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Changes to news media support package welcome, but more needed, advocates warn – iPolitics.ca

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News media advocates say changes to the government’s $595-million support package won’t be enough to help the industry weather the COVID-19 pandemic.

Bob Cox, publisher of the Winnipeg Free Press, said he welcomes long-awaited changes to the government’s nearly two-year old financial assistance plan, as problems in the original draft made it unworkable and stalled funding that was supposed to begin in January 2019. But, he said the program was created for an economic landscape where publishers could also rely on advertising revenue, which has since been decimated by the coronavirus pandemic.

READ MORE: News media industry’s troubles intensify during COVID-19 pandemic

“We’ve got an old problem fixed, but we’ve actually got to talk about a new one already,” he said in an interview with iPolitics Monday. 

Cox said revenue at the Winnipeg Free Press has fallen over 30 per cent since mid-March, and he’s heard revenue dropping 40 per cent elsewhere in the industry. 

“Unless you’re a company that relies entirely on readers for your revenue, you’re in a lot of trouble,” he said. 

A release from the Department of Finance on Friday said adjustments to the media sector’s tax measures would ensure they achieve their “initial objectives.” The changes include include allowing news publishers and media organizations that receive support through the Aid to Publishers grant of the Canada Periodical Fund to qualify for the Canadian journalism labour tax credit, as well as enabling the Canadian journalist labour tax credit to be allocated to active members of a qualifying journalism organization that is a partnership, among others. 

Cox previously told iPolitics his corporation was unable to receive funding from the media bailout because it’s a partnership — a business operation between two or more individuals who share management and profits — and it has no way of receiving the tax credit as partnerships don’t file tax returns.

While he said it’s “fantastic” the government is making these changes, he stressed that media organizations are surviving in the pandemic because of the federal government’s emergency wage subsidy program, which pays back 75 per cent of an employee’s wage. 

In contrast, the media hiring credit, known officially as the Journalism Labour Tax Credit, allows Qualified Canadian Journalism Organizations (QCJOs) to apply for a 25 per cent refundable tax credit for salaries or wages of eligible newsroom employees from Jan. 1, 2019 onward. The credit is subject to a cap of $55,000, for a maximum tax credit of $13,750 per employee.

While this could have significantly helped the industry before the coronavirus crisis, Cox said industry players don’t think advertising revenue will return for at least a year after the pandemic, if at all, and the 25 per cent credit simply won’t be enough to offset this loss. 

‘That’s not enough so save news media in the predicament we’re currently in,” he said. “Longer term, there are bigger programs that have been created by COVID,” he said.

Ed Greenspon, president and CEO of the Public Policy Forum, a non-profit that examines policy issues, and the former Globe and Mail Ottawa bureau chief, said the industry has lost two thirds of its revenue since the 2008-09 financial crisis. 

A report from Statista found that advertising revenue for the newspaper industry stood at $3.43 billion in 2003, just a few years before the financial crisis, but more than halved to $1.63 billion by 2018.

“This is an industry that can’t weather a recession,” Greenspon added. “It’s too close to the edge already.”

Greenspon said the federal government’s efforts are best spent fixing the program, rather than designing a new one, noting how long it takes to create an effective policy framework.

He said the government should start by paying out the media tax credit money from 2019 “and get it out the door very quickly” so companies can address a lack of cash flow. He also said the government could start paying out the 2020 money early to help sustain media organizations, noting these changes won’t cost the government more than what’s already been promised to the journalism sector. 

Cox also said the slow flow of funding from the federal government to the industry hasn’t yet been addressed, and would like to see the money from 2019 paid out quickly. 

“That’s what really matters, and there’s this whole question of urgency which still is not addressed,” he said. “That’s what I’d really like to see.”

Camille Gagné-Raynauld, press secretary for Heritage Minister Steven Guilbeault, said  the government is aware the coronavirus pandemic is having a significant impact on Canada’s news media. She said the government has announced adjustments to the journalism tax credits to ensure the measures align with policy intent and help news organizations engage in original written news content.

“Our primary goal with these adjustments is to provide journalistic organizations with greater certainty towards the continuity of their activities and the means to plan ahead for their future,” she said in an emailed statement to iPolitics.  “Our government remains committed to supporting our newsrooms while respecting the core principle of journalistic independence.”

Another potential boost to the sector, Greenspon said, would be for the government to adjust the subscription tax credit from 15 per cent to 50 per cent, even if on a temporary basis. The credit encourages Canadians to subscribe to a media outlet by offering a 15 per cent non-refundable personal income tax credit for digital news subscription costs paid to a QCJO, from anytime after 2019 to before 2025.

Greenspon said increasing the credit might actually encourage people to make a decision to pay for journalism at a time when the industry needs it, but also when people need to stay informed. As the program currently stands, he said 15 per cent is “too low a number to change behaviour.”

Greenspon said it’s likely there will be a bigger solution needed after the five-year tax credit programs ends.

He recommended the federal government create a levy on advertising sales by distributors, referring to platforms like Facebook, Google, and Twitter. He said the levy could be a mechanism to fund organizations who are creating journalistic content, paid for by those who profit from this work but are not investing in it. 

He said a similar program already exists, pointing to the five per cent fee cable and satellite companies contribute to the Canadian Media Fund. 

“We’ve crossed that bridge, philosophically, many years ago in Canada,” he added.

Greenspon said it’s important to make the levy principle-based, rather than just taxing Facebook and Google. He also said the solution would be much better than for democracy and public perception, because publishers wouldn’t be beholden to the government, but would be funded through a private-player to private-player system.

Cox also said the industry needs a solution aside from the nearly $600-million media bailout.

“The conversation is now, what bigger program is needed for news media, to try and save news media in Canada,” he said. 

This article has been updated with a comment from Heritage Minister Steven Guilbeault’s office.

This article has been updated to remove a comment which incorrectly stated that the tax credits would no longer apply just to written journalism.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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