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London art galleries find new ways to reach public, promote exhibitions – The London Free Press

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Michael Gibson, owner of the Michael Gibson Gallery on Carling Street. (File photo)


Michael Gibson suspected weeks ago it would be arts and culture on which the public depend to help get them through the COVID-19 pandemic.

Reading, watching movies and television, and listening to music are all helping people occupy their time isolated at home.

And the city’s art galleries have shifted their operations to tap into that reality, going online with podcasts and videos to draw people to their exhibitions, which can be viewed only by appointment while their doors are closed to walk-in traffic during the pandemic.

“The beauty of the website is it’s 24 hours a day, seven days a week and it doesn’t care if it’s raining, snowing or a pandemic,” said Gibson, who was among the vanguard of businesses who tapped the potential of the Internet.

Activity on the gallery’s website (gibsongallery.com) is up 20 per cent over the last month, with people viewing and making inquiries.

“I’d say people clearly have a lot more time on their hands and that leads them to going online and visiting websites,” Gibson said. “As I expected, people have gone to culture to fill their time.

“There’s no sense dwelling on the negative all the time and part of being positive is exploring things that you don’t necessarily do regularly because you don’t have the time.”

Without the usual foot traffic, Gibson admitted sales are “softer.” Some customers continue to buy, but “buying is not necessarily everyone’s priority right now,” he said.

Westland Gallery in Wortley Village launched its first online exhibition, which allows the arts to be viewed and purchased, although private arrangements can be made for viewings.

The new exhibition, titled Off Road, features works by Sheila Davis and Andrew Sookrah. To connect with the public online, the gallery (westlandgallery.ca) has posted videos of interviews, talks and demonstrations by the artists.

Danielle Hoevenaars, the gallery’s associate director, said the gallery has always received “great” support from the Wortley Village community in terms of heavy foot traffic.

“We’ve always had a website and connected by social media, so we thought we’d try and improve the online experience with interviews and videos. And we’ve definitely noticed an increase of traffic on social media, so people are clearly trying to engage that way on their phones and computers,” said Hoevenaars.

“It’s an adjustment for everyone, but I’m certainly enjoying making the videos. It’s different but kind of nice to see that can still be connected.”

Jonathan Bancroft-Snell Gallery, which has grown to one of the country’s most important ceramic art galleries featuring works by more than 120 artists, is also open by appointment only by emailing brian@jonathons.ca or calling 519-859-0682 between 11 a.m. and 2 p.m. Monday to Friday.

Bancroft-Snell, whose husband Stephen White returned on one of the last flights from Mexico, has been in quarantine for 14 days ending Friday. He has turned to social media to keep connected with the public and friends.

Each day at 3 p.m., Bancroft-Snell has been broadcasting a podcast on his Instagram account, #ceramiclondon, where he talks about politics, life, pandemic and art. Plans to celebrate the gallery’s 20th anniversary this month are hold.

“I’m trying to build a little social distancing community,” said Bancroft-Snell. “We’re in unchartered waters right now and we have to stay afloat.”

A few clients have “made advance purchases, sending me cheques for things they might want to buy in the future knowing things are bad now.” One sale Bancroft-Snell made was to a woman also in quarantine, and another for a piece an artist hasn’t completed.

Bancroft-Snell, whose shop is downtown on Dundas Street just west of Wellington Street, also worries for the homeless people living on the street.

“And I’d like to think this (pandemic) will change how we care for each other,” he said.

”This pandemic should be a major wakeup call for us all. And a lot of artists are, all of a sudden, having major difficulties. They don’t have paycheques. They’re in a real bind.”

jbelanger@postmedia.com

Twitter.com/JoeBatLFPress

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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