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Trump's 10 million barrel tweet is performance art – BNNBloomberg.ca

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Look, we all know basing anything on a tweet from President Donald Trump is a fraught exercise. But oil prices jumped as much as 24 per cent on the back of this on Thursday, so needs must:

Get the obvious out of the way. “I expect & hope,” “maybe,” and “if it happens” are not caveats to be ignored, especially coming from the president who oh-so-recently said coronavirus would disappear “like a miracle.” Initial reports from Saudi Arabia and Russia certainly came across a little more tempered about what had (or hadn’t) been agreed. We can assume that the tweet’s “10 Million Barrels” (and subsequent “15 Million”) figure is probably supposed to be 10-15 million barrels a day, although one can’t entirely rule out the possibility of MBS (Crown Prince) simply throwing out a large-sounding number and then saying “sorry DJT (President), you’re breaking up; try lat-”.

So, as often these days, it’s necessary to hold at least two realities in one’s head at once. One is that Trump misheard, jumped the gun, was misled, or — and I hope you’re sitting down for this — wasn’t being wholly truthful. In that case, let’s hope you timed your trade well on Thursday.

If, on the other hand, we assume Trump did manage to secure an agreement of a big supply cut from Saudi Arabia and Russia, then the obvious question is: What could he offer in return?

For Russia, the obvious candidate would be relief from sanctions, both existing ones related to the annexation of Crimea in 2014 and potential further sanctions lurking in Congress. This seems highly unlikely, though. Venezuela remains a point of friction between the White House and the Kremlin. Meanwhile, Trump will be relying on Congress to pass stimulus measures this side of November, and efforts by the White House to ease up on Russia could provide the impetus for Congress actually tightening sanctions on Moscow. 

For Saudi Arabia, Trump could offer reassurance on general U.S. support, which has looked more and more ambivalent for at least a decade, especially given the tepid U.S. response to September’s attack on Abqaiq. He might also offer to play good cop versus the growing crowd of “bad cops” in Congress calling for punitive tariffs or legislation against Saudi Arabia. Like sanctions with Russia, though, these don’t seem to rise to the level of getting Saudi Arabia to reverse course and chop millions of barrels a day from its oil production.

Possibly, the reality — there’s that word again — is more prosaic and lies somewhere in between.

There’s an implacable mathematical problem confronting all oil producers: The world will soon run out of places to store excess barrels. Trading house Trafigura now estimates 35 million barrels a day — or one-third — of global oil demand has disappeared amid Covid-19 related distancing. When storage maxes out, oil prices will crash further. That will wreak havoc on frackers, but will also accelerate the burn rate on Russia’s and Saudi Arabia’s financial reserves. When refiners stop taking all that crude oil, production will be cut anyway.

Far better for Moscow and Riyadh to do that in the context of a grand bargain, especially if, as some in the oil industry are calling for, the U.S. agrees to contribute some cuts of its own. To be clear, U.S. oil production will start dropping after the summer anyway. But if oil is to avoid hitting the storage wall, then deep cuts would have to begin almost immediately; as Kevin Book of ClearView Energy Partners put it to me on Thursday: “Tweets travel at the speed of light; barrels move at 10 knots.” Trump, never a market purist, would no doubt love to play the dealmaker and earn brownie points with oil producing states (and donors) while he’s at it. Beware, though: Numbers viewed in a tweet can appear larger than they actually are.

Similarly, Putin and Prince Mohammed bin Salman derive a great deal of prestige from acting as power-brokers. Strutting the global stage offers one way of masking the fundamental weaknesses of their respective petro-states. The timing also shouldn’t be lost on anyone: With Saudi Arabia due to set official selling prices for May sales any day now, a bump to oil benchmarks on the back of a presidential tweet and talk about talks offer a reasonable return on a small investment.

For those very same reasons, the U.S. shouldn’t be jumping into such a deal at all (see this). Yet with a further oil crash looming, and political goodies to be derived from being seen to take control, there’s a performative aspect to all this that holds great allure for three practiced performers.

This column does not necessarily reflect the opinion of Bloomberg LP and its owners.

Liam Denning is a Bloomberg Opinion columnist covering energy, mining and commodities. He previously was editor of the Wall Street Journal’s Heard on the Street column and wrote for the Financial Times’ Lex column. He was also an investment banker.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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