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Social Media Posts and Online Searches Hold Vital Clues about Pandemic Spread – Scientific American

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Nearly a week before the World Health Organization first warned of a mysterious new respiratory disease in Wuhan, China, a team of Boston-based sleuths at the global disease monitoring system HealthMap captured digital clues about the outbreak from an online press report. That same day, December 30, ProMED, another digital disease detection group, became aware of online chatter about a pneumonia of unknown origin on China’s micro-blogging website, Weibo. As researchers later reported, newly popular keywords on the social media platform WeChat included “SARS,” “shortness of breath” and “diarrhea.”

Such alerts reveal the promise of a vast yet risky resource: the tweet-sized hints from people all over the world who report their health status and vent their fears online. Some researchers are calling on public health officials to take greater advantage of this virtual treasure chest of data, especially given the current rapid spread of the new coronavirus.

“We are on the precipice of an unprecedented opportunity to track, predict and prevent global disease burdens in the population using digital data,” Allison Aiello, an epidemiologist at the Gillings School of Global Public Health at the University of North Carolina, and two graduate students write in the 2020 Annual Review of Public Health.

“There’s incredible amounts of data on social media blogs, chatrooms and local news reports that give us clues about disease outbreaks happening on a daily basis,” John Brownstein, the chief innovation officer at Boston Children’s Hospital and Harvard Medical School recently told CNN Headline News. Such data, which Brownstein calls “digital breadcrumbs,” are vital raw material for an emerging field of inquiry known as digital epidemiology. HealthMap, which he cofounded in 2006, is one of several leading efforts in the field.

HealthMap’s first big success came during the 2009 H1N1 (swine flu) pandemic, when it used sources that included Spanish-language online news reports to aid in early detection of an unidentified respiratory illness in Veracruz, Mexico. Five years later, it tapped the WHO Twitter feed and other sources to track the spread of the Ebola virus, which ultimately killed more than 11,000 people in West Africa.

The World Health Organization now routinely uses HealthMap, ProMED and similar systems to monitor infectious disease outbreaks and inform clinicians, officials and the public. Yet big-data disease detection is still in its infancy compared with traditional methods, and the social media ingredients, in particular, have yet to make any major contribution in predicting where and how infectious diseases may strike.

So far at least, HealthMap still doesn’t rely heavily on social media; instead, it mostly tracks reports from online news sources and governments, while including some social media posts from public health professionals. Additionally, HealthMap calls on volunteers to submit weekly data to its crowdsourced disease-tracking platform, Flu Near You. In late March, it launched a new site, Covid Near You, that focuses specifically on Covid-19 symptoms and testing.

Still, digital epidemiology’s two key advantages—speed and volume—may increasingly help health officials spot outbreaks quickly and cheaply, Brownstein and other experts believe. At the same time, the huge volume of digital data from social media also comes with sufficient challenges to accuracy and privacy to make it a “double-edged sword,” in the words of University College London e-health researcher Patty Kostkova. It’s a now-familiar story: Technological advances are racing ahead of our ability to guarantee their quality and safety.

The most immediate challenge is getting it right. “It’s actually really hard to get useful prospective data from social media,” says Northeastern University computer scientist Clark Freifeld, who cofounded HealthMap with Brownstein. One of the biggest challenges, he says, is that once a disease becomes news, most subsequent media queries and posts are reactions to that news rather than indicators of more news to come.

For example, in 2012 Google Flu Trends estimated a large spike in winter flu cases based on increased use of flu-related terms in Google searches. The actual spike turned out to be about half as high, perhaps because users’ searches reflected news of flu outbreaks rather than actual illnesses.

Red herrings are another serious problem. Researchers noted a 2007 spike in Google searches for the word “cholera.” But the cause wasn’t a disease outbreak; instead, it turned out that Oprah Winfrey had picked the novel “Love in the Time of Cholera” for her book club. While that particular case didn’t lead any public health officials astray, says Aiello, it’s a vivid example of reactive and irrelevant “noise.”

HealthMap tries to address this problem by using artificial intelligence to filter out repetition and irrelevancies. “We have a database of millions of articles and pieces of content relating to disease outbreaks,” says Freifeld. “We’ll hand-label say 100,000 examples of actual outbreaks and contrast them with things that aren’t related, like an ‘outbreak’ of home runs in the seventh inning. That’s how the system learns what’s useful and what’s not.”

A major reason digital breadcrumbs can lead experts astray is that they can miss a large section of the population. About 22 percent of the US adults use Twitter, but it’s not a random sample. US Twitter users are predominantly wealthier, younger, better-educated and more likely to be Democrats than other Americans. What’s more, most Twitter users don’t tweet all that much: About 80 percent of the tweets from all adult US users come from the most prolific 10 percent. Twitter’s youthful profile is particularly problematic considering that older people—at least according to initial assumptions—have been at more risk of becoming seriously ill. Monitoring health through tweets could thus ignore the most vulnerable among us.

