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Americans Don’t Trust the Media Anymore. So Why Do They Trust the Cuomos? – The New York Times

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At the end of 2013, CNN executives sent word to Chris Cuomo: No more interviewing your brother on television.

The CNN host had taken a little heat when he addressed his older brother, Andrew Cuomo, deferentially as “governor” in an interview about a train accident in New York. Can you really cover your brother fairly? critics asked on Twitter.

So for six years, Chris Cuomo sat by silently while the governor appeared on his morning show “New Day,” but was interviewed by other CNN personalities. The elder Mr. Cuomo used those occasions to mock his little brother so brutally that Jon Stewart made a montage of it. Andrew Cuomo at one point suggested that Chris Cuomo “go into a prison and maybe stay there for about a year or so and then do an exposé on prison life.”

All that changed on Wednesday, March 11. Andrew Cuomo had become too central to the coronavirus story to ignore, and Chris Cuomo’s bosses at CNN gave him the green light.

So in a series of four riveting interviews, Andrew Cuomo, 62, delivered the scary reality of the pandemic to his brother’s audience. He also bragged that he is their mother’s favorite and that Chris — Christopher, he calls him — was the family “meatball.” When the governor’s audio finally dropped, Chris delivered an aside: “This is a great chance for me to say some things to him.”

The Cuomo brothers’ show became a deeper drama last week when Chris Cuomo, 49, revealed his coronavirus diagnosis. He had lost 13 pounds in three days. He chipped a tooth one night when he was in terrible pain. On Thursday, he called into his brother’s daily news conference.

“You came to me in a dream, you had on a very interesting ballet outfit, and you were dancing in the dream, and you were waving a wand and saying, ‘I wish I could wave my wand and make this go away,’” Chris Cuomo told the governor.

The sick guy in his basement roasting his brother is not exactly high-minded journalism. Imagine the reaction, if, say, a Trump family member interviewed the president on Fox News. But it is moving television. And more than anything, it reflects the instincts and inclinations of Jeff Zucker, the morning show producer-turned-corporate executive who now runs CNN.

“It flies against every preconceived notion of normal CNN standards and practices,” Piers Morgan, the former CNN host who is now a co-presenter of “Good Morning Britain,” said in an interview.

“But,” Mr. Morgan added, “the corona governor talking to his victim brother is incredible to watch.”

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Both Cuomos declined to speak about their on-screen relationship. But on his SiriusXM radio show last Tuesday, the younger Cuomo acknowledged that, when interviewing the governor, he’s not an ordinary journalist questioning a public official. He’s offering insight into a man he is close to and hopes his audience can understand more deeply.

“I wanted people to see that he’s not just super-intense on this all the time — that he’s living it with you,” Chris Cuomo said. “He gets it. He’s not a general. He’s a man in full, and he’s worried.”

He acknowledged the obvious conflict of interest. “There will come a time when there’s an accountability measure where it will no longer make sense for it to be me” interviewing the governor, he said.

Even without the almost cinematic story line, the coronavirus moment seemed tailor-made for Chris Cuomo. He’s a high-wattage, emotional journeyman who arrived at CNN to revive its morning show in 2013.

His unpredictable, in-your-face style — on camera and off — didn’t always work in an ensemble. So in 2018, Mr. Zucker moved him to a 9 p.m. slot, opposite MSNBC’s Rachel Maddow and Sean Hannity of Fox News, two ideologically driven powerhouses who typically — and easily — bested CNN in the ratings.

For two years, Mr. Cuomo delivered a solid audience — it is CNN’s top-rated show — but never broke out. His mad-as-hell attacks on government failures lacked the explanatory clarity offered by Ms. Maddow and her MSNBC colleague Chris Hayes. His celebrity quality — taut T-shirts and bulging biceps bared during Hurricane Irma in 2017 and workout videos on Instagram — didn’t connect to the political moment. His most compelling viral moment occurred last year, when he erupted angrily at a guy who called him “Fredo” at a bar on Shelter Island.

But the new crisis plays to his strengths. It is about Mr. Cuomo’s go-to topic: government failure. Audiences are eager for accountability and information. But they are also responding to love, Noah Oppenheim, the president of NBC News who keeps an eye on the competition, said in an interview. “Love between people — whether it’s brothers in high-profile positions, or doctors and patients.”

That is one thing the Cuomos do: They love one another. On March 30, the day a Navy hospital ship arrived in New York, they said “I love you” twice each, in quick succession.

