for the social web. BuzzFeed shuttered its news division in 2023, marking the end of an era. And the already greatly diminished company announced another extensive round of layoffs last month.

I joined the Washington Post in 2017 as the legacy paper geared up for a rapid expansion of its newsroom. Unending controversies and scandals of the Trump years gripped the national conversation and didn’t let go. The Post was ascendant even before the public health emergency of the COVID years kept audiences fixed to their screens. But the web traffic and subscriber growth didn’t last. After an initial round of layoffs last year, the Post shed roughly 10% of its staff through buyouts.

The bout of retrenchment also put to rest the fantasy that ultra-wealthy patrons would save the news business. Cuts at Time and the Post and one of the largest workforce reductions in the history of the Los Angeles Times underscore that even billionaire owners — Jeff Bezos bought the Post in 2013; Patrick Soon-Shiong took over the LA Times in 2018; and Marc Benioff acquired Time the same year — won’t always cover their newsrooms’ losses.

The collapse of the Messenger, whose business plan involved attracting massive web traffic from social and search and relying on digital ad revenue, further emphasized the difficulty of pursuing an outdated model.

“Advertising itself has been a game of bottom feeding for all publishers,” said Gabriel Kahn, professor of professional practice of journalism at the USC Annenberg School for Communication and Journalism.

“As currently constructed this is what I would call a failed market — not for advertisers, but for the publishers — this ad market is not constructed to give them any kind of real return and it’s getting worse and worse,” he said.

Social platforms have become more fractured and less hospitable to news, denying outlets what used to be gushes of traffic. Search is changing too. Updated displays for search results can eliminate the need to click through to a publisher’s website, severing the relationship between a reader and a news source. Google last month tested removing the News search tab.

The rise of AI tools could exacerbate that problem, further alienating news consumers from the outlets that unearth the information they seek. That’s one of the arguments advanced by the New York Times in its lawsuit against ChatGPT maker OpenAI and Microsoft (MSFT). Why subscribe to a newspaper when a chatbot (or a search engine or a TikTok influencer) can narrate the news for free?

The New York Times sued OpenAI and Microsoft for copyright infringement late last year. REUTERS/Dado Ruvic/IllustrationThe New York Times sued OpenAI and Microsoft for copyright infringement late last year. REUTERS/Dado Ruvic/Illustration

The New York Times sued OpenAI and Microsoft for copyright infringement late last year. (Dado Ruvic/Illustration/REUTERS) (REUTERS / Reuters)

A new generation of worker-owned, reader-supported ventures offers glimmers of hope. Or at least a different way of doing things. Instead of styling themselves as tech companies like the last iteration of media startups, chasing colossal growth with the pressures and conflicting mandates that come from corporate managers, investors, and debt financing, a new crop of independent outlets are relying on subscriber support.

“The readers have to realize that this work isn’t free,” said Jason Koebler, co-founder of 404 Media, the new tech publication that’s owned by four journalists formerly of Motherboard. Koebler said he’s optimistic that sites like Defector, Hell Gate, Racket, and Aftermath can succeed, freed from burdensome overhead and driven by focused editorial missions. The disintegration of the last wave of outlets offers a key lesson for Koebler: “We want to be ambitious with the journalism, but with the business we are conservative and very focused on being sustainable before we grow.”

Part of the appeal of subscription-based websites is bringing back an older web spirit, liberated from algorithmic sludge, of creating a destination again, said Nathan Grayson, co-founder of Aftermath, an outlet run by journalists hit by layoffs and site closures who reunited to cover video games and internet culture.

Grayson and others are under no illusion that smaller outlets will replace the staggering losses at much larger publications. “Things are taking on a new shape and new form and we don’t know what that looks like in a handful of years,” he said. But proving out a new paradigm in journalism can be its own success.

“Even if it seems like journalism is dying,” he said, “the necessity of doing it will not go away.”

Hamza Shaban is a reporter for Yahoo Finance covering markets and the economy. Follow Hamza on Twitter @hshaban.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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