More broadly, social media is justifiably notorious for spreading falsehoods, which in the case of infectious diseases can have deadly consequences. And that, public health researchers say, is always a danger in the search for signals amid the social media noise. Public health depends on trust in public officials, but that trust can quickly erode if a government releases faulty information.

On top of its problems with accuracy, digital epidemiology may increase threats to internet users’ privacy. Unlike Europe, the United States lacks sweeping laws to protect privacy on social media. Platforms such as Google and Facebook routinely license aggregated users’ information to advertisers who can then target pitches based on search contents and “likes.” Using these kinds of data for health surveillance could multiply the risk of privacy abuses, Freifeld says, especially when public health concerns conflict with confidentiality.

Privacy advocates are already sounding the alarm about recent efforts by the White House and US Centers for Disease Control and Prevention to expand their access to Americans’ mobile-phone data to track their locations during the epidemic. Federal health officials hope to incorporate anonymous, aggregated data to follow the spread of the virus and check compliance with new “social distancing” rules.

The growing repository of online public health data became somewhat more open to the public just this month. On March 17, CrowdTangle, a social media monitoring site recently purchased by Facebook, announced it had launched a new feature to let users, including news media organizations, public health officials and researchers, track social trends across sites including Facebook, Instagram and Reddit. The company simultaneously introduced a publicly available hub of streaming, limited real-time displays of official information and social media posts concerning Covid-19 infections caused by the new coronavirus. The social media posts were culled only from public accounts, not private ones.

Voluntary reporting systems may avoid some, although not all, of the biases of run-of-the-mill digital epidemiology. Flu Near You, launched in 2011, uses an anonymous, crowdsourced model to collect data for public health officials and researchers.

A somewhat similar project is FoodBorne Chicago, a Twitter-based surveillance system that monitors complaints of foodborne illness. Based at the Chicago Department of Public Health, it tracks tweets using a machine-learning algorithm that identifies the keywords “food poison.” When local residents type those words, the site tweets back a link with a form to provide details, collecting data that might never otherwise have been reported.

For the last seven years, the CDC has dipped its toe in digital detection of diseases by managing a yearly competition known as FluSight in which researchers from academia and industry attempt to forecast the timing and intensity of the flu season. The CDC requires competitors to use some sort of digital data in their projections.

Meanwhile, researchers are increasingly excited about the potential of including data from more direct measures of wellness and illness. Smart, wearable health-tracking monitors supply a constant stream of data about heart rates, steps taken and quality of sleep.

On March 25, Scripps Research Translational Institute epidemiologist Jennifer Radin, the lead author of a recent study on the potentially “vital” role of Fitbits in disease detection, called on US adult volunteers using any kind of smartwatch or activity tracker to share their health data with researchers by downloading the MyDataHelps mobile app. The researchers hope to use the data to identify changes in resting heart rates that may signify disease, Radin told Knowable. While she acknowledged that a faster heart rate might be induced by simply watching the news, she said volunteers who aren’t feeling well may also list other symptoms on the app.

For the past eight years, a San Francisco startup called Kinsa has been systematically collecting such real-time health data, having recently sold and given away more than 1 million internet-connected thermometers. Oregon State University scientist Benjamin Dalziel, who is collaborating on research funded by Kinsa, says the system can accurately track the flu two weeks ahead of predictions by the CDC and could potentially track Covid-19 as well. On March 18, it began posting new data from its opt-in system about clusters of “atypical fevers” on its “Health Weather Map” at www.healthweather.us.

Dalziel and Kinsa corporate leaders are certain their thermometers can help during this global emergency. “This is the future, however grand that sounds,” Dalziel says. “A fever is a key indicator of an acute respiratory infection. It’s measuring something directly relevant to illness. And while I think there has been stunning work done to extract information from Twitter, a thermometer reading has clearly got an advantage over a tweet.”

Other experts are also enthusiastic about Kinsa’s progress. “Fever monitoring is a great idea given the lack of Covid-specific test kits,” says HealthMap’s Freifeld.

The coronavirus emergency is clearly speeding interest in digital epidemiology. Yet to date, Freifeld and other experts agree that the field’s promise remains more as an adjunct than a substitute for conventional surveillance.

As Aiello, in North Carolina, acknowledges that for the time being, at least: “We’ll need to validate it with traditional shoe-leather data.”

This article originally appeared in Knowable Magazine, an independent journalistic endeavor from Annual Reviews. Sign up for the newsletter.

Read more about the coronavirus outbreak here.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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