The affection, the combat — this is, friends say, how they are. “I was a little shocked at how open they’re being about this but people seem to really enjoy it,” said a close friend of Chris Cuomo’s, Chris Vlasto, an ABC News executive producer. (I’ve noticed that I’m quoting a lot of men in this column; the Cuomos’ world is very male.)

The boys and their three sisters grew up at the feet of Gov. Mario Cuomo, who served as a counterpoint in the 1980s to the Republican president, Ronald Reagan. Mario Cuomo was the intellectual keeper of the Democratic flame, much as his elder son provides Democrats with their clearest contrast to President Trump today.

The governor was a demanding father who bred intense competitiveness among his children. Andrew was a gear head and his father’s right hand; Chris was the pudgy youngest of five, who worshiped his big brother. “The relationship between Andrew and Chris when they were younger was much more a father and son type relationship,” said John Marino, an aide to Mario Cuomo, who recalled driving to New Jersey with Andrew days before the 1986 New York election to check out a used sports car that Chris wanted. “Mario was governor, he was busy, and Andrew remained very, very close to Chris.”

Their relationship has stayed close, and complex. Andrew is a solitary figure, Chris is an extrovert. Andrew is a behind-the-scenes player, Chris is a performer.

Chris has also been an adviser to his brother, people who have worked for Andrew told me, sometimes extending his advice to the governor’s staff. He’s encouraged his brother’s boldness; he has also encouraged the governor’s prickliness about media coverage, a shared “Cuomo gene,” one friend said.

And now, suddenly, “my brother is this fulcrum point of where we are, and what’s going on, and now all of you are watching CNN for perspective on this and I’m right in the middle of it,” Chris Cuomo said on his radio show. “And now I have coronavirus. So weird.”

He added: “The fact that you think Andrew is sexy is so weird to me.”

CNN’s audience more than doubled from March 9 to April 2, according to Nielsen, outpacing its rivals in audience growth. “Cuomo Prime Time” is up even more, 118 percent. The most-read story on CNN’s website on Thursday — even as news broke that 6.6 million people had filed unemployment claims — was about Mr. Cuomo’s personal battle with the virus.

It’s easy, in this strange moment, to forget how far even outside the stretched norms of television news this is.

But the critics have started to raise eyebrows. The Washington Post’s media columnist, Margaret Sullivan, asked Saturday whether the “journalism ethics police” shouldn’t shut down the whole thing.

Fabian Reinbold, a German foreign correspondent based in Washington, was also puzzled.

“It would be considered highly inappropriate and corrupt back home, but here it is getting applause on Twitter by a lot of colleagues,” Mr. Reinbold said. “Needless to say, there are plenty of such problems in the Fox News/Trump corner as well, but this surprised much more.”

Crises often transform the broadly accepted rules of media. And for a century they’ve pulled news toward emotion and connection. Edward R. Murrow opened a new kind of broadcast news theater when he spoke from a London roof in 1941, and made his audience feel the terror of the Blitz. On Sept. 11, 2001, the business reporter Ron Insana, who witnessed the collapse of the World Trade Center, showed up on “The Today Show” his suit still dusty with ash.

The coronavirus crisis has accelerated trends in American TV. There’s a technological shift; executives are already thinking about how much money they will save by sticking to Skype and Zoom (or, in CNN’s case, Cisco Webex, which struck perhaps the year’s luckiest marketing deal to put its logo on the screen of now-ubiquitous remote interviews). There’s the new experience of seeing reporters and anchors at home — which manages to feel both informal and staged at the same time.

But the biggest shift may be the one Mr. Zucker and the Cuomos are now leading. They are, in their way, answering the endlessly debated question of how to restore trust in media. Do you strive to project an impossible ideal of total objectivity? Or do you reveal more of yourself, on Twitter or on Instagram and in your home?

The old model for authority in public affairs, of course, is a man in a suit and a tie behind a desk. It was appropriated with particular success by Donald Trump on “The Apprentice,” another Zucker creation. Today, daily White House news briefings often feel like clumsily produced episodes of reality television, a kind of parody of old-fashioned TV seriousness.

Meanwhile, Mr. Zucker’s CNN is taking TV news in the other direction, toward reality television and Instagram, winning trust through the projection of a rough-cut realness. The Cuomos aren’t just feeling your pain. You’re feeling theirs.

News organizations invest heavily to build belief in their brands. That’s why CNN calls itself “The Most Trusted Name in News.” But at a moment when celebrities and social media figures seem to be connecting with Americans better than faceless brands, two brothers who share corny jokes and coronavirus fears are turning the “Cuomo” name into its own source of trust.

“You get trust from authenticity and relatability and vulnerability,” Mr. Zucker told me. “That’s what the brothers Cuomo are giving us right now.